In Volume II of her ambitious 1909 history of New York City, Van Rensselaer picks up in 1664 during the reconstruction of New Netherland following its loss to England and goes on to chart the city's changing character as the Dutch and English vie for political and cultural influence. Growing by fits and starts, this city of only several thousand people is revealed in all its awkward infancy, from its early revolts and uprisings through its command by the militia in 1689-1691. This is a fascinating and detailed account, perfect for students, historians, and anyone with