Gillian Rose is among the twentieth century's most important social philosophers. In perhaps her most significant work, Hegel Contra Sociology, Rose mounts a forceful defence of Hegelian speculative thought. Demonstrating how, in his criticisms of Kant and Fichte, Hegel supplies a preemptive critique of Weber, Durkheim, and all of the sociological traditions that stem from these "neo-Kantian" thinkers, Rose argues that any attempt to preserve Marxism from a similar critique and any attempt to renew sociology cannot succeed without coming to terms with Hegel's own speculative discourse. With an analysis of Hegel's mature works in light of his early radical writings, this book represents a profound step toward enacting just such a return to the Hegelian.

Hannah Arendt is today widely regarded today as a political theorist, who sought to rescue politics from society, and political theory from the social sciences. But this view has had the effect of distracting attention from many of Arendt's most important insights concerning the constitution of society, and the significance of its 'science', sociology. Arendt Contra Sociology re-assesses the relationship between Arendt's work and the theoretical foundations of sociology, bringing her insights to bear on some key themes within contemporary theoretical sociology. Re-reading Arendt's distinctions between labour, fabrication and action as a theory of the fundamental ontology of human societies, this book assesses her criticism of the tendency of many sociological paradigms to conflate the activity of fabrication with that of action. It re-examines Arendt's understanding of central areas of research within contemporary theoretical sociology - including the meaning of power, the trajectory of modern science, the rise of consumerism and the problem of reflexivity. This volume offers a comprehensive reconstruction of Arendt's thought, uncovering its refutation of, or latent contribution to, key sociological approaches. It will be of interest to sociologists, social and political theorists and philosophers of social science.

Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.

In this book, Kate Schick presents the core themes of Rose's work and locates her ideas within central debates in contemporary social theory (trauma and memory, exclusion and difference, tragedy and messianic utopia), engaging with the works of Benjamin, Honig, iek and Butler. She shows how Rose's speculative perspective brings a different gaze to bear on debates, eschewing well-worn liberal, critical theoretic and post-structural positions. Gillian Rose draws on idiosyncratic readings of thinkers such as Hegel, Adorno and Kierkegaard to underpin her philosophy, negotiating the 'broken middle' between the particular and the universal. While of the left, she is sharply critical of much left-wing thought, insisting that it shirks the work of coming to know and of taking political risk in pursuit of a 'good enough justice'.

Gillian Rose (1947–1995) was a highly original, enigmatic and pugnacious thinker, whose work draws together Continental philosophy, sociology, modern / post-modern Jewish and Christian reflection on ethics. She was also, famously, a convert to Christianity, baptised into the Church of England on her deathbed, from Judaism. She has been a major influence on many contemporary thinkers, not least on the thought of the Archbishop Rowan Williams. Her writings are teasingly poetic, often forbiddingly difficult, and yet at the same time vividly accessible, at any rate through her widely praised memoir, Love’s Work Here, a Church of England priest writes about Rose’s thought as it relates to the future of the Church she eventually joined. A significant philosopher of this century, they believe her thinking implicitly points towards a new form of Christian self-understanding. This captivatingly well written book is the first major study of Gillian Rose’s thought from a theological point of view. It aims to make the work of this highly complex thinker accessible to a wider readership.

This collection brings together prominent thinkers from numerous disciplines to address the legacy of Gillian Rose for political theology today. Rose's work is notorious for its eclectic range, difficult style, and iconoclastic defiance of the conventions of postmodern critical theory. The theologians, religious scholars, ethicists, and theorists in this collection discuss Rose's relationship to such topics as the Frankfurt School, social theory, feminism, literature, law, Hegel, Kant, and psychoanalysis. They situate her work within the wider context of political theology, as it is understood in religious studies and continental philosophy. Though attentive to the theoretical issues raised by Rose's work, these essays are also engage the role that work may play in political action today, examining issues such as refugee immigration in Europe, the rise of nationalism, and anticapitalist political organizing. The collection is a vital contribution to the rising body of literature on Rose and her importance to political philosophy, ethics, and theology, but it will also serve as an important orienting guide for readers new to Rose's work and its demanding style.

The Oxford Handbook of Hegel is a comprehensive guide to Hegel's philosophy, from his first published writings to his final lectures. There are six chapters each on the Phenomenology of Spirit and The Science of Logic, in depth analyses of the Encyclopedia and essays on the major parts of the Philosophy of Right. Several chapters cover the many newly edited lecture series from the 1820s, bringing new clarity to Hegel's conception of aesthetics, the philosophy of religion, and the history of philosophy. The concluding part focuses on Hegel's legacy, from his role in the formation of Marx's philosophy to his importance for contemporary liberal political philosophy. The Handbook includes many essays from younger scholars who have brought new perspectives and rigor to the study of Hegel's thought. The essays are marked by close engagement with Hegel's difficult texts and by a concern to highlight the ongoing systematic importance of Hegel's philosophy.

Gillian Rose was one of the most important social philosophers of the twentieth century. This is the first book to present her social philosophy as a systematic whole. Based on new archive research and examining the full range of Rose's sources, it explains her theory of modern society, her unique version of ideology critique, and her views on law and mutual recognition. Brower Latz relates Rose's work to numerous debates in sociology and philosophy, such as the relation of theory to metatheory, emergence, and the relationship of sociology and philosophy. This book makes clear not only Rose's difficult texts but the entire structure of her thought, making her complete social theory accessible for the first time.

Misrecognitions mounts a vigorous defense of the labyrinthine plotting of Victorian novels, notorious for their implausible concluding revelations and coincidences. Critics have long decried Victorian recognition scenes—the reunions and retroactive discoveries of identity that too conveniently bring the story to a close—as regrettable contrivances. Ben Parker counters this view by showing how these recognition scenes offer a critique of the social and economic misrecognitions at work in nineteenth-century capitalism. Through a meticulous analysis of novels by Charles Dickens, Anthony Trollope, and Henry James, as well as Arthur Conan Doyle's Sherlock Holmes stories, Misrecognitions tracks how the Victorian novel translates the financialized abstractions of capital into dramas of buried secrets and disguised relations. Drawing on Karl Marx's account of commodity fetishism and reification, Parker contends that, by configuring capital as an enigma to be unveiled, Victorian recognition scenes dramatize the inversions of agency and temporality that are repressed in capitalist production. In plotting capital as an agent of opacity and misdirection, Victorian novels and their characteristic dialectic of illusion and illumination reveal the plot hole in capitalism itself.

V.1 Foundational essays -- V.2 Critical Texts -- V.3 Disciplinary texts: Humanities and social sciences -- V.4 Legal studies, psychoanalytic studies, visual arts and architecture.