One of the monuments of mid-sixteenth-century Scottish letters is Ane Compendeous Buke of Godlye Psalmes and Spirituall sangis, also known simply as the Gude and Godlie Ballatis, first published in Edinburgh in 1565 and reprinted for decades afterwards. Although a few secular tunes, like “Go from my window” and “John come kiss me now,” are inferred in the volume through the use of poetic parodies, well over a hundred of the collection’s self-described “sangis” give no musical direction whatsoever. A half-century ago, Helena Mennie Shire questioned whether the GGB’s music could be properly recovered, thereby reclaiming it “as a book of versions intended for singing.” Using contrafacta from the early Lutheran repertoire, from Coverdale’s Goostly Psalmes of 1535, and particularly the Forme of Prayers (the Scottish psalter) of 1564, this edition presents tunes and lyrics for all of the songs in the corrected GGB edition of 1578, uniquely preserved at the Huntington Library in San Marino, California.

During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ’Old Hundredth’, ’Martyrs’, and ’French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.

DigiCat Publishing presents to you this special edition of "The Scottish Reformation" (Its Epochs, Episodes, Leaders, and Distinctive Characteristics) by Alexander F. Mitchell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Hary's Wallace is a compelling assertion of Scottish medieval national identity, drawing on tropes of blood and faith; it is the ultimate source for Braveheart.

Comprises 67 verse paraphases of scripture and 5 hymns.

This study examines the song repertory and two poets, Alexander Scott and Alexander Montgomerie, in sixteenth-century Scotland.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 41 is a special issue which features twelve outstanding articles from the International Conference on Medieval and Renaissance Scottish Language and Literature.