Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.

Nietzsche and Heidegger, Smith argues, have made possible a far more revolutionary critique of modernity than even their most ardent postmodern admirers have realized.

This concise and accessible textbook examines German philosopher Martin Heidegger's entire body of work through the lens of his first and best-known book, Being and Time. An influential, twentieth-century scholar, Heidegger is often studied by opposing his early and later works. This insightful, new text guides students through Heidegger's ideas without shying away from controversial issues and debates within the scholarship. By unifying Being and Time with the rest of Heidegger's work, this book addresses the evolution of his thought across his lifetime. The text features a glossary of Greek, Latin, and English terms and a guide for reading the book in conjunction with Heidegger's writings.

In this original study, Rachel Coventry expands Heidegger's philosophy of art to include his ontological account of poetry and technology. Following Heidegger's definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age. This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger's metaphysics.

Globalization is one of the most contested and (ab)used concepts of our time. Whether one interprets it as a ‘collective illusion’ or as the final stage of capitalism, as ‘uncontrollable multitude’ or as a radical opening of new spaces of freedom, the ‘global age’ represents the conceptual and existential background of our being-in-the-world. But what lies behind this process? What mode of human existence is brought about by the age of technology and ‘global mobilization’? And is it possible to attempt a unitary interpretation of this age that presents itself as both total and pluralistic? This volume rethinks these epochal questions in light of Martin Heidegger’s complex hermeneutics, proposing at the same time that such questions enable the interrogation of some of its most fundamental aspects: the metanarrative of Seinsgeschichte as withdrawal of Being; the structure of human existence within the frame of technology; the relation between humanism and nihilism, as well as politics and technology; the changing character of subjectivity in the ‘age of the world picture’; the mythopoeic force of art and the uprooting of human beings. As this volume shows, interrogating Heidegger’s thought has significant potential for both International Political Theory and also the analysis of specific concepts and dynamics in contemporary international studies, such as the changing character of spatiality, temporality, and subjectivity

The definitive reference guide to Heidegger's life and work, including 57 original essays covering all the key aspects of his thought.

Leading philosophers and scholars speculate on what Heidegger's unfinished masterpiece might have said, why Heidegger didn't publish it, and what being actually means. Heidegger's Being and Time is one of the most influential and important books in the history of philosophy, but it was left unfinished. The parts we have of it, Divisions I and II of Part One, were meant to be merely preparatory for the unwritten Division III, which was to have formed the point of the entire book when it turned to the topic of being itself. In this book, leading Heidegger scholars and philosophers influenced by Heidegger take up the unanswered questions in Heidegger's masterpiece, speculating on what Division III would have said, and why Heidegger never published it. The contributors' task—to produce a secondary literature on a nonexistent primary work—seems one out of fiction by Borges or Umberto Eco. Why did Heidegger never complete Being and Time? Did he become dissatisfied with it? Did he judge it too subjectivistic, not historical enough, too individualistic, too existential? Was abandoning it part of Heidegger's “Kehre”, his supposed turning from his early work to his later work? Might Division III have offered a bridge between the two phases, if a division exists between them? And what does being mean, after all? The contributors, in search of lost Being and Time, consider these and other topics, shedding new light on Heidegger's thought. Contributors Alain Badiou, Lee Braver, Daniel Dahlstrom, Charles Guignon, Graham Harman, Karsten Harries, Ted Kisiel, Denis McManus, Eric S. Nelson, Richard Polt, François Raffoul, Thomas Sheehan, Iain Thomson, Kate Withy, Julian Young

This unique volume collects more than 30 new essays by prominent scholars on what remains philosophically provocative in Heidegger’s thought. His writings continue to invite analysis and application — ut, particularly in the light of his political affiliations, they must also be critiqued. Philosophy today takes place after Heidegger in that his views should not be accepted naively, and there are new issues that he did not address — but also in that we continue to think in the wake of important questions that he raised. The contributors to this volume ask questions such as: - What does it mean to think “after” Heidegger? - What is valuable in his early work on finite existence, and in his early and late phenomenology? - What is the root of his political errors? Are there still elements in his thought that can yield helpful political insights? - Should we emulate his turn toward “releasement”? - Can he help us understand the postmodern condition? Readers will find thought-provoking echoes and points of contention among these engaging and lively essays.

Martin Heidegger’s thinking is a complex, and his terminology is as nuanced, as any thinker in the history of philosophy. As the historian of philosophy par excellence, he also exhibits both a greater appreciation and mastery of previous thinkers than any almost any other philosopher before or since. The Historical Dictionary of Heidegger's Philosophy, Third Edition addresses this dual challenge of reading, understanding, and interpreting Heidegger’s vast writings. The book provides a comprehensive and detailed account of the key terms shaping Heidegger’s philosophy, as well as outlining the development of his thought spanning the entirety of his career spanning almost sixty years. The Dictionary also includes a discussion of Heidegger’s seminal writings, the spanning his entire Gesamtausgabe (Complete Edition) up through volume 99 (of the projected 102 volumes). This third edition of Historical Dictionary of Heidegger's Philosophy, Third Edition contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 800 cross-referenced entries that provides a clear and comprehensive exposition of the key developments in his life and his thought. This book is an excellent resource for students, researchers, and anyone wanting to know more about Martin Heidegger.