To fulfill a sick boy's wish, rodeo star Tucker Granger surprises little Owen in the hospital. But no one is more surprised than single mother Sierra Baker. She figures the carefree champion for a different kind of man. One who doesn't spend hours talking "cowboy code" with a hospital-bound child. One who can't have her dreaming of a second chance at love. Somehow, Tucker ropes her heart and fills it with hope. Hope that this country girl and her son can lasso the roaming bronc rider into their family forever.

The Australian Country Girl: History, Image, Experience offers a detailed analysis of the experience and the image of Australian country girlhood. In Australia, 'country girl' names a field of experiences and life-stories by girls and women who have grown up outside of the demographically dominant urban centres. But it also names a set of ideas about Australia that is surprisingly consistent across the long twentieth century despite also working as an index of changing times. For a long period in Australian history, well before Federation and long after it, public and popular culture openly equated 'Australian character' with rural life. This image of Australian-ness sometimes went by the name of the 'bush man', now a staple of Australian history. This has been counterbalanced post World War II and increased immigration, by an image of sophisticated Australian modernity located in multicultural cities. These images of Australia balance rather than contradict one another in many ways and the more cosmopolitan image of Australia is often in dialogue with that preceding image of 'the bush'. This book does not offer a corrective to the story of Australian national identity but rather a fresh perspective on this history and a new focus on the ever-changing experience of Australian rural life. It argues that the country girl has not only been a long-standing counterpart to the Australian bush man she has, more importantly, figured as a point of dialogue between the country and the city for popular culture and for public sphere narratives about Australian society and identity.

A classic title in Edna O'Brien's Country Girls Trilogy - the first volume It is the early 1960s in a country village in Ireland. Caithleen Brady and her attractive friend Baba are on the verge of womanhood and dreaming of spreading their wings in a wider world; of discovering love and luxury and liquor and above all, fun. With bawdy innocence, shrewd for all their inexperience, the girls romp their way through convent school to the bright lights of Dublin - where Caithleen finds that suave, idealised lovers rarely survive the real world. 'She is one of our bravest and best novelists' Irish Times 'O'Brien rises like a lark in the clear air, she sings as she flies' Literary Review 'One of the greatest writers in the English-speaking world' New York Times Book Review

Jimmie Lou Benson, who grew up in an unfortunate home in Bohemia Maryland, is happy when she moved to Weston Farm. There she finds her friends, Darby and Nikki Howe and Jed, the old farmer who works the land. Jimmie Lou is a blonde beauty, whose good looks gets her into trouble Josh is her love. And there is a horse called Dolly.

Edna O'Brien's beloved classics reveal the lives and loves of two girls in rural 1950s Ireland (with a foreword by Eimear McBride).'The taboo-breaking, the fabulous prose - there's no one like Edna O'Brien ... Beautiful.' Anne Enright 'Novels of heart-breaking empathy, rigorous honesty and peerless beauty.' Eimear McBride'Brilliant and brave.' Ann Patchett'A treasure.' New York TimesONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD'Caithleen 'Kate' Brady and Bridget 'Baba' Brennan are growing up in a repressive Irish village after World War II. Kate is a romantic, looking for love; Baba is a reckless survivor. After being expelled from convent school, they dream of the bright lights of Dublin - and are rewarded with bad luck and bad sex; marry for the wrong reasons; but continue to fight the expectations forced upon 'girls' of every era to become brave new women.Edna O'Brien's debut novels revolutionised Irish literature in the 1960s. Banned by the authorities as 'indecent' and burned by the clergy, they were notorious for their frank portrayal of sexual desire: but scandal turned to fame, and made this glorious coming-of-age tale an instant classic that inspires and delights readers to this day.'Buoyantly youthful ... With all the freshness in the world.' Sunday Times'An excellent and highly unusual blend of bawdiness and innocence.' Evening Standard'O'Brien simply offers her characters and they come to us living.' V.S. Naipaul'A natural writer ... [such] unphoney charm and unlaborious originality.' Kingsley Amis'One of the greatest Irish writers, of this or any era.' Sunday Independent'One of our bravest and best novelists' Irish Times'A literary great.' Times