A History of Engineering and Technology offers a highly readable account of the development of engineering and technology from prehistory to the present. The author uses the broad sweep of history as a backdrop for expositions of important benchmarks in engineered works and products. The book presents early hydraulic engineering in the context of modern ideas relating technology to the complex social structures that arose in Sumeria and Egypt. It also provides a comprehensive and objective review of the greatest engineering civilization of antiquity-Greco-Roman-and discusses the western world's attempts to recover its achievements after the Middle Ages. The flowering of French and British engineered technology is portrayed through the men and machines that led to today's industrial society. Other topics discussed in A History of Engineering and Technology include the evolution of the modern ship, engineering in modern war and medicine, the advent of the computer, and the Space Age. Over 100 illustrations and the book's in-depth presentation of key theoretical developments make this volume essential as a college textbook for students, as well as an important reference resource for libraries, engineers, and scientists.

Identifies and describes specific government assistance opportunities such as loans, grants, counseling, and procurement contracts available under many agencies and programs.

Working with the premise that there are much meaning and value in the "repelling beauty" of mining landscapes, Richard Francaviglia identifies the visual clues that indicate an area has been mined and tells us how to read them, showing the interconnections among all of America's major mining districts. With a style as bold as the landscape he reads and with photographs to match, he interprets the major forces that have shaped the architecture, design, and topography of mining areas. Covering many different types of mining and mining locations, he concludes that mining landscapes have come to symbolize the turmoil between what our society elects to view as two opposing forces: culture and nature.

Although libraries and museums for many centuries have taken the lead, under one rational or another, in recovering, storing, and displaying various kinds of culture of their periods, lately, as the gap between elite and popular culture has apparently widened, these repositories of artifacts of the present for the future have tended to drift more and more to what many people call the aesthetically pleasing elements of our culture. The degree to which our libraries and museums have ignored our culture is terrifying, when one scans the documents and artifacts of our time which, if history in any wise repeats itself, will in the immediate and distant future become valuable indices of our present culture to future generations. As Professor Schroeder dramatically states it, "No doubt about it, it is the contemporary popular culture that is the endangered species." The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight.