Melt your face off with the guitar greats of Jacksonville. In the 1960s, the electric guitar became for boys what Barbie was for girls. Legions of bands formed, composed of teens making a ruckus in the garage. But who could have guessed how many world-renowned greats would arise from the clangor? Guitar gods came forth from Los Angeles, London, Chicago, Nashville. But there is a southern city often overlooked, an unlikely incubator that produced more than a dozen greats. Legends such as Dickey Betts, Dave Hlubek, Duane Allman, Jeff Carlisi, Mike Campbell and Derek Trucks emerged from Jacksonville, a far-flung city detached from the music hubs. Why did Jacksonville give rise to so many greats? Author Michael Ray FitzGerald explores the origins of this rocking story while paying tribute to the youngsters from Jax who joined the ranks of the guitar gods.

Curated from the archives of FORUM, the award-winning magazine of Florida Humanities, this anthology presents 50 often surprising and always intriguing stories of life in Florida by some of the nation’s most talented writers and scholars  Once Upon a Time in Florida transports readers into the eventful life and times of this remarkable state through 50 stories vividly rendered by some of the nation’s most acclaimed writers and scholars, along with 150 evocative images. This collection opens more than 14,000 years ago with the first people to inhabit the peninsula and continues through the state’s territorial beginnings, the era of slavery, statehood, the Civil War, Reconstruction, the Jim Crow period, and Florida’s transformation into a complex, powerful megastate.  Throughout, readers will encounter the unexpected: The myth-busting truths behind Ponce de Leon’s search for the Fountain of Youth; the real First Thanksgiving; the first legally sanctioned free Black town; the revealing wartime letters of novelist Marjorie Kinnan Rawlings; the Jacksonville principal who penned the lyrics now known as the Black National Anthem; and the little-known story of how Mary McLeod Bethune saved World War II‒era Daytona Beach. The stories also highlight Florida as a magnet for dreamers and doers, featuring the heady days of the Space Age seen through the eyes of a teenager; the secretive mission that brought Walt Disney to Orlando; the music culture that has churned out a stream of Rock and Roll Hall of Famers; and a look at how Florida’s glossy image has been indelibly shaped through the eyes of Hollywood.  Told through the lens of the humanities, at its heart this anthology is the story of what it means to be a Floridian. In these pages, folklorist Stetson Kennedy travels the back roads with novelist Zora Neale Hurston, capturing vanishing stories and songs. Former U.S. Representative Ileana Ros-Lehtinen, the first Latina in Congress, remembers her family’s early days as Cuban refugees. Novelist Lauren Groff describes how the writings of literary giants taught her to love Florida. Columnist Bill Maxwell and novelist Beverly Coyle, who grew up in the waning days of Jim Crow, share clear-eyed memories of experiences as different as black and white. And southern grit writer Harry Crews tells of a family memory evoked by the Suwannee River.  There is much more to discover in this vibrant anthology, which celebrates the 50th anniversary of Florida Humanities, the state affiliate of the National Endowment for the Humanities, and presents selections from the timeless and treasure-filled archives of Florida Humanities’ award-winning FORUM magazine. Contributors: Jerald T. Milanich | J. Michael Francis | Michael Gannon | Kathleen Deagan | Darcie A. MacMahon | Larry Eugene Rivers | Robert A. Taylor | Casey Blanton | Rick Kilby | Gary R. Mormino | Stetson Kennedy | Betty Jean Steinshouer | Gordon Patterson | Rick Edmonds | Andrea Brunais | Steven Noll | Richard Foglesong | Eric Deggans | Bill Maxwell | Beverly Coyle | David R. Colburn | Nila Do Simon | Stephen J. Whitfield | Willie Johns | Ron Cunningham | Jon Wilson | Dalia Colón | Bill DeYoung | Maude Heurtelou | Lauren Groff | Maurice J. O’Sullivan | Michele Currie Navakas | Craig Pittman | Thomas Hallock | Edna Buchanan | Philip Caputo | Gary Monroe | Peter B. Gallagher | Bob Kealing | Jack E. Davis | Charlie Hailey | Terry Tomalin | Bill Belleville | Cynthia Barnett | Jack E. Davis | Jeff Klinkenberg | Harry Crews Distributed on behalf of Florida Humanities

This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.

The origin story of a groundbreaking album The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. In Play All Night!, Bob Beatty dives deep into the motivations and musical background of band founder Duane Allman to tell the story of what made this album not just a smash hit, but one of the most important live rock albums in history.  Featuring insights from bootleg tapes, radio ads, early reviews, never-before-published photos, and the memories of band members, fans, and friends, Beatty chronicles how Allman rejected the traditional route of music business success—hit singles and record sales—and built a band that was at its best jamming live on stage, feeding off the crowd’s energy, and pushing each other to new heights of virtuosic improvisation. Every challenge, from recruiting a group of relatively unknown but established musicians like Jaimoe and Dickey Betts, touring the American South as an interracial band, and the failure of their first two studio albums, sharpened Allman’s determination to pursue the band’s truly unique sound. He made a bold choice—to record their next album live at Bill Graham’s famous concert hall in New York’s Lower East Side, a gamble that launched a new strand of American music to the top of the charts.  Four days after the album went gold, Duane Allman was killed in a motorcycle accident. He was 24. This book explores how At Fillmore East cemented Allman’s legacy as a strong-willed, self-taught visionary, giving fans of Southern rock and all readers interested in the role of rock music in American popular culture a new appreciation for this pathbreaking album.

Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more.

Many of the architects of rock and roll in the 1950s, including Elvis Presley, Jerry Lee Lewis, and Little Richard, were Southerners who were rooted in the distinctive regional traditions of country, blues, and R&B. As the impact of the British Invasion and the psychedelic era faded at the end of the following decade, such performers as Bob Dylan and the Band returned to the simplicity of American roots music, paving the way for Southern groups to reclaim their region's rock-and-roll heritage. Embracing both Southern musical traditions and a long-haired countercultural aesthetic, such artists as the Allman Brothers Band and Lynyrd Skynyrd forged a new musical community that Charlie Daniels called “a genre of people more than a genre of music.” Focusing primarily on the music's golden age of the 1970s, Southbound profiles the musicians, producers, record labels, and movers and shakers that defined Southern rock, including the Allmans, Skynyrd, the Marshall Tucker Band, Wet Willie, the Charlie Daniels Band, Elvin Bishop, the Outlaws, the Atlanta Rhythm Section, .38 Special, ZZ Top, and many others. From the rise and fall of the mighty Capricorn Records to the music's role in helping Jimmy Carter win the White House and to its continuing legacy and influence, this is the story of Southern rock.

B&W photos throughout

Explore the electrifying legacy of the world's most influential guitarists in "The Strings that Changed Music: The 100 Greatest Guitarists of All Time." This comprehensive anthology delves into the lives and careers of 100 iconic guitarists whose talent and innovation have shaped the sound of music across genres and generations. From Jimi Hendrix's revolutionary techniques to Eric Clapton's soulful blues, and from Eddie Van Halen's explosive riffs to B.B. King's expressive bends, this book covers the breadth and depth of guitar mastery. Each chapter offers an in-depth look at a different guitarist, highlighting their unique style, groundbreaking contributions, and the stories behind their rise to fame. Perfect for music lovers, guitar enthusiasts, and anyone who appreciates the artistry of exceptional musicians, "The Strings that Changed Music" is a celebration of the guitar's powerful role in shaping modern music and the extraordinary individuals who have mastered its strings.

This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway. His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.