Pink Floyd's extraordinary career has now spanned four decades, from their early days pushing the cutting edge of British psychedelic pop to their massive successes with moody, conceptual masterpieces like Dark Side of the Moon, Wish You Were Here and The Wall, to their acrimonious split with Roger Waters and finally, the immense stadium tours that followed. Throughout, Pink Floyd has influenced everyone from David Bowie to Nine Inch Nails to Radiohead, and their albums continue to have timeless appeal. Now, premier interview journalist Alan di Perna and the editors of Guitar World have collected penetrating interviews and insights into Roger Waters, David Gilmour, Nick Mason, and Rick Wright to create a vivid portrait of a notoriously reclusive band.

(Guitar World Presents). This exciting book from the editors of Guitar World is a treasure trove for any guitarist. Featuring electrifying profiles of everyone from hard rock gods (Wes Borland, Dimebag Darrell, Tony Iommi) to British giants (Eric Clapton, Jimmy Page, even Nigel Tufnel) to trailblazing bluesmen (John Lee Hooker, Reverend Gary Davis) to country gents (Clarence White, Albert Lee) to the founding fathers (Chuck Berry, Dick Dale) as well as jazzmen, progressive rockers, punks and rockabilly superstars, Guitar World's 100 Greatest Guitarists puts all these inspiring masters at your fingertips. But the fun doesn't stop there. Guitar World has also assembled the riveting stories behind the 100 greatest guitar solos. You know them note-for-note, from David Gilmour's transcendent phrasing in "Comfortably Numb" to Jimi Hendrix's rich notes in "Little Wing" to Kurt Cobain's unforgettable melodic turns in "Smells Like Teen Spirit," and now you can get the inside stories of how these magic moments were captured for all time. Rounding off the collection is bonus material such as a lesson with Metallica's Kirk Hammet, a guide to the 12 greatest guitar tones, and 25 guitar masters weighing in on their favorite solos.

For nearly a decade, “Dear Guitar Hero” – where everyday fans get a chance to ask their hero a question – has remained one of Guitar World magazine's most popular departments. Now the best of these interviews with rock's most inspiring six-string icons are presented here in one volume. Dear Guitar Hero features interviews with a broad range of celebrity guitarists, from such rock legends as Jimmy Page, Eddie Van Halen, Ace Frehley, and Billy Gibbons to such superstar shredders as Steve Vai, Joe Satriani, and Paul Gilbert to such heroes of the modern rock world as Dave Grohl, Jerry Cantrell, and Warren Haynes. Through the years, Guitar World readers have proven themselves to be fearless when asking questions of their guitar idols, often touching on subjects others would be reluctant to broach. Whether it's the truth behind the Allman Brothers' legendary At Fillmore East album cover photo and the illegal substance in Duane Allman's hand, what Ritchie Blackmore meant when he referred to Eric Clapton as “not a very good guitar player ” or Dave Mustaine's true feelings about Metallica drummer Lars Ulrich, Dear Guitar Hero features revealing conversations with many of the most legendary figures in rock guitar history.

The Routledge Handbook of Pink Floyd is intended for scholars and researchers of popular music, as well as music industry professionals and fans of the band. It brings together international researchers to assess, evaluate and reformulate approaches to the critical study and interpretation of one of the world’s most important and successful bands. For the first time, this Handbook will ‘tear down the wall,’ examining the band’s collective artistic creations and the influence of social, technological, commercial and political environments over several decades on their work. Divided into five parts, the book provides a thoroughly contextualised overview of the musical works of Pink Floyd, including coverage of performance and sound; media, reception and fandom; genre; periods of Pink Floyd’s work; and aesthetics and subjectivity. Drawing on art, design, performance, culture and counterculture, emergent theoretical resources and analytical frames are evaluated and discussed from across the social sciences, humanities and creative arts. The Handbook is intended for scholars and researchers of popular music, as well as music industry professionals. It will appeal across a range of related subjects from music production to cultural studies and media/communication studies.

Once again proving its indestructible, eternal appeal, metal is in yet another renaissance, be it the aggressive marriage of rap and metal or the expansive soundscapes of "stoner rock." From the nightmarish theatrics and irresistible hooks of the 9-member band Slipknot to the buzz saw aggression of Korn to the anarchic party vibe of Limp Bizkit, metal continues to change with the times, picking up seemingly disparate styles and making them new again. Guitar World has never failed to offer the best coverage of this enduring and explosive scene, and the collected pieces here are a must for every metal fan.

