"The Mad Scientist Megapack" assembles 23 tales of Scientists, their Creatures, and Experiments both Diabolical and Dangerous! Included are: MYSHKIN, by David V. Reed A LIGHT THAT SHAMED THE SUN, by C. J. Henderson INCOMPLETE DATA, by H.B. Fyfe THE CORPSE ON THE GRATING, by Hugh B. Cave COSMIC TELETYPE, by Carl Jacobi MONSTER KIDNAPS GIRL AT MAD SCIENTIST'S COMMAND!, by Lawrence Watt-Evans GREAT MINDS, by Edward M. Lerner THE MAN WHO EVOLVED, by Edmond Hamilton NO GUTS, NO GLORY, by Edward M. Lerner THE DEVOTEE OF EVIL, by Clark Ashton Smith SONG OF DEATH, by Ed Earl Repp STATUS: COMPLETE, by Leslie J. Furlong FOOD FOR THOUGHT, by Jack Dolphin DR. VARSAG'S EXPERIMENT, by Craig Ellis PUBLIC SAFETY, by Matthew Johnson THE WORLD IN A BOX, by Carl Jacobi MACHINE RECORD, by Theodore R. Cogswell THE BIRTHMARK, by Nathaniel Hawthorne HERBERT WEST—REANIMATOR, by H.P. Lovecraft ZAPT'S REPULSIVE PASTE, by J.U. Giesy THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE, by Robert Louis Stevenson THE MAN WHO STOPPED THE EARTH, by Henry J. Kostkos SYMPATHY FOR MAD SCIENTISTS, by John Gregory Betancourt If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the 150+ entries in the Megapack series, covering science fiction, fantasy, horror, mysteries, westerns, classics, adventure stories, and much, much more!

This is Nathaniel Hawthorne's last tale - an old legend, a ghost, and an English estate. It was published posthumously and edited by his son. It is something of a gothic tale, set in New England and England early in the 19th century. Hawthorne's portrayal of the archetypal mad scientist gives a minor science fiction theme to this romance.

This historical guide collects a number of original essays by Hawthorne scholars that place the author in historical context. It includes a brief biography and illustrated chronology of the author's life and times.

Among Hawthorne's primary themes, the visual arts have usually been regarded as an afterthought and have only been examined to elucidate his own personal philosophy. Hawthorne's own contemporaries derided him for his 'mediocre' aesthetics and that view has been taken as received wisdom up to the present day. This study reexamines Hawthorne's aesthetics, and suggests that he was much more familiar with the art and artists of the time than has previously been acknowledged by critics. He developed his own eclectic and transatlantic view of art, a view which incorporated decorative arts like embroidery, while maintaining a modest estimation of his own talents. This book examines the full range of visual artists whom Hawthorne portrays. It argues that these portrayals illuminate the artist's dilemma of being fettered by New England Puritanism while at the same time being attracted to the richness and depth of both Victorian aesthetics and the artistic sense of Old World Catholicism. The ambiguous destinies of his artist-characters include misunderstandings and disputes, while at the same time they suggest a reconciliation of the conflicting sentiments and transatlantic perspectives of the writer himself.

First Published in 2000. Throughout the nineteenth century, the study of geometry remained at the core of educational curricula in the United States, strongly affecting how educated Americans construed their world. This book examines how each of Nathaniel Hawthorne's romances presents a different geometric figure that becomes representative of the work's themes and narrative designs. These geometric figures, when approached from the perspective of Victor Turner's symbolic anthropology, server as cultural mediators, combining geometric symbology with a unique narrative perspective to offer metaphors of personal and cultural boundaries, Freidman presents the literary text as the point of intersection among such disciplines as cultural anthropology, history, mathematics and American literature.

A story involving the narrator, an archetypal mad scientist, a lovely young woman, and a sexy maid creates a real science-fiction type romance. A New England setting and a Gothic theme give the novel a feeling of completeness, despite its lack of a true end.