A powerful true story of one man's spiritual and emotional healing on the home waters of his childhood. Lured by the dream of catching a great fish in the middle years of his life, the author is drawn into an initiation in which he must decide to live fully or to die.

This fascinating book by psychologist and medical anthropologist Alberto Villoldo, Ph.D., explains the practices for healing outside of ordinary time and space. It shows how to enter the timeless now to heal events that occurred in the past, and to correct the course of destiny. Dr. Villoldo discusses ways in which you can heal yourself and your...

As a fisherman/seaman touched by war zones and wastelands in Viet Nam and the Bowery, a poet/therapist who has worked with his own wounds, and those of others, author Paul Pines believes that the Fisher King’s wounding can be understood as a function that speaks to our post-internet condition on the border of survival and extinction. Bio: PAUL PINES opened The Tin Palace, his Bowery jazz club, in the ’70s. It became the setting for his novel The Tin Angel (Morrow, 1983). A second novel, Redemption, (Editions du Rocher, 1997), explores the Guatemalan Mayan genocide of the ’80s. My Brother’s Madness, (Curbstone Press, 2007) probes the nature of delusion. He has published 13 collections of poetry, most recently Divine Madness (Marsh Hawk, 2012), Fishing On The Pole Star (Dos Madres, 2014) Message From The Memoirist (Dos Madres, 2015) and Charlotte Songs (Marsh Hawk, 2016). He is the editor of Juan Gelman’s selected poems Dark Times/ Filled with Light (Open Letters Press, 2012) and has contributed translations to Small Hours of the Night, Selected Poems of Roque Dalton; and Nicanor Parra, Antipoems: New and Selected. Composer Daniel Asia’s settings of Pines’ poems appear on Songs from the Page of Swords, Breath in a Ram’s Horn and, Purer Than Purest Pure (BBC Singers) on the Summit label. Asia’s 5th Symphony, recorded by the Pilsen SO, features poems by Pines and Israeli poet Yehuda Amichai. The Tin Angel Opera, was performed by the Center for Contemporary Opera in NYC. Pines has conducted workshops for the National Writers Voice and lectured for the National Endowment for the Humanities. He has been a fellow at the MacDowell Colony, Ossabaw Foundation, and Virginia Center, as well as a recipient of an Artists' Fellowship, N.Y.S. Foundation for the Arts. He lives in Glens Falls, New York, where he is a psychotherapist in private practice and hosts the Lake George Jazz Weekend. paulpines.com

Twenty years ago, in England, author Richard Leviton "discovered the planet." Following quite specific guidance, he began a long process that amounted to an apprenticeship. "My mentors dispatched me to various specific locations in the Somerset landscape, and at all hours of the night and day. I sat on hills and valleys and rocks under sunlight, moonlight, rain, snow, and fog, and had visions. I started to see another landscape behind the apparent landscape. It was an apparitional landscape with stars, planets, galaxies, angels, spirits of Nature, mythic deities, divinity." As time went on, he found himself talking with angels, visiting celestial cities, and following gnomes. He came to understand that at one level we are the planet, and that both we and it have an intimate relationship with our galaxy. "I found myself living inside the myths of the world as if they were expert scripts for real-life inner adventures. I never once thought I was crazy. Why should I? Quite the opposite. I believed I was finally getting grounded in something real. But it would take me twenty years to make sense of it. That sense is embodied in The Emerald Modem." The Emerald Modem includes: direct correspondences between human chakras and the Earth's energy features--and the galactic originalstables listing locations of sacred sites around the planet where you may experience this relationshipexplanations of world myths, which provide clues to this unsuspected visionary world around us This is the first book to synthesize all the fragments of geomantic perception (sacred sites, energy points, vertexes, etc.) into a global interactive model that ties human consciousness directly to it. Leviton describes 85 subtle features in the planetary landscape, places you can go for mystical experiences. They are features of the Earth's energy body, almost all invisible to conventional sight. But psychic cognition can be trained, and you can usefully interact with any of these types of sites today without seeing what you're doing. Your intent to interact for the benefit of yourself and the planet is all that's required. Just as modems dial us into the Internet, so the features of the Earth's energy body described in The Emerald Modem help us get online with the galaxy. You can learn to visit Grail Castles, experience a Mount Olympus, or walk through the stars in a landscape zodiac--and you can learn enough to become confident that you're not traveling alone.

Lawyers today are in a moral crisis. The popular perception of the lawyer, both within the legal community and beyond, is no longer the Abe Lincoln of American mythology, but is often a greedy, cynical manipulator of access and power. In The Lawyer's Myth, Walter Bennett goes beyond the caricatures to explore the deeper causes of why lawyers are losing their profession and what it will take to bring it back. Bennett draws on his experience as a lawyer, judge, and law teacher, as well as upon oral histories of lawyers and judges, in his exploration of how and why the legal profession has lost its ennobling mythology. Effectively using examples from history, philosophy, psychology, mythology, and literature, Bennett shows that the loss of professionalism is more than merely the emergence of win-at-all-cost strategies and a scramble for personal wealth. It is something more profound—a loss of professional community and soul. Bennett identifies the old heroic myths of American lawyers and shows how they informed the values of professionalism through the middle of the last century. He shows why, in our more diverse society, those myths are inadequate guides for today's lawyers. And he also discusses the profession's agony over its trickster image and demonstrates how that archetype is not only a psychological reality, but a necessary component of a vibrant professional mythology for lawyers. At the heart of Bennett's eloquently written book is a call to reinvigorate the legal professional community. To do this, lawyers must revive their creative capacities and develop a meaningful, professional mythology—one based on a deeper understanding of professionalism and a broader, more compassionate ideal of justice.

