The present volume is one of a series which will cover the output of the Gramophone Company from its beginning in 1898 to 1929, when recording methods had progressed from the primitive trumpet to the sophisticated microphone. The Company operated through ten branches, and the catalogues of two of these (Italy and France) have already been published by Greenwood. This new volume adds Germany to the list, but the coverage extends to Austria, Switzerland, and Czechoslovakia and to any other country (including the United States) where there was interest in records whose source or language was German. The principal intention of this volume is to produce a complete listing of material within this field, and not merely a selection (e.g., operatic records only). Thus, it lists not only the important recordings from Wagner operas, but those from other composers, together with all the songs, popular and serious, recorded by the most important record company of the age. Also included are all the instrumental records of the time--by pianists, violinists, cellists, and harmonica players--as well as military music played by celebrated regimental bands. Included with this is a remarkable amount of material where the executant was also the composer, an area of unusual interest. In previous years, most records from this time period were unavailable, and there was virtually no chance of ever hearing them, particularly where copies were so rare as to exist in only one collection. The introduction of the long-playing record changed the situation and the invention of the compact disc has improved availability to an extent undreamed of even a few years ago. This volume is intended to provide collectors and archivists with a comprehensive and reliable guide to the contents of their collections.

Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.

Filled with dialogues, grammar and idiom studies, and practical exercises, this is probably the most delightful, useful, and comprehensive elementary book available for learning spoken and written German. 330 illustrations.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

A world list of books in the English language.

Interest in word-meaning is on the increase among mainstream linguists again after a half-century of neglect. During this interval progress in phonology and syntax was great, but further progress in these sub-disciplines will remain blocked until it is recognized that the prime functional unit of speech is the word, that the central problem of language theory is lexis. Word-meaning is typically complicated by changes across time; for a theory of language creativity, these effects must be discerned from spontaneous creation. The articles brought together in this volume attempt to illuminate, on the basis of particular lexical studies, the dynamics of perception and word-meaning, of language and mind. [No further volumes appeared]

The first complete discography of Victor's Red Seal classical records (1903-1925), based on the original Victor Talking Machine Co. files. Includes recording and release dates, duration in catalog, accompanists, pseudonyms, matrix and take numbers, private and cancelled releases, and all issues worldwide in 78 format. With artist photos.