Description This book introduces us to a new phase in the theatre of war in the Middle East. All partakers had been trained with both land and sea forces and were in a situation both to attack and defend. Controlling the air over North Africa and the Mediterranean was of vital importance and Rosaleen captures this in its full embellishment. We can read about what it was like under the blazing hot sun as a Boston has returned from a raid four brave South Africans come in and report. This book will thrill you the reader and is a fine tribute to all those who have been part of the desert war. Describing how it was hard to come to terms with too little water in the summer and perhaps too much in winter it creates a scene which brings our heroes alive again with these historic stories that may have been forgotten due to age and infirmity. This desert war was at times almost impossible with the sand storms, which stripped tents, covered everything with sand and almost stopped the planes from flying. This is a little gem of a book and deserves a place near to the readers heart. Read about the worse fear of all facing every R A F fighter, that of being stranded without food or water, this was a constant fact that had to be considered at all times. To read this book is an appreciation of the war and how hard it was to win, taking into account the strength of the enemy, planting hundreds of thousands of land mines were a problem to be dealt with. Every man of every rank piled in a carried on till the job was done, Rosaleen writes this book in way that shows the combined dedicated spirit of these our men of the R. A. F and other forces without whom we may not be able to say today...R A F Heroes of the desert war...They remembered our country. Will you remember them and their families? About the Author I have been in receipt of trauma counselling since 1999 on a daily basis, at times speaking till the early hours of the morning.Support from my trauma Counsellor helps me to come to terms with accepting that what has happened to me cannot now be changed. I cannot ever forgive those who had a vicarious liability to look after me and failed. As a result of being locked away for some years all because we were poor has brought certain limitations to my day to day life. Writing is a form of therapy and allows me to be free to be the person that I want to be, and should have been my birthright. Through writing I can reach out to others who may have had such an unfortunate experience as myself . Daily flashbacks can be upsetting and I fill my life with things to do so as to block them out. Day to day life can be exhausting and coping mechanisms that I learnt in order to survive have not helped me in the outside world. God help all fellow survivors and perhaps one day Ireland will accept the terrible price we paid. Shame on all you right thinking residents in Ireland to allow the government and Catholic Church to ignore harm done to me and many others who are either dead or too ill to tell their story. Thanks to Chipmunkapublishing I have been able to confront my demons and a Big Thank you to Reatha my trauma counsellor without her I would not be here today writing about my stolen life.

The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.

A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.

2022 Catholic Media Association second place award in theology: history of theology, church fathers and mothers The Sayings and Stories of the Desert Fathers and Mothers offers a new translation of the Greek alphabetical Apophthegmata Patrum, The Sayings of the Desert Fathers. For the first time in an English translation, this volume provides: extensive background and contextual notes significant variant readings in the alphabetical manuscripts and textual differences vis-à-vis the systematic and anonymous Apophthegmata reference notes to both quotations from Scriptures and the many allusions to Scripture in the sayings and stories. In addition, there is an extensive glossary that offers information and further resources on people, places, and significant monastic vocabulary. Perfect for students and enthusiasts of the desert tradition.

"Containing the public messages, speeches, and statements of the President", 1956-1992.