This is the first book-length study of the award-winning historical drama The Tudors. In this volume twenty distinguished scholars separate documented history, plausible invention, and outright fantasy in a lively series of scholarly, but accessible and engaging essays. The contributors explore topics including Henry VIII, Catherine of Aragon, Anne Boleyn, his other wives and family, gender and sex, kingship, the court, religion, and entertainments.

Public History: A Textbook of Practice is a guide to the many challenges historians face while teaching, learning, and practicing public history. Historians can play a dynamic and essential role in contributing to public understanding of the past, and those who work in historic preservation, in museums and archives, in government agencies, as consultants, as oral historians, or who manage crowdsourcing projects need very specific skills. This book links theory and practice and provides students and practitioners with the tools to do public history in a wide range of settings. The text engages throughout with key issues such as public participation, digital tools and media, and the internationalization of public history. Part One focuses on public history sources, and offers an overview of the creation, collection, management, and preservation of public history materials (archives, material culture, oral materials, or digital sources). Chapters cover sites and institutions such as archival repositories and museums, historic buildings and structures, and different practices such as collection management, preservation (archives, objects, sounds, moving images, buildings, sites, and landscape), oral history, and genealogy. Part Two deals with the different ways in which public historians can produce historical narratives through different media (including exhibitions, film, writing, and digital tools). The last part explores the challenges and ethical issues that public historians will encounter when working with different communities and institutions. Either in public history methods courses or as a resource for practicing public historians, this book lays the groundwork for making meaningful connections between historical sources and popular audiences.

This fascinating new look at the artistic legacy of the Tudors reveals the dynasty’s enduring influence on the arts of Renaissance England and beyond. Ruling successively from 1485 through 1603, the five Tudor monarchs brought seismic changes to England that reverberated throughout Europe. They used the arts to legitimize and glorify their tumultuous rule, from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “Virgin Queen” Elizabeth I. With incisive scholarship and sumptuous new photography, this book explores the extreme politics and outsize personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting top artists and artisans from across Europe. At the same time, the Tudors nurtured local talent and gave rise to a distinctly English aesthetic, one that is forever connected to the myth and visual legacy of their dynasty. The Tudors reveals the true history behind a family that has long captured the public imagination, bringing to life their extravagant and politically precarious world through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.

This collection of essays is dedicated to examining the recent literary phenomenon of the 'neo-historical' novel, a sub-genre of contemporary historical fiction which critically re-imagines specific periods of history.

With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.

This entertaining guide covers the period from 1485 to 1603, exploring the life and times of everyday people (from famine and the flu epidemic, to education, witchcraft and William Shakespeare) as well as the intrigues and scandals at court. Strap yourself in and get ready for a rollercoaster ride through the romantic and political liaisons of Henry VIII and Elizabeth I - and that's not all! Information on surviving Tudor buildings, such as Hampton Court, adds a contemporary twist for readers wanting to bring history to life by visiting these historic sites. The Tudors For Dummies includes: Part I: The Early Tudors Chapter 1: Getting to Know the Tudors Chapter 2: Surveying the Mess the Tudors Inherited Chapter 3: Cosying Up With the First Tudor Part II: Henry VIII Chapter 4: What was Henry like? Chapter 5: How Henry Ran his Kingdom Chapter 6: Divorced, Beheaded, Died; Divorced, Beheaded, Survived: The Perils of Marrying Henry Chapter 7: Establishing a New Church: Henry and Religion Part III: Edward VI, Mary and Philip, and Queen Mary Chapter 8: Edward, the Child King Chapter 9: Establishing Protestantism Chapter 10: Northumberland, Lady Jane Grey and the Rise of Mary Chapter 11: What Mary Did Chapter 12: Weighing Up War and Disillusionment Part IV: The First Elizabeth Chapter 13: The Queen and her Team Chapter 14: Breaking Dinner Party Rules: Discussing Religion and Politics Chapter 15: Tackling Battles, Plots and Revolts Chapter 16: Making War with Spain Chapter 17: Understanding the Trouble in Ireland Chapter 18: Passing on the Baton - Moving from Tudors to Stewarts Part V: The Part of Tens Chapter 19: Ten top Tudor Dates Chapter 20: Ten Things the Tudors Did For Us Chapter 21: Ten (Mostly) Surviving Tudor Buildings

Writing Historical Fiction: A Writers' & Artists' Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.

This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.

Focuses on the novels published since 2000 by twenty major British novelistsThe Contemporary British Novel Since 2000 is divided into five parts, with the first part examining the work of four particularly well-known and highly regarded twenty-first century writers: Ian McEwan, David Mitchell, Hilary Mantel and Zadie Smith. It is with reference to each of these novelists in turn that the terms arealist, apostmodernist, ahistorical and apostcolonialist fiction are introduced, while in the remaining four parts, other novelists are discussed and the meaning of the terms amplified. From the start it is emphasised that these terms and others often mean different things to different novelists, and that the complexity of their novels often obliges us to discuss their work with reference to more than one of the terms.Also discusses the works of: Maggie OFarrell, Sarah Hall, A.L. Kennedy, Alan Warner, Ali Smith, Kazuo Ishiguro, Kate Atkinson, Salman Rushdie, Adam Foulds, Sarah Waters, James Robertson, Mohsin Hamid, Andrea Levy, and Aminatta Forna.

A renowned historian examines some of the most crucial junctions of fifteenth- and sixteenth-century Britain—and how they could have gone differently. Timothy Venning’s series of alternative histories explores the pathways of British events from the Anglo-Saxon Age to the English Civil War. In this volume, he presents an in-depth analysis of the Tudor period. As always, Venning discusses the fateful moments at which History could easily have taken a different turn. In a fascinating series of “what if” scenarios, Venning presens a detailed look at the possible and likely results. While necessarily speculative, the scenarios are all highly plausible and rooted in a firm understanding of actually events and their context. In so doing, Venning gives the reader a clearer understanding of the factors at play and why things happened the way they did, as well as a tantalizing view of what might have been. Key questions discussed in this volume include: Did the pretenders Lambert Simnel and Perkin Warbeck ever have a realistic chance of a successful invasion/coup? If Henry Fitzroy, Henry VIIIs illegitimate son, had not died young, might he have been a suitable King? What if Edward VI had not died at fifteen but reigned into the 1560s and 70s? How might the Spanish Armada have succeeded in landing an army in England, and with what likely outcome?