Engaging the development of Heidegger's non-public writings on the event between 1936 and 1941, Daniela Vallega-Neu reveals what Heidegger's private writings kept hidden. Vallega-Neu takes readers on a journey through these volumes, which are not philosophical works in the traditional sense as they read more like fragments, collections of notes, reflections, and expositions. In them, Vallega-Neu sees Heidegger searching for a language that does not simply speak about being, but rather allows a sense of being to emerge in his thinking and saying. She focuses on striking shifts in the tone and movement of Heidegger's thinking during these important years. Skillfully navigating the unorthodox and intimate character of these writings, Vallega-Neu provides critical insights into questions of attunement, language, the body, and historicity in Heidegger's thinking.

Here is the essential Heidegger, a most controversial figure. Following a cogent introduction by Manfred Stassen, this collection is divided into three sections: The Man - Politics and Ideology; The Method - Philosophy from Phenomenology to "Thanking"; and The Message - From "Being" to "Beyng." All but one of the translations is a classic rendition. Among the content: "The Jewish Contamination of German Spiritual Life" (1929); "Follow the Fnhrer!" (1934); "The Thinker as Poet" (1947); "The Task of Destructuring of the History of Ontology (1927); "My Way to Phenomenology" (1963); "Being-in-the-World as Being-with and Being a Self: The 'They' (1927); "Care as the Being of Da-sein" (1927); "àPoetically, Man Dwellsà" (1951); "The Question Concerning Technology" (1949); and much more.

Essential reading for students and anyone interested in the great philosophers, this book opened up appreciation of Martin Heidegger beyond the confines of philosophy to the reaches of poetry. In Heidegger's thinking, poetry is not a mere amusement or form of culture but a force that opens up the realm of truth and brings man to the measure of his being and his world.

This book contains a series of lectures delivered by Heidegger in 1935 at the University of Freiburg. In this work Herdegger presents the broadest and the most inteligible account of the problem of being, as he sees this problem. First, he discusses the relevance of it by pointing out how this problem lies at the root not only of the most basic metaphysical questions but also of our human existence in its present historical setting. Then after a short digression into the grammatical forms and etymological roots of the word "being", Heidegger enters into a lengthy discussion of the meaning of being in Greek thinking, letting pass at the same time no opportunity to stress the impact of this thinking about being on subsequent western speculation. His contention is that the meaning of being in Greek thinking underwent a serious restriction through the opposition that was introduced between being on one hand and becoming, appearance, thinking and values on the other.

This volume traces the ways in which Heidegger’s philosophical thinking has been taken up, critically re-appropriated, and disseminated in literary and poetic writing since the middle of the 20th century.

This guidebook provides an ideal entry-point for readers new to Heidegger, transforming it from a daunting task into an exciting and necessary challenge.

This book investigates the relationship between poetry and ontology in the works of Martin Heidegger. It explains the way in which Heidegger’s dialogue with poetry forms an essential step on the path of overcoming metaphysics and thinking the openness of presence. Heidegger’s engagement with poetry is an important moment in the development of his philosophy—or rather thinking of Being. Being speaks itself poetically in his view. Rather than a logician or a thinker, Being is the first poet.

Martin Heidegger's 1942 lecture course interprets Friedrich Hölderlin's hymn "The Ister" within the context of Hölderlin's poetic and philosophical work, with particular emphasis on Hölderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.

Heidegger's study of the essence of metaphysics--ontology and poetry--with a brief outline of his career.

Basic Concepts, one of the first texts to appear in English from the critical later period of Martin Heidegger's thought, strikes out in new directions. First published in German in 1981 as Grundbegriffe (volume 51 of Martin Heidegger's collected works), it is the text of a lecture course that Heidegger gave at Freiburg in the winter semester of 1941 during the phase of his thinking known as the ""turning"". In this transition Heidegger shifted his attention from the problem of the meaning of being to the question of the truth of being. The text consists of an introduction and two parts. In the introduction Heidegger explains the meaning of his title as ""concepts of ground"". Part One, divided into three sections, attempts to thematize the difference between being and beings. The first section takes up the metaphysical, logical, grammatical, and everyday meanings of the verb ""to be"" and shows their inadequacy. The second section, a strikingly original discussion, examines a series of eight directives for reflecting on being. The third section shifts from being toward man and points to the discord between the two. In Part Two, Heidegger interprets two fragments by Anaximander to recover an ""incipient saying of Being"" that is poetic rather than metaphysical. In this clear translation by Gary E. Aylesworth, Basic Concepts provides a concise introduction to Heidegger's later thought.