This is a detailed, sensitive, and enlightening autobiography by one of the 19th century's most influential women.

Reprint of the original, first published in 1877.

The Essays in this volume explore the work of Harriet Martineau from a sociological perspective, highlighting her theoretical contributions in the areas of the sociology of labor, gender and political economy. The contributors each offer a contextual, theoretical and methodological assessment of her work beginning with the opportunities and challenges of utilizing Martineau pedagogically in the sociology classroom.

Queen Victoria was an avid reader of her works and Charles Darwin said of her, "...one ought not to look at her as a woman." The novelist Margaret Oliphant said "as a born lecturer and politician she [Martineau] was less distinctively affected by her sex than perhaps any other, male or female, of her generation. Famed for her writing, sharp intellect, and wonderful wit, Harriet Martineau was a friend or acquaintance of nearly every English luminary of the mid-nineteenth century. Her writing included fiction but was primarily essays on all the great issues of her day. In this witty autobiography, she expounds on travel, America, slavery, friends, being a writer, fame, her failing health, and mesmerism. She never fails to entertain! For the first time ever, this long-out-of-print book is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE or download a sample.

Harriet Martineau lived an extraordinary literary life. She became a reviewer and journalist in the 1820s when her family’s fortune collapsed; published a best-selling series, Illustrations of Political Economy (1832-34), that made her fame and fortune by the age of thirty; overcame a hearing disability to become a "literary lion" in London society; toured the United States and wrote two founding texts of sociology based on her experiences; explored north Africa and the Middle East to observe non-European societies; wrote "leaders" (editorials) on slavery for the London Daily News during the American Civil War; and commented publicly on matters of politics, history, and religion in an era when women supposedly maintained their place in the sphere of domesticity. This edition of her Autobiography reproduces the original 1877 text, which Martineau composed in 1855 and had printed in anticipation of her death. It includes illustrations of the author and her homes; excerpts from the "Memorials," added by her editor Maria Chapman; and reviews that praise and critique Martineau's method as an autobiographer and achievement as a Victorian woman of letters.

Memorials of Harriet Martineau by Maria Weston Chapman was published in 1877 as volume three of Harriet Martineau’s Autobiography. While the triple-decker was a popular format of the era, the configuration of a two-volume autobiography authored by one and a one-volume biography written by another is unusual. Indeed, the work’s publishing history reveals that, in reissues of the Autobiography, the Memorials volume was not reproduced; while some might claim that the problem is with the editor—American abolitionist Chapman—rather than the contents, the fact remains that the bulk of the volume consists of primary materials written by Martineau that are available nowhere else, published or archival. Chapman’s participation in the project was originally conceived as supplemental, in the event that the ailing Martineau did not live long enough to complete her memoirs; as it happened, Martineau—who finished the two volumes and had them privately printed in 1855—lived another twenty-one years. Whereas the Autobiography records what Martineau called the “interior life” or subjective perspective on her career, Chapman’s volume addressed the exterior by offering a biographical overview of her friend’s life and work, a record of her last decades, and a collection of posthumous memorials by those with whom her private and public lives intersected. Chapman’s role was to “take up the parallel thread of her exterior life,—to gather up and co-ordinate from the materials placed in my hands the illustrative facts and fragments by her omitted or forgotten; and to show . . . what no mind can see for itself,—the effect of its own personality on the world.” This volume is the first scholarly edition of the Memorials—a biography of one of the foremost intellectual women of the nineteenth century, told primarily in her own words.