YIVO, founded in 1925 in Wilno (Vilnius), is a center for scholarship on East European Jewish history, language, and culture. During the 1920s and early 1930s a network of YIVO affiliates was established across Europe and the Americas including one in New York, which became the institute's new home when YIVO was reestablished in 1940 by members of its board who had escaped from Nazi-occupied Europe. This is the first repository-level finding aid to the archives (over 1,400 collections) of the YIVO Institute for Jewish Research in New York. It includes a brief history of the institute and archives, descriptive entries on each collection, a detailed index of key words and subject headings, and information on the archive's basic services.

In the aftermath of the Holocaust, Jewish historian Zosa Szajkowski gathered up tens of thousands of documents from Nazi buildings in Berlin, and later, public archives and private synagogues in France, and moved them all, illicitly, to New York. In The Archive Thief, Lisa Moses Leff reconstructs Szajkowski's story in all its ambiguity. Born into poverty in Russian Poland, Szajkowski first made his name in Paris as a communist journalist. In the late 1930s, as he saw the threats to Jewish safety rising in Europe, he broke with the party and committed himself to defending his people in a new way, as a scholar associated with the YIVO Institute for Jewish Research. Following a harrowing 1941 escape from France and U.S. army service, Szajkowski struggled to remake his life as a historian, eking out a living as a YIVO archivist in postwar New York. His scholarly output was tremendous nevertheless; he published scores of studies on French Jewish history that opened up new ways of thinking about Jewish emancipation, modernization, and the rise of modern antisemitism. But underlying Szajkowski's scholarly accomplishments were the documents he stole, moved, and eventually sold to American and Israeli research libraries, where they remain today. Part detective story, part analysis of the construction of history, The Archive Thief offers a window into the debates over the rightful ownership of contested Jewish archives and the powerful ideological, economic, and psychological forces that have made Jewish scholars care so deeply about preserving the remnants of their past.

This book is the first history of YIVO, an important center for Jewish culture and politics in the early twentieth century.

The Jewish emigration from Russia after the Revolution of 1917 changed the face of Jewish culture in Western Europe. Russian Jews brought with them the visions of a national Jewish literature in Hebrew, Yiddish or Russian, and new concepts of secular Jewish music and art. Often they acted as intermediaries between Jewish centres in Europe, which resulted in the creation of a single sphere of Jewish culture common to all parts of the European diaspora. Although some stayed in Western Europe for only a few years before moving on to Palestine, the budding Hebrew culture in Palestine would not have been the same without this relatively short period of intense contact between Russian Jewish and Western European cultures.

As a field, German-Jewish Studies emphasizes the dangers of nationalism, monoculturalism, and ethnocentrism, while making room for multilingual and transnational perspectives with questions surrounding migration, refugees, exile, and precarity. Focussing on the relevance and utility of the field for the twenty-first century, German-Jewish Studies explores why studying and applying German-Jewish history and culture must evolve and be given further attention today. The volume brings together an interdisciplinary range of scholars to reconsider the history of antisemitism—as well as intersections of antisemitism with racism and colonialism—and how connections to German Jews shed light on the continuities, ruptures, anxieties, and possible futures of German-speaking Jews and their legacies.

"The story of the first Jewish public library in Europe"--

How do people link the past to the present, marking continuity in the face of the fundamental discontinuities of history? A Time to Gather argues that historical records took on potent value in modern Jewish life as both sources of history and anchors of memory because archives presented oneway of transmitting Jewish culture and history from one generation to another as well as making claims of access to an "authentic" Jewish culture. Indeed, both before the Holocaust and in its aftermath, Jewish leaders around the world felt a shared imperative to muster the forces and resources ofJewish life and culture. It was a "time to gather," a feverish era of collecting and conflict in which archive making was both a response to the ruptures of modernity and a mechanism for communities to express their cultural hegemony.Jason Lustig explores these themes across the arc of the twentieth century by excavating three distinctive archival traditions, that of the Cairo Genizah (and its transfer to Cambridge in the 1890s), folkloristic efforts like those of YIVO, and the Gesamtarchiv der deutschen Juden (Central or TotalArchive of the German Jews) formed in Berlin in 1905. Lustig presents archive-making as an organizing principle of twentieth-century Jewish culture, as a metaphor of great power and broad symbolic meaning with the dispersion and gathering of documents falling in the context of the Jews' longdiasporic history. In this light, creating archives was just as much about the future as it was about the past.