The syllable is a natural unit of organization in spoken language whose strongest cross-linguistic patterns are often explained in terms of a universal preference for the CV structure. Syllable patterns involving long sequences of consonants are both typologically rare and theoretically marginalized, with few approaches treating these as natural or unproblematic structures. This book is an investigation of the properties of languages with highly complex syllable patterns. The two aims are (i) to establish whether these languages share other linguistic features in common such that they constitute a distinct linguistic type, and (ii) to identify possible diachronic paths and natural mechanisms by which these patterns come about in the history of a language. These issues are investigated in a diversified sample of 100 languages, 25 of which have highly complex syllable patterns. Languages with highly complex syllable structure are characterized by a number of phonetic, phonological, and morphological features which serve to set them apart from languages with simpler syllable patterns. These include specific segmental and suprasegmental properties, a higher prevalence of vowel reduction processes with extreme outcomes, and higher average morpheme/word ratios. The results suggest that highly complex syllable structure is a linguistic type distinct from but sharing some characteristics with other proposed holistic phonological types, including stress-timed and consonantal languages. The results point to word stress and specific patterns of gestural organization as playing important roles in the diachronic development of these patterns out of simpler syllable structures.

The syllable is a natural unit of organization in spoken language whose strongest cross-linguistic patterns are often explained in terms of a universal preference for the CV structure. Syllable patterns involving long sequences of consonants are both typologically rare and theoretically marginalized, with few approaches treating these as natural or unproblematic structures. This book is an investigation of the properties of languages with highly complex syllable patterns. The two aims are (i) to establish whether these languages share other linguistic features in common such that they constitute a distinct linguistic type, and (ii) to identify possible diachronic paths and natural mechanisms by which these patterns come about in the history of a language. These issues are investigated in a diversified sample of 100 languages, 25 of which have highly complex syllable patterns. Languages with highly complex syllable structure are characterized by a number of phonetic, phonological, and morphological features which serve to set them apart from languages with simpler syllable patterns. These include specific segmental and suprasegmental properties, a higher prevalence of vowel reduction processes with extreme outcomes, and higher average morpheme/word ratios. The results suggest that highly complex syllable structure is a linguistic type distinct from but sharing some characteristics with other proposed holistic phonological types, including stress-timed and consonantal languages. The results point to word stress and specific patterns of gestural organization as playing important roles in the diachronic development of these patterns out of simpler syllable structures.

This is the first volume concerned with the phonological typology of syllable and word languages, based on the model of a complex, multi-layered and hierarchically structured phonological system. The main typological claim is that the phonetic and phonological make-up of a language depends on the relevance of the prosodic categories. In previous research, the syllable and the phonological word have already proved to be typologically important. The contributions in this volume discuss theoretical questions and address issues such as the variable structure of the phonological word, the interplay between phonetics and phonology as well as the effect of a language’s phonological make-up on its morphology or lexicon. The volume provides detailed synchronic and diachronic analyses of (Non-)Indo-European languages which will serve as a basis for further typological research.

The linguistic study of the Slavic language family, with its rich syntactic and phonological structures, complex writing systems, and diverse socio-historical context, is a rapidly growing research area. Bringing together contributions from an international team of authors, this Handbook provides a systematic review of cutting-edge research in Slavic linguistics. It covers phonetics and phonology, morphology and syntax, lexicology, and sociolinguistics, and presents multiple theoretical perspectives, including synchronic and diachronic. Each chapter addresses a particular linguistic feature pertinent to Slavic languages, and covers the development of the feature from Proto-Slavic to present-day Slavic languages, the main findings in historical and ongoing research devoted to the feature, and a summary of the current state of the art in the field and what the directions of future research will be. Comprehensive yet accessible, it is essential reading for academic researchers and students in theoretical linguistics, linguistic typology, sociolinguistics and Slavic/East European Studies.

