Harry Alan Towers' reputation rests upon a corpus of 95 low-budget productions shot post-haste in every corner of the globe. He took an integral part, however, in the development of the protocols that now underpin much transnational film production and he must be regarded as a pioneer. Towers' slash and burn strategy focused on parasitic, back-to-back productions, funded by rights bundles that were pre-sold globally. This strategy was substantially derived from his early days in broadcasting wherein he acted as a go-between in the American and the British Commonwealth markets. Though he became adept at procuring funds from pariah regimes and black market economies, primarily he continued to act as a broker bringing together American equity investment and European finance under the auspices of EC co-production agreements. He was also quick to exploit the burgeoning niche markets becoming available in the wake of technological developments and government initiatives.

About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.

The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices.

From movie villains to scream queens, here are interviews with 36 actors and actresses familiar to fans of sixties and seventies cult cinema. Interviewees include the well-known (David Carradine, Christopher Lee), the relatively obscure (Marrie Lee), sex symbols (Valerie Leon), surfers who became movie stars (Don Stroud), and action heroes (Fred Williamson), among many others. Each interview is accompanied by a biography and filmography.

From their heyday in the 1950s and 1960s, B movies declined in popularity through the 1970s. As the big Hollywood studios began to make genre films with sky-high budgets, independent producers of low-budget movies could not compete in theaters. The sale of American International Pictures in 1979 and New World Pictures in 1983 marked the end of an era. The emergence of home video in the 1980s marked the beginning of a new phase, as dozens of B movies were produced each year for the small screen, many becoming cult classics of science fiction, horror and fantasy. Through numerous interviews with producers, directors, photographers and actors, this book sheds light on an overlooked corner of film history with behind-the-scenes stories of 28 low-budget favorites from the 1980s.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.

Charming, erudite, and the very personification of the English gentleman, Dennis Price was without doubt also one of the most promising and talented newcomers to the world of theatre and film in the late 1930s, and he arguably reached his screen best in the classic Ealing comedy 'Kind Hearts and Coronets'. Huge praise was lavished upon him and he was compared alongside theatrical contemporaries Laurence Olivier, John Gielgud and Ralph Richardson as being destined for great things. Scene-stealing performances followed over the next few decades in such differing films as 'The Dancing Years', 'The Intruder', 'Private's Progress', 'The Naked Truth', 'Tunes of Glory', 'Tamahine' and 'Theatre of Blood', to name but a few. Though whilst his career was blossoming his private life was going through turmoil when, after one of his several affairs was discovered by his wife, he faced the shame of divorce, separation from his two children and when coupled with significant tax bills, it all proved too much and the actor attempted suicide. Eventually bouncing back, he reinvented himself as a character actor and appeared in scores of notable films-and was often the best thing in them!

London born author Alex Hyde-White’s English father named him Punch, hoping it would be lucky, and he started his life as a precocious son of a rather famous actor. In In the Volume, actor Hyde-White shares his story from Hollywood’s front lines, which spans more than four decades of the most transformational period in film and television history. This memoir chronicles Hyde-White’s early life growing up in England; moving to Palm Springs in the 1960’s; graduating from high school at sixteen; getting started in Hollywood; working as a cab driver, bartender, waiter, and ski shop clerk while looking for acting gigs; playing his first part in a movie as the photographer in The Toy; and more, acting in some huge box office hits. In the Volume reveals Hyde-White’s journey, at times majestic, magical, wondrous, and fulfilling. These intimate tales of triumph and failure offer both caution and inspiration.

The 1980s was the decade when the action film as it's now known came into being. Nonstop, big-budget excitement became the standard as epic adventures like Raiders of the Lost Ark and The Road Warrior set the tone for the summer blockbusters of Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. Homages (and ripoffs) made with lesser budgets followed every hit, especially with the advent of direct-to-video releases. Providing detailed commentary on 284 films, this book explores the excitement, audacity and sheer weirdness of '80s low budget action cinema, from the American Ninja series to dime-a-dozen barbarian pictures to such bargain-basement productions as The Courier of Death, Kill Squad and Samurai Cop.