The newest addition to the best-selling All the Songs series details the unique recording history of Pink Floyd, one of the world's most commercially successful and influential rock bands. Since 1965, Pink Floyd been recording sonically experimental and philosophical music, selling more than 250 million records worldwide, including two of the best-selling albums of all time Dark Side of the Moon and The Wall. While much is known about this iconic group, few books provide a comprehensive history of their time in the studio. In Pink Floyd All the Songs, authors Margotin and Guesdon describe the origin of their nearly 200 released songs, details from the recording studio, what instruments were used, and behind-the-scenes stories of the tensions that helped drive the band. Organized chronologically by album, this massive, 544-page hardcover begins with their 1967 debut album The Piper at the Gates of Dawn, the only one recorded under founding member Syd Barrett's leadership; through the loss of Barrett and the addition of David Gilmour; to Richard Wright leaving the band in 1979 but returning; to Roger Waters leaving in 1985 and the albums recorded since his departure, including their 2014 farewell album, The Endless River, which was downloaded 12 million times on Spotify the week it was released. Packed with more than 500 photos, All the Songs is also filled with stories fans treasure, such as Waters working with engineer Alan Parsons to employ revolutionary recording techniques for The Dark Side of the Moon at Abbey Road Studios in 1972 or producer Bob's Ezrin's contribution in refining Water's original sprawling vision for The Wall.

For 30 years, Guitar World magazine has served as North America's leading publication for rock guitarists – and with more than 325 issues under its belt, the world's bestselling guitar magazine is showing no signs of slowing down. In this extraordinary book, the complete history of Guitar World is chronicled – from July 1980, when the very first issue, which featured Johnny Winter on its cover, took the guitar-playing community by storm, to issues from 2010 featuring the likes of Jimi Hendrix, John Mayer, Keith Richards, and many other guitar icons. Frank Zappa, Eddie Van Halen, Stevie Ray Vaughan, Kurt Cobain, Jimmy Page, and Eric Clapton are just some of the artists who have sat down with Guitar World over the years: the full transcripts of these legendary, revealing interviews are here. This lavishly illustrated edition takes you behind the scenes of such monumental events as Nirvana's Unplugged performance, Stevie Ray Vaughan's funeral, and the making of Led Zeppelin IV, and includes Guitar World's great dual interviews: Jimmy Page and Jeff Beck, Tony Iommi and James Hetfield, Steve Vai and Joe Satriani, and more. Rock music has gone through many changes since 1980 – bands have come and gone, musical styles have shifted dramatically, heroes have fallen – and through it all, Guitar World has been there, reporting on the events of the day and interviewing the musicians who keep the genre alive. It's all here, in The Complete History of Guitar World.

Pink Floyd tapped into the deep roots people have in philosophy, psychology, religion, literature, and history, and their 1973 album The Dark Side of the Moon continues to appeal to people after almost fifty years. This book explains how the album evokes and resonates with so many cultural chords in all of us. "More Than Music is a rigorous examination of one of the most enduring records of all time, Pink Floyd’s The Dark Side of the Moon. Analyzing the album from many different avenues, the book provides clear correlations of the music and lyrics to many aspects of human culture, from ancient times to the present. Each song is examined line by line to show how the album evokes and ties together themes from myriad philosophical, mythological, psychological, religious, historical, literary, and other cultural sources. The book shows how William James and Carl Jung, Ecclesiastes and Kierkegaard, D.H. Lawrence and T.S. Eliot, Horace and Orwell, Jesus and Buddha, Beethoven and Strauss, William Blake and Jean-Paul Sartre, The Beatles and Gilbert and Sullivan resonate throughout The Dark Side of the Moon. They are among the most powerful sources of who we are and why. Coming to see how the album knits together so many diverse elements into a seamless whole, the interplay of many factors that make up society is illuminated. This book will give readers a new way of looking at how the factors of philosophy, religion, psychology, mythology, literature and poetry, history and politics derive meaning and depth from each other. Readers will never listen to The Dark Side of the Moon the same way, but they’ll never look at the underlying factors the same way again, either.

The endurance of Pink Floyd's The Dark Side of the Moon on the Billboard Top 100 Chart is legendary, and its continuing sales and ongoing radio airplay ensure its inclusion on almost every conceivable list of rock's greatest albums. This collection of essays provides indispensable studies of the monumental 1973 album from a variety of musical, cultural, literary and social perspectives. The development and change of the songs is considered closely, from the earliest recordings through to the live, filmed performance at London's Earls Court in 1994. The band became almost synonymous with audio-visual innovations, and the performances of the album at live shows were spectacular moments of mass-culture although Roger Waters himself spoke out against such mass spectacles. The band's stage performances of the album serve to illustrate the multifaceted and complicated relationship between modern culture and technology. The album is therefore placed within the context of developments in late 1960s/early 1970s popular music, with particular focus on the use of a variety of segues between tracks which give the album a multidimensional unity that is lacking in Pink Floyd's later concept albums. Beginning with 'Breathe' and culminating in 'Eclipse', a tonal and motivic coherence unifies the structure of this modern song cycle. The album is also considered in the light of modern day 'tribute' bands, with a discussion of the social groups who have the strongest response to the music being elaborated alongside the status of mediated representations and their relation to the 'real' Pink Floyd.