To Philadelphia Phillies fans, he was the soundtrack of summer. To millions of football fans across America, he was the "Voice of the NFL." And as open and giving as Harry Kalas was throughout his professional and personal life, there are countless layers of the man that have remained unknown . . . until now. Author Randy Miller interviewed more than 160 people -- including all of Harry's surviving family, many of his close friends from childhood to present, numerous colleagues from baseball and the NFL, and even Harry's longtime personal psychologist -- to craft a loving and shockingly honest portrayal of one of the most celebrated broadcasters in the history of sports. With incredible details from all phases of his life -- from his upbringing in the Chicago suburbs, to his Hall of Fame broadcasting career in baseball, to his ubiquitous voiceover work with the NFL, to his personal vices for drinking and women, to his legendary friendship with Richie "Whitey" Ashburn, to his ongoing feud with on-air partner Chris Wheeler -- Harry the K: The Remarkable Life of Harry Kalas will surprise, delight, and enlighten all fans of the man they called "Harry the K."

This book grew out of discussion at the meetings of the Board of Sci entific Affair,r of the American Psychological Association during the years 1972 through 1975. Members of the board felt that there was general misunderstanding by the public about the role of basic research in science. The problem was thought to be particularly severe in the case of the behavioral sciences but it appeared to be a reflection of a more general anti-intellectual attitude in the United States. At the same time basic researchers had been admittedly underconcerned with the prac tical application of their results. Yet many thoughtful scientists realize there is a very fruitful interplay between basic research and application. The proposal was made to prepare a book of case studies that demon strate the application of basic research in psychology. The book was organized to sample applications from a range of topics in psychology. The editorial board divided up responsibilities for these topics. Herschel W. Leibowitz focused on applications from exper imental and engineering psychology and Jerome E. Singer organized the section on applications to social problems. Alfred Steinschneider took responsibility for the section on clinical applications of basic research in psychology and Harold W. Stevenson organized the section on appli cations of basic research to developmental and educational problems.

A ghost tour team mines the Steel City’s past for the stories of spirits that stalk its streets today. Founded amidst the bloodshed of the French and Indian War, Pittsburgh is haunted by the ghosts of its gritty and sometimes violent past. Many believe American industrialist Henry Clay Frick still inhabits Clayton, one of the last surviving homes on Millionaires’ Row. The spirit of Kate Soffel lingers at the Allegheny County Jail, where she helped plot the escape of the Biddle brothers and fell in love in the process. The Duquesne Incline in 1877 employed teens disguised as ghosts to boost business. However, an authentic sinister entity is said to haunt the nearby Monongahela Incline without compensation. Join the Haunted Pittsburgh team as it explores ghostly encounters in the Steel City. Includes photos! “Tales that connect the region to the spirit world.” —Trib Live

Uncovering hidden histories of Indigenous performers in vaudeville and in the creation of western modernity and popular culture Drawing from little-known archives, Christine Bold brings to light forgotten histories of Indigenous performers in vaudeville and, by extension, popular culture and modernity. Vaudeville was both a forerunner of modern mass entertainment and a rich site of popular Indigenous performance and notions of Indianness at the turn of the twentieth century. Tracing the stories of artists Native to Turtle Island (North America) performing across the continent and around the world, Bold illustrates a network of more than 300 Indigenous and Indigenous-identifying entertainers, from Will Rogers to Go-won-go Mohawk to Princess Chinquilla, who upend vaudeville's received history. These fascinating stories cumulatively reveal vaudeville as a space in which the making of western modernity both denied and relied on living Indigenous presence, and in which Indigenous artists negotiated agency and stereotypes through vaudeville performance.