In Narrative Strategies Roston focuses upon the Greene's texts themselves and their manipulation of reader response, highlighting the innovative strategies that Greene developed to cope with the mid-century invalidation of the traditional hero. The result is a stimulating new reading of the major novels.

A study of Graham Greene's fiction from the perspective of ethics and community, focusing on the narrative pattern that emerges from the author's idiosyncratic use of keywords like peace, despair, compassion or commitment. This book explores their potential for the textual articulation of narrative conflict and the dramatization of the ethical.

This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition. Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.

In contrast to the classical detective story, the spy novel tends to be considered a suspect, somewhat subversive genre. While previous studies have focused on its historical, thematic, and ideological dimensions, this critical work examines British espionage fiction's unique narrative form, which is typically elliptical, oblique, and recursive. Featured works include eighteen novels by Eric Ambler, Graham Greene, Len Deighton, John le Carre, Stella Rimington, and Charles Cumming, most of which exemplify the existential or serious spy thriller. Half of these texts pertain to the Cold War era and the other half to its aftermath in the so-called "Age of Terrorism."

A monograph analysing the symbolic role played by contemporary fiction in the break-up of political and cultural consensus in British public life.

Is Graham Greene really the great novelist we think he is? ... In what way did he succeed in keeping his readership spellbound? ... What was the driving force behind his so-called 'Catholicism''... Was there a special reason for him to call The Honorary Consulhis favourite book'... Why is 'clock time' such a matter of great concern to those who otherwise believe the book to be his greatest'... And is there any reason for calling his characters 'empty' or 'full' - and anything in between - instead of just defining them flat or round'... The answers to these and many other intriguing questions are to be found in this captivating analysis of The Honorary Consulby Rudolf E. van Dalm. Instead of being only a study on Graham Greene, it has turned out to be a fascinating report on what makes Greene such an absorbing writer. One of the most gripping publications on the famous British author on the eve of the millennium, the book is both entertaining and instructive.

A Study Guide for Graham Greene's "The End of the Party", excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Studentsfor all of your research needs.

Vegetarianism and Veganism in Literature from the Ancients to the Twenty-First Century re-assesses both canonical and less well-known literary texts to illuminate how vegetarianism and veganism can be understood as literary phenomena, as well as dietary and cultural practices. It offers a broad historical span ranging from ancient thinkers and writers, such as Pythagoras and Ovid, to contemporary novelists, including Ruth L. Ozeki and Jonathan Franzen. The expansive historical scope is complemented by a cross-cultural focus which emphasises that the philosophy behind these diets has developed through a dialogic relationship between east and west. The book demonstrates, also, the way in which carnivorism has functioned as an ideology, one which has underpinned actions harmful to both human and non-human animals.

From The Man Within (1929) to The Captain and the Enemy (1988), Graham Greene engaged in a lifelong dialogue with Joseph Conrad's political, psychological and melodramatic fictions. Repressing Conrad's political anxieties, his early work displaces the protagonist's existential dilemma into the form of the thriller or - alternatively -the 'Catholic' novel. After The Quiet American (1955), however, Greene's novels return to politics, introducing comic variations which transform Conrad's 'masterplot' into a mixed genre uniquely his own, a process charted in this book, the first full-length study of the subject.