Historian James D. Taylor gathers in one volume all known historical information regarding Henry Grey, father of Lady Jane Grey. Descended from a distinguished and noble heritage that produced two queens, Henry Grey gave up a comfortable, quiet and leisurely life to become one of the most powerful and influential men in England next to the king. His influence was so strong that, working in alliance with the Duke of Northumberland, he was able to coerce the young King Edward VI, on his deathbed, to change the order of succession to place Lady Jane Grey on the throne when Edward died, making Henry Grey the father of the Queen. Documents trace the Grey lineage back as far as 1100 CE. This venerable family was intermingled with many other well placed and ambitious figures of medieval England, and these axes of power and influence all came into play upon the death of the young King Edward VI. Alliances and conspiracies first put Jane on the throne, then brought Henry VIII's daughter Mary to claim the crown herself. In the end, Henry Grey brought destruction upon his daughter and himself, as they were sent to the executioner within a week of each other. The tensions and emotions of this high-stakes game can be sensed from the documentary record. A genealogy of the Grey family, descriptive information on Henry Grey's wife Frances Brandon - an ambitious granddaughter of King Henry VII, a list of Knights made by King Edward VI and other historical documents accompany the text. The author also presents some dramatic narratives from the 1700s and 1800s which add flavor to the story.

This book argues that Shakespeare and various cultures of celebrity have enjoyed a ceaselessly adaptive, symbiotic relationship since the final decade of the sixteenth century, through which each entity has contributed to the vitality and adaptability of the other. In five chapters, Jennifer Holl explores the early modern culture of theatrical celebrity and its resonances in print and performance, especially in Shakespeare’s interrogations of this emerging phenomenon in sonnets and histories, before moving on to examine the ways that shifting cultures of stage, film, and digital celebrity have perpetually recreated the Shakespeare, or even the #shakespeare, with whom audiences continue to interact. Situated at an intersection of multiple critical conversations, this book will be of great interest to scholars and graduate students of Shakespeare and Shakespearean appropriations, early modern theater, and celebrity studies.

This volume is an invaluable portrait of family, kinship, regional and national dynamics in the Tudor and early Stuart period. Based on letters and papers that Cassandra Willoughby found in the family library, her Account focuses on the women of the family, and offers insight into sixteenth-century family dynamics, gentry culture and court connections.

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.