The second edition of Half in Love with Death gives therapists new tools to help manage chronically suicidal patients. Clinicians will learn how to tolerate suicidality, understand the inner world of patients, avoid repeated hospitalizations, and focus on life situations that maintain suicidal ideas and behaviors. This new edition includes a number of major updates and a new chapter on the epidemiology of suicidality. Each chapter develops a theoretical perspective based on empirical data, and many are illustrated by clinical examples. Topics addressed throughout the text include: Distinctions among various types of suicidality The inner world of the chronically suicidal patient, with a particular focus on pain, emptiness, and hopelessness The relationship between chronic suicidality and personality disorders, especially the category of borderline personality The effectiveness of psychotherapy and pharmacotherapy for chronically suicidal patients The risks of litigation in managing this patient population This is a crucially important resource for clinicians who treat chronically suicidal patients, one that provides enlightened and evidence-based guidelines.

It's the era of peace and love in the 1960s, but nothing is peaceful in Caroline's life. Since her beautiful older sister disappeared, fifteen-year-old Caroline might as well have disappeared too. She's invisible to her parents, who can't stop blaming each other. The police keep following up on leads even Caroline knows are foolish. The only one who seems to care about her is Tony, her sister's older boyfriend, who soothes Caroline's desperate heart every time he turns his magical blue eyes on her. Tony is convinced that the answer to Jess's disappearance is in California, the land of endless summer, among the street culture of runaways and flower children. Come with me, Tony says to Caroline, and we'll find her together. Tony is so loving, and all he cares about is bringing Jess home. And so Caroline follows, and closes a door behind her that may never open again, in a heartfelt thriller that never lets up.

The local community college and an antique dealer team up to have a workshop for artists. One local man, Burt Collins, isn't fond of the art, and he isn't fond of having the artists in town. Sheriff Dan Rhodes is called to the antique store because Collins has been accused of vandalizing some paintings. When Rhodes arrives, two men are restraining Collins. But before Rhodes can take Collins into custody, a near riot breaks out. Rhodes gets the situation under control with the help of college math instructor and wannabe cop Seepy Benton. Later that day Rhodes has to help the county animal control officer round up some runaway donkeys, and that evening there's a robbery at a local convenience store. After looking into the robbery, Rhodes goes by to see Collins and talk to him about the vandalism. Collins isn't talking because he's been killed, his head bashed in with a bust of Dale Earnhardt, Jr. Rhodes is faced with other problems, too: a naked woman in a roadside park and a gang of meth-cookers. It seems as if a Sheriff's work is never done. Half in Love with Artful Death is the 21st book in this entertaining and original series. It's the perfect time for mystery fans to discover this Texan star of the genre, Bill Crider.

After the agony of witnessing her mother's multiple—and ultimately successful—suicide attempts, Linda Gray Sexton, daughter of the acclaimed poet Anne Sexton, struggles with an engulfing undertow of depression. Here, with powerful, unsparing prose, Sexton conveys her urgent need to escape the legacy of suicide that consumed her family—a topic rarely explored, even today, in such poignant depth. Linda Gray Sexton tries multiple times to kill herself—even though as a daughter, sister, wife, and most importantly, a mother, she knows the pain her act would cause. But unlike her mother's story, Linda's is ultimately one of triumph. Through the help of family, therapy, and medicine, she confronts deep–seated issues and curbs the haunting cycle of suicide she once seemed destined to inherit.

John Keats, 1795-1821, English poet.

Comprehensive student-friendly resources designed for teaching Cambridge International AS and A Level Literature in English (syllabus 9695). This Coursebook is a comprehensive guide to the study of Literature in English at AS and A Level, encouraging both the enjoyment of literature and rigorous academic study. It provides a clear approach for any Literature studies syllabus, and is divided into three parts: Part 1 and Part 2 covering poetry, prose and drama at AS and A Level respectively, and Part 3 covering key skills needed to succeed in assessment. It contains a range of stimulating literary material from around the world, including poems and extracts from plays and prose fiction, selected to include Cambridge set texts.

Occasioned by the spirit of celebrating Keats's 200th birthday (31 October 1995), Jeffrey C. Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics. Keats emerges as a poet uniquely available and useful to the experimental poets of our own time.

In this companion volume to William Faulkner: The Yoknapatawpha Country, Cleanth Brooks takes an in-depth look at Faulkner's early poetry and prose as well as his five non-Yoknapatawpha novels -- Soldiers Pay, Mosquitoes, Pylon, The Wild Palms, and A Fable. Brooks also offers relevant clarification of some of his earlier interpretations of Faulkner that have been challenged -- most notably in the case of Faulkner that have been challenged -- most notable in the case of Absalom, Absalom!, which he considers Faulkner's greatest novel. Recognizing that the creative and imaginative center of Faulkner's art is Yoknapatawpha County, Brooks examines the merits of each of the works set beyond these boundaries and explores how these writings complement Faulkner as an artist. He sheds light on the literary sources that influenced Faulkner's early work and the technical innovations and general themes Faulkner was to develop in his later writing. The notes and appendixes with which Brooks concludes Toward Yoknapatawpha and Beyond serve only to amplify this comprehensive study.

This biography of Malcolm Muggeridge traces the varied life of one of the most brilliant and controversial men of the twentieth century. The author, Ian Hunter, was given full access to all of Muggeridge's unpublished material, letters, and diaries. The result is an objective, well-researched, and honest account that is sometimes at variance with Muggeridge's own recollection of events. Ian Hunter captures the humor, the intellect, the rawness of perception, the abandoned honesty of a man engaged in knowing himself, his world, and his God. Malcolm Muggeridge was not merely a "vendor of words," as he invariably described himself, but was also a celebrated author, broadcaster, lecturer, debater, traveller, journalist and television personality, a one-time ardent admirer of the Soviet system, a World War II intelligence agent, and a former agnostic turned committed Christian. To many people, however, Malcolm Muggeridge was admired above all for his superb use of the English language. It is to the credit of Ian Hunter that after reading this biography one has a clearer understanding of an extraordinary man. Dr. Ian Hunter is professor emeritus at the University of Western Ontario. His articles and reviews have appeared in many Canadian and American poublications. He edited two collections of Muggeridge's writings: Things Past and The Very Best of Malcolm Muggeridge; he also wrote a biography of Muggeridge's friend, Hesketh Pearson (Nothing to Repent: The Life of Heskerth Pearson).