Discover the love, passion and heartbreak through the ages in this collection of carefully selected historical romance novels which will transport you to the time of Ancient Egypt, Medieval Castles, Renaissance Cities, Regency Social Circles and Parisian Belle Époque: _x000D_ Uarda: A Romance of Ancient Egypt (Georg Ebers)_x000D_ The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan)_x000D_ Hildebrand: The Days of Queen Elizabeth (Anonymous) _x000D_ Love-at-Arms (Rafael Sabatini) _x000D_ The Cloister and the Hearth (Charles Reade) _x000D_ The Princess of Cleves (Madame de La Fayette)_x000D_ The Forest Lovers (Maurice Hewlett) _x000D_ Malcolm (George MacDonald) _x000D_ Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) _x000D_ The Wild Irish Girl (Lady Sydney Morgan) _x000D_ The Dark Mile (D. K. Broster) _x000D_ Sophia (Stanley John Weyman) _x000D_ Paul and Virginia (Bernardin de Saint-Pierre) _x000D_ Memoirs of Emma Courtney (Mary Hays) _x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ Olinda's Adventures (Cockburn)_x000D_ Belinda (Maria Edgeworth)_x000D_ Dangerous Liaisons (De Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Pamela Trilogy_x000D_ Mary (Mary Wollstonecraft)_x000D_ First Love (Mrs. Loudon)_x000D_ Jane Austen:_x000D_ Pride & Prejudice_x000D_ Sense & Sensibility_x000D_ Mansfield Park_x000D_ Emma_x000D_ Persuasion_x000D_ Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (Thackeray)_x000D_ Mr. Rowl (D. K. Broster)_x000D_ The Battle of the Strong (Gilbert Parker)_x000D_ Kitty Alone (Sabine Baring-Gould) _x000D_ Sentimental Education (Gustave Flaubert) _x000D_ Lady Anna (Anthony Trollope)_x000D_ The Manoeuvring Mother (Lady Charlotte Bury)_x000D_ Ramona (Helen Hunt Jackson) _x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Bel Ami (Guy de Maupassant) _x000D_ The Squatter and the Don _x000D_ The Four Feathers (A. E. W. Mason) _x000D_ The Miranda Trilogy (Grace Livingston Hill)_x000D_ The Great Gatsby (F. Scott Fitzgerald)

v. 1. An Egyptian princess. Homo sum -- v. 2. Uarda. The burgomaster's wife -- v. 3. Cleopatra. Joshua -- v. 4. The bride of the Nile. A question -- v. 5. The emperor. The sisters -- v. 6. A thorny path. The elixir -- v. 7. In the fire of the forge. Only a word -- v. 8. Barbara Blomberg. In the Blue Pike -- v. 9. Margery. Serapis -- v. 10. Arachne. The story of my life.

John Buchan is one of the finest writers of historical romances, novels packed with beautifully described landscapes and rich powerful characters.

In the half century before Walter Scott's Waverley , dozens of popular novelists produced historical fictions for circulating libraries. This book examines eighty-five popular historical novels published between 1762 and 1813, looking at how the conventions of the genre developed through a process of imitation and experimentation.

A Brief History of Chinese Fiction grew out of the lecture notes Lu Hsun used when teaching a course on Chinese fiction at Peking University between 1920 and 1924. In December 1923 a first volume was printed and in June 1924 a second volume. In September 1925 these were reprinted as one book. In 1930 the author made certain changes, but all subsequent editions have remained the same.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of “the right one” and “the right time”.