"The Pozzi Gospels, completed by Hakob Jughayets'i, includes an extraordinary series of portraits, narrative miniatures and marginal figures. Copied and illuminated under the protection of a church in the city of Keghi (modern Kigi, fifty miles south-west of Erzurum), Hakob's sparkling, vibrant palette, expressive wide-eyed figures, and iconographic inventiveness are at their most distinctive in this early work." "This is the first monograph to trace Hakob's development from his beginnings in Armenia in the 1580s to his later works in Safavid Persia, at Isfahan, in 1607 and 1610. The study constructs Hakob's biography, explores his artistic development, and evaluates his career within the context of late 16th-century Armenian politics, culture and devotion. Illustrated with reproductions of miniatures produced at every stage of his career, it reveals the singular artistic vision of Hakob himself and the dynamism of contemporary Armenian illumination."--BOOK JACKET.

The various versions of the Infancy Gospels illustrate how stories about the Virgin and Child lend themselves to be told and retold - much like the stories in the canonical Gospels. This first translation of the full text of the Armenian Gospel of the Infancy, itself derived from a sixth-century Syriac text that no longer exists, provides two variants of the famous narrative and several recensions or ancient editions. Stories about Jesus, many of them unique to this gospel, are included to show how he exercised his sovereign and divine will even as a child. This edition also contains three early Armenian versions of the Protevangelium of James, which with other ancient sources dependent on it (like the Infancy Gospel of Thomas and the Gospel of Pseudo-Matthew) constitute the basic tradition in the formation of the later Infancy Gospels. These writings are our earliest sources about the parents of the Virgin Mary (Joachim and Anne) and her miraculous birth. They also form the basis for the dogma of her Immaculate Conception and perpetual virginity after the birth of Jesus, and lay the ground for certain of the Marian feasts celebrated since the fourth century. Terian's engaging introduction and annotation of the texts place this rare document clearly in its cultural and historical context and provide extensive references to the surrounding textual tradition. These extraordinary stories will appeal to all with an interest in the early church.

Aiming to develop a less studied literary genre, this book provides a well-rounded picture of spiritual and physical diseases and their remedies as they were ingrained in the imagination and practices of Middle Eastern Abrahamic cultures, with a special emphasis of Christian communities (Greeks/Byzantines, Syrians, Armenians, Georgians, Ethiopians). The volume traces traditions dealing with the onset of a disease in the body and soul, the search for remedy, the maintenance of healing, and the engagement of these processes with faith—either through their affirmation in the public sphere or remaining within the personal framework, as in monastic traditions. A recurring presence in religious literature and the history of the intellectual world, the confrontation between disease and healing may well still be current for our modern understanding of the paths to seeking and maintaining the health of one’s body and soul, without excluding the factor of faith as a core principle.

This book examines the arts and artistic exchanges at the ‘Christian Oriental’ fringes of Europe, especially Armenia. It starts with the architecture, history and inhabitants of the lesser known pilgrim compounds at the Vatican in the Middle Ages and Renaissance, of Hungary, Germany, but namely those of the most ancient of Churches, the Churches of the Christian Orient Ethiopia and Armenia. Without taking an Eurocentric view, this book explores the role of missionaries, merchants, artists (for example Momik, Giotto, Minas, Domenico Veneziano, Duerer), and artefacts (such as fabrics, inscriptions and symbols) travelling into both directions along the western stretch of the Silk Road between Ayas (Cilicia), ancient Armenia and North-western Iran. This area was truly global before globalization, was a site of intense cultural exchanges and East-West cultural transmissions. This book opens a new research window into the culturally mixed landscapes in the Christian Orient, the Middle East and North-eastern Africa by taking into consideration their many indigenous and foreign artistic components and embeds Armenian arts into today’s wider art historical discourse. This book will be of interest to scholars in art history, architectural history, missions, trade, Middle Eastern arts and the arts of the Southern Caucasus.

The Text of the New Testament in Contemporary Research provides up-to-date discussions of every major aspect of New Testament textual criticism. Written by internationally acknowledged experts, the twenty-four essays evaluate all significant advances in the field since the 1950s.

The Life of Mashtots' is mostly praise for the inventor of the Armenian alphabet--the only inventor of an ancient alphabet known by name--and progenitor of Armenian literacy that began with the translation of the Bible. Written three years after his death, by an early disciple named Koriwn, it narrates the master's endeavors in search for letters, the establishment of schools, and the ensuing literary activity that yielded countless translations of religious texts known in the Early Church of the East. As an encomium from Late Antiquity, The Life of Mashtots' exhibits all the literary features of the genre to which it belongs, delineated through rhetorical analysis by Abraham Terian, who comments on the entire document almost phrase by phrase. Translated from the latest Armenian edition of the text (2003), this edition of The Life of Mashtots' includes a facing English translation and commentary. The extraordinary narrative parades historical characters including the Patriarch of the Armenian Church, Catholicos Sahak (d. 439), the Arsacid King of Armenia, Vramshapuh (r. 401-417), and the Roman Emperor of the East, Theodosius II (r. 408-450). Koriwn is an eminently inspiring rhetorical writer and one of the first four authors known to write in the newly invented script. The marked influence of The Life of Mashtots' is discernible in subsequent Armenian writings of the fifth century, dubbed 'The Golden Era'.

Including an international directory of museum permanent collection catalogs.