Ten years later, where are we looking? How do we see things differently? From Ground Zero to Kampala to London to Mumbai, the echoes are still heard, the impact is still felt. The way we interact, the way we travel, our relationship to media and technology, and the very way we regard the world we live in have all been irrevocably changed. Granta 116 will examine the consequences of the attacks that occurred on 11 September 2001 from a global perspective. Rather than recounting where we were when it happened and what we saw, this issue will look at how our lives and viewpoints have been altered since that day. Declan Walsh reports from the tribal areas of northwest Pakistan: breeding ground for Al Qaeda and target of U.S. drone strikes. Elliott Woods travels across the US, talking to recruits, noncombatants and veterans and taking the pulse of a nation a decade at war. Pico Iyer considers what air travel is like in the post-9/11 security state; Nicole Krauss writes a melancholy, impressionistic portrait of family, war, life and death in Paris. Adam Johnson and Nuruddin Farah provide extracts from forthcoming novels: in Johnson's, the 'third mate' on a North Korean fishing trawler listens in on mysterious radio transmissions; in Farah's, a father pleads with a Somali warlord for help finding his runaway son. Showcasing some of the most insightful essayists, fiction writers, poets and visual artists working today, Ten Years Later will explore the complexity of how we regard an event that forever shifted our conceptions of fear, anger and hope.

Everyone knows this country and no one knows it. This issue presents twenty new Japans by its writers and artists, and by residents and visitors and neighbours. A special edition of Granta published simultaneously in Japanese and English.

This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write.

CLASSIC EARLY HORROR IN THE STYLE OF MR JAMES BY A FRIEND AND COLLEAGUE ""This Society consisteth of seven Everlastings, who may be Corporeal or Incorporeal, as Destiny shall determine."" So dictates the first rule of The Everlasting Club, the ghastly and debauched history of which is faithfully recorded herein. Assembled alongside are further narratives of supernatural misadventure and menace, including the curious tale of the death of mathematician Thomas Allen, possible necromancer, definite murder victim; the story of the final days of alchemist Anthony Fryar, discoverer of the Magisterium - the 'master-cure for all human ailments', but sadly not soon enough; and Matthew Makepeace's cautionary tale of unforeseen regret wrought from the dark art of soul transference. These and more ghoulish, macabre classics are reproduced as originally presented in 1919, in this deliciously dark collection. Stunning, digitally re-mastered illustrations 'Ingulphus' was the pseudonym of Arthur Gray (1852-1940), Master of Jesus College, Cambridge from 1912-40. It is this location that acts as the setting for the series of stories originally written for magazines and then collected as Tedious Brief Tales of Granta and Gramarye. A contemporary of M.R. James, Gray wrote these stories in similar style as a compliment to the King's College Provost. With digitally remastered illustrations and a completely re-set text, Oleander's reproduction of this long-lost and much sought-after collection of ghost stories is bound to delight lovers of this classic style of supernatural literature. OTHER RARE, CLASSIC HORROR LITERATURE FROM OLEANDER RANDALLS ROUND by Eleanor Scott (Cut & Paste 9780900891953 to search) THE HOLE OF THE PIT by Adrian Ross (Cut & Paste 9780900891861 to search) STONEGROUND GHOST TALES by EG Swain (Cut & Paste 9780906672433 to search)

Love is not consolation, it is light.' From the author of Maps for Lost Lovers comes a searing, exquisitely written novel set in Pakistan and Afghanistan in the months following 9/11 - a story of war, of one family's losses, and of the simplest, most enduring human impulses. Jeo and Mikal, foster-brothers from a small Pakistani city, secretly enter Afghanistan: not to fight with the Taliban, but to help and care for wounded civilians. But it soon becomes apparent that good intentions can't keep them out of harm's way... From the wilds of Afghanistan to the heart of the family left behind - their blind father haunted for years by the death of his wife, by the mistakes he may have made in the name of Islam and nationhood, Jeo's steadfast wife and her superstitious mother - Aslam's prose takes us on an extraordinary journey.

We call ourselves the Fellowship, or sometimes the Church of God, but the world knew us as the Plymouth Brethren - Ken Follett These Mennonite colonies are self-policed, except in cases of murder. The bishop and the elders came up with a solution to the problem of how to punish the offenders: they would lock all nine men into sheds and basements for three or four decades - Miriam Toews Ivan Chistyakov: diary of a Gulag prison guard Sarah Gerard: going 'Diamond' with Amway Matilda Gustavsson: a false religious miracle Lauren Hough: growing up in the Family Aatish Taseer: with the Brahmins of Benares New fiction by Luke Kennard, Lara Vapnyar and Adam Thorpe Poetry: Will Alexander, Fen Sun Chen, Kelly Schirmann and Javier Zamora Plus, Emmanuel Carrre on photographer Darcy Padilla, and the relationship with her subject, Julie Baird Photography by Tomas van Houtryve and Franoise Huguier, introduced by Eliza Griswold and A.M. Homes

Be it a wrong turn, a bad relationship, a debilitating illness or a war, every action creates a reaction, every move is followed by another move. How do we get out of what we've gotten ourselves into? Granta 118 zooms in close on the phenomenon of the exit strategy. In a new story, Alice Munro writes of an elderly woman whose attempts to care for her husband are undermined by her own deteriorating thought processes; Claire Messud searches for her father's past in Beirut, Lebanon as he lays dying in a hospital in the US; and Aleksandar Hemon remembers the importance of smuggling his family's dog out of war-torn Sarajevo. Exit Strategies also features new writing by John Barth, Anne Tyler, Ann Beattie, and newcomer Chinelo Okparanta - examining how we get ourselves out and the repercussions that follow. Hindsight is 20/20, but it's what we do moving forward that defines us and - in the best of all worlds - redeems us.

Since Granta's inaugural list of the Best of Young British Novelists in 1983 - featuring Salman Rushdie, Ian McEwan, Kazuo Ishiguro, Martin Amis and Julian Barnes - the Best of Young issues have been some of the magazine's most influential. In 2010, Granta looked beyond the English-speaking world with Best of Young Spanish-Language Novelists. Now, with its first-ever issue fully translated from Portuguese in partnership with Granta em Português, the magazine continues its work of celebrating emerging talent from around the world. Submissions by young and promising authors from across Brazil have been read and discussed by a judging panel comprised of the country's foremost literary figures - including Manuel da Costa Pinto, coordinator of the Paraty Literary Festival, Cristovão Tezza is one of the most important writers in the country, and Benjamin Moser, author of a biography on Clarice Lispector. Their final choices will introduce the world to the diversity and uniqueness of Brazilian literature today.