In the twelfth century, a French poet wrote a verse romance about a young knight who witnesses a mysterious procession centered on a radiant vessel, a "grail." Left unfinished, the poem inspired other writers of prose and verse, until the story was completely rewritten into the Arthurian romances, in which the vessel becomes a relic of the Last Supper, the Holy Grail. For hundreds of years, the Grail story has haunted the western imagination. But the original medieval texts are full of inconsistencies, as different writers attempted to complete the story in varied ways. This encyclopedia illuminates a path through the Perilous Forest of literature and legend. Entries summarize the stories of the principal characters, sacred objects and places associated with the Grail. An Afterword shows how mysteries of the grail continue to enchant the scholars and creative writers who have transformed the medieval legend into modern mythology.

At a time when people are increasingly considering themselves "spiritual but not religious," Wading in Water speaks of spirituality as an individual's connection to a greater whole. Hence, the process of coming to know what we call God is also the process of knowing oneself. Thinking comprehensively, spirituality involves what is, what can be, and what ought to be. When activity, rationality, and morality are infused with creativity and imagination, meaning that when body, mind, and soul are inspirited or harmonious with Spirit, spirituality is authentic, healthy, and vital. Healthy spirituality is integrative, both individually and corporately, in that it emerges from wholeness and yearns for wholeness. How do we know if we are on a path to increased wholeness? When we experience not only individual well-being, but help generate the same well-being toward others. In other words, wholesome self-love leads to greater love for others and for all of life. While Wading may be seen as a text on spirituality, its uniqueness is its connection of spirituality with creative arts such as poetry, literary allegory, film, music, theatre, drama, and dance. Wading is not a comprehensive study, for the purpose is to promote the enrichment of life through beauty, creativity, diversity, risk-taking, newness, serendipity, and synchronicity, joint features of spirituality and the arts. Like its companion text, Walking on Water, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.

English Studies in the 21st Century presents the results of recent academic research concerning a wide spectrum of subjects—including politics, psychology, religion, philosophy, history, culture, aesthetics, and education—related to literary, cultural, and language studies. Specifically, this collection includes scholarly reflections, interpretations, criticisms, and experiments that both strengthen and challenge dominant perspectives on the English literary tradition and contribute to a multifaceted discussion of contemporary drama and theater, contemporary theory and fiction, Neo-Victorianism, the Anthropocene, posthumanism, and interdisciplinary studies in English, including linguistics and ELT. The book will be an ideal reference for both academics and students.

A life-changing journey from the wasteland of modern society to a place of nourishment and connection. Fifth anniversary edition, with new afterword for 2021. 'Mind-blowing. An anthem for all we could be . . . I sincerely hope every woman who can read has the time and space to read it.' Manda Scott, author of Boudica and A Treachery of Spies 'This is the core of our task: to respect and revere ourselves, and so bring about a world in which women are respected and revered, recognised once again as holding the life-giving power of the earth itself.' If Women Rose Rootedhas been described as both transformative and essential. Sharon Blackie leads the reader on a quest to find their place in the world, drawing inspiration from the wise and powerful women in native mythology, and guidance from contemporary role models who have re-rooted themselves in land and community and taken responsibility for shaping the future. Beautifully written, honest and moving,If Women Rose Rooted is a passionate song to a different kind of femininity, a rallying, feminist cry for the rewilding of womanhood;reclaiming our role as guardians of the land. 'Powerful and inspiring.' Melissa Harrison, author of All Among the Barley

Unfolding the Unconscious Psyche is a study of the creative arts and depth psychology, and the threads that run between the two. Edward Applebaum begins with works of art, in media including painting, music, literature and film, and pursues aspects of each towards an understanding of the unconscious psyche of the creator. By combining a study of the artistic work with the insight of depth psychology, Applebaum opens a dialogue between studies of works of art and their creators and the individuals who form the work’s audience. Each discussion is dictated by the artwork itself and is viewed from a variety of perspectives. Throughout the book the reader is encouraged to develop their own analytical technique: to follow the clues available, link threads together and analyse what they can see. The result demonstrates the value of dialogue in blending depth psychology with the arts, through examination of work by artists including Georgia O’Keefe, Ingmar Bergman, Frida Kahlo, Gustav Mahler and Virginia Woolf. Applebaum also seeks to correct misconceptions about the arts that have filtered into the study and practice of depth psychology since the earliest writings of Freud and Jung. This uniquely creative and insightful work will be absorbing reading for analytical and depth psychologists, students of analytical psychology, academics and scholars of the arts and anyone with an interest in the application of Jungian ideas.