This book provides an in-depth, multi-dimensional analysis of conversations between autistic adults. The investigation is focussed on intonation style, turn-taking and the use of backchannels, filled pauses and silent pauses. Previous findings on intonation style in the context of autism spectrum disorder (ASD) are contradictory, with claims ranging from characteristically monotonous to characteristically melodic intonation. A novel methodology for quantifying intonation style is used, and it is revealed that autistic speakers tended towards a more melodic intonation style compared to control speakers in the data set under investigation. Research on turn-taking (the organisation of who speaks when in conversation) in ASD is limited, with most studies claiming a tendency for longer silent gaps in ASD. No clear overall difference in turn-timing between the ASD and the control group was found in the data under study. There was, however, a clear difference between groups specifically in the earliest stages of dialogue, where ASD dyads produced considerably longer silent gaps than controls. Backchannels (listener signals such as mmhm or okay) have barely been investigated in ASD to date. The current analysis shows that autistic speakers produced fewer backchannels per minute (particularly in the early stages of dialogue), and that backchannels were less diverse prosodically and lexically. Filled pauses (hesitation signals such as uhm and uh) in ASD have been the subject of a handful of previous studies, most of which claim that autistic speakers produced fewer uhm tokens (specifically). It is shown that filled pauses were produced at an identical rate in both groups and that there was an equivalent preference of uhm over uh. ASD speakers differed only in the prosodic realisation of filled pauses. It is further shown that autistic speakers produced more long silent (within-speaker) pauses than controls. The analyses presented in this book provide new insights into conversation strategies and intonation styles in ASD, as reviewed in a summary analysis. The findings are discussed in the context of previous research, general characteristics of cognition in ASD, and the importance of studying communication in interaction and across neurotypes.

Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.

In spoken language comprehension, the hearer is faced with a more or less continuous stream of auditory information. Prosodic cues, such as pitch movement, pre-boundary lengthening, and pauses, incrementally help to organize the incoming stream of information into prosodic phrases, which often coincide with syntactic units. Prosody is hence central to spoken language comprehension and some models assume that the speaker produces prosody in a consistent and hierarchical fashion. While there is manifold empirical evidence that prosodic boundary cues are reliably and robustly produced and effectively guide spoken sentence comprehension across different populations and languages, the underlying mechanisms and the nature of the prosody-syntax interface still have not been identified sufficiently. This is also reflected in the fact that most models on sentence processing completely lack prosodic information. This edited book volume is grounded in a workshop that was held in 2021 at the annual conference of the Deutsche Gesellschaft für Sprachwissenschaft (DGfS). The five chapters cover selected topics on the production and comprehension of prosodic cues in various populations and languages, all focusing in particular on processing of prosody at structurally relevant prosodic boundaries. Specifically, the book comprises cross-linguistic evidence as well as evidence from non-native listeners, infants, adults, and elderly speakers, highlighting the important role of prosody in both language production and comprehension.

Prosody has been characterised as a "half-tamed savage" being shaped by both discrete, categorical aspects as well as gradient, continuous phenomena. This book is concerned with the relation of the "wild" and the "tamed" sides of prosodic prominence. It reviews problems that arise from a strict separation of categorical and continuous representations in models of phonetics and phonology, and it explores the potential role of descriptions aimed at reconciling the two domains. In doing so, the book offers an introduction to dynamical systems, a framework that has been studied extensively in the last decades to model speech production and perception. The reported acoustic and articulatory data presented in this book show that categorical and continuous modulations used to enhance prosodic prominence are deeply intertwined and even exhibit a kind of symbiosis. A multi-dimensional dynamical model of prosodic prominence is sketched, based on the empirical data, combining tonal and articulatory aspects of prosodic focus marking. The model demonstrates how categorical and continuous aspects can be integrated in a joint theoretical treatment that overcomes a strict separation of phonetics and phonology.

Sonority is a central notion in phonetics and phonology and it is essential for generalizations related to syllabic organization. However, to date there is no clear consensus on the phonetic basis of sonority, neither in perception nor in production. The widely used Sonority Sequencing Principle (SSP) represents the speech signal as a sequence of discrete units, where phonological processes are modeled as symbol manipulating rules that lack a temporal dimension and are devoid of inherent links to perceptual, motoric or cognitive processes. The current work aims to change this by outlining a novel approach for the extraction of continuous entities from acoustic space in order to model dynamic aspects of phonological perception. It is used here to advance a functional understanding of sonority as a universal aspect of prosody that requires pitch-bearing syllables as the building blocks of speech.This book argues that sonority is best understood as a measurement of pitch intelligibility in perception, which is closely linked to periodic energy in acoustics. It presents a novel principle for sonority-based determinations of well-formedness – the Nucleus Attraction Principle (NAP). Two complementary NAP models independently account for symbolic and continuous representations and they mostly outperform SSP-based models, demonstrated here with experimental perception studies and with a corpus study of Modern Hebrew nouns. This work also includes a description of ProPer (Prosodic Analysis with Periodic Energy). The ProPer toolbox further exploits the proposal that periodic energy reflects sonority in order to cover major topics in prosodic research, such as prominence, intonation and speech rate. The book is finally concluded with brief discussions on selected topics: (i) the phonotactic division of labor with respect to /s/-stop clusters; (ii) the debate about the universality of sonority; and (iii) the fate of the classic phonetics–phonology dichotomy as it relates to continuity and dynamics in phonology.