This work defines the dramatic rationale of the Hamlet soliloquies in their dramatic contexts, thereby clarifying the tragic idea that organizes the play.

In "Modern Hamlets and Their Soliloquies" (Iowa, 1992), Mary Maher examined how modern actors have chosen to perform HamletOCOs soliloquies, and why they made the choices they made, within the context of their specific productions of the play. Adding to original interviews with, among others, Derek Jacobi, David Warner, Kevin Kline, and Ben Kingsley, "Modern Hamlets and Their Soliloquies: An Expanded Edition" offers two new and insightful interviews, one with Kenneth Branagh, focusing on his 1997 film production of the play, and one with Simon Russell Beale, discussing his 2000-2001 run as Hamlet at the Royal National Theatre."

Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves.

Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards.

Wood finds in Hamlet a series of violations of generic expectation that opens up the narrow range of revenge tragedy to the fuller scope of tragedy proper. Because Hamlet problematizes genre, we become aware of the problems generated when mythic narrative is infused with self-conscious dramatic characters. The resulting ambivalence of the generic framework makes possible the play's generalized challenge to institutions of social order.

Designed for first year students, this innovative guide builds on the usual knowledge base of students beginning literary study in HE by focusing on the familiar characters but introducing more sophisticated analysis.

'Now I am alone,' says Hamlet before speaking a soliloquy. But what is a Shakespearean soliloquy? How has it been understood in literary and theatrical history? How does it work in screen versions of Shakespeare? What influence has it had? Neil Corcoran offers a thorough exploration and explanation of the origin, nature, development and reception of Shakespeare's soliloquies. Divided into four parts, the book supplies the historical, dramatic and theoretical contexts necessary to understanding, offers extensive and insightful close readings of particular soliloquies and includes interviews with eight renowned Shakespearean actors providing details of the practical performance of the soliloquy. A comprehensive study of a key aspect of Shakespeare's dramatic art, this book is ideal for students and theatre-goers keen to understand the complexities and rewards of Shakespeare's unique use of the soliloquy.

The enigmatic psyche of Hamlet, the prince of Denmark has raised myriad critical opinions, which see him as an indecisive hero, a lunatic, misogynist and a philosopher who failed as a son, lover and prince, leading a life of incest shadowed by inferiority complex and paranoia. The result is the son becoming the bane of his family. The book takes a fresh look at Hamlet, the hero, from a novel angle in the light of the philosophy of the Bhagavadgita, and projects him as a hero who fights many a battle in his mind against his own gunas until he gets refined as a Trigunatita. A glance at Hamlet criticism provides a kaleidoscopic view of the extensive critical readings on Hamlet ever since the text was published. This work captivates converging and diverging elements of the two masterpieces. In Hamlet and Arjuna: Birds of a Feather, Dr. Salia Rex analyses the psyche and actions of Hamlet, the tragic hero of William Shakespeare, and Arjuna, the mythological hero of Veda Vyasa, to unearth their converging elements and quintessential uniqueness as heroes.

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Vechta, language: English, abstract: William Shakespeare ́s ́Hamlet ́ is of great cultural significance. It was published around 1600/1601, marking the transition from the 16th to the 17th century. It reflects upon spiritual and cultural conflicts of the Elizabethan period more intensively than any other literary work. It includes a variety of philosophical, theological, political, literary and general references. With Hamlet, a new form of interiority is born, "the sense of being inside a character ́s psyche and following it ́s twists and turns." This interiority is predominantly shown to the audience by the use of soliloquies. Shakespeare ́s lifework includes a great variety of soliloquies. Hamlet is commonly associated with one phrase: ́to be or not to be`. In this work, I am going to give an overview of Hamlet ́s soliloquies, concentrating on `to be or not to be ́. Before that, I am going to briefly explain the difference between soliloquy and monologue.

This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Among the contributors to this issue are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US.