With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of debates about cultural institutions during the Victorian era. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections—all are cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.

A collection of the most iconic, stand-out builds from this perennially popular, long-running TV series, as chosen by Kevin McCloud. Grand Designs has had a major impact on domestic architecture and design. As the programme celebrates its 25th anniversary, Grand Designs at 25 showcases Kevin McCloud's selection of the most impressive and memorable self-build projects from the last 25 years. From houses crafted from shipping containers to eco-builds and luxe constructions, these homes demonstrate the extraordinary power of design and of the imagination to create stunning living spaces. In insightful commentary, accompanied by stunning images, Kevin highlights their key features and why the designs work. Along the way, he provides a fascinating view of how the design of our homes has changed to reflect contemporary lifestyles, and the important legacy of this award-winning programme.

Berloquins spellbinding look at codemaking through the ages will grab historyand cryptology buffs alike, as he looks at secret codes from ancient times tothe present.

In the late 1950s, against the unfolding backdrop of the Cold War, American and European leaders began working to reshape Western Europe. Focusing on the four largest Atlantic powers - Britain, France, Germany and the United States - Giauque explores these early stages of European integration.

Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.

Before you kiss goodbye to this ephemeral world the only cradle of mankind You should relish the Wonders of Creation through Jesus Christ, as there is no such thing as Wonders of Science The prophet Moses, who was educated by Pharaoh, and chosen by God as His spokesman, was lifted to the Palace of God to write down the Ten Commandments, dictated by God face to face. In reality Mount Sinai was not the place of their tryst. Another important topic is alien beings scientists are quite in the dark about their origin. This book explains about them for the first time in the history of the world. Now read on to know more about Creation. Information never before revealed to mankind. The author

The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.

The guiding principle of peacebuilding over the past quarter century has been "liberal peace": the promotion of democracy, capitalism, and respect for human rights in an effort to prevent a reoccurrence of the nationalism, fascism, and economic collapse that led to World War II. This tactichas been relatively successful in reducing war between countries, but it has failed to produce lasting peace at the local level. The goals of peacebuilding have changed over time and place, but have always been built around intervention, with the goal of creating "progress" in post-conflictcountries.As Oliver P. Richmond argues in this book, the concept of peace connects the imperial era with the liberal era, and now, neoliberal eras of states and markets, and perhaps with the developing era of technology and mobility. But recent studies have shown that only a minority of modern peaceagreements survive for more than a few years. All of this begs the question of the legitimacy and effectiveness of the liberal peace agenda, particularly for scholars looking at the historical development, justifications, and tools for intervention.This book examines the development of the "grand design" and various subsequent attempts to develop a peaceful international order, and its implications for the current international peace architecture. Richmond examines six main theoretical-historical stages in this process, which have produced asubstantial, though fragile, international peace architecture, always entangled with, and hindered by, what might be described as a counter-peace framework. He contends that post-WWII liberal peace, which has aimed to balance liberty with regulation through law, democracy, human rights, and freetrade, has recently given way to a retrogressive, technologically driven neoliberal peace, which is more oriented towards free trade, counter-terrorism and insurgency, surveillance, and state security. The Grand Design provides a sweeping look at the troubled history of peacebuilding in order toconsider what the next-stage, "post-liberal peace," might look like.

Sooner or later questions such as “Who/and what am I? Where did I come from? How can I find meaning in my life? How can I reduce the pain of self-realisation? What will happen to me when I die?” begin to niggle at each of us. This book provides answers that come from a spirit being named SHEBAKA. The Grand Design books, of which there are five volumes, explore life in all its aspects both in the physical world and in spirit. Inter alia, they explain how we came to inhabit physical bodies and what happens to us when we die; and they provide facts, concepts and suggestions designed to help us, in cooperation with our guides/guardian angels if we so wish, to find ever increasing happiness and fulfillment in our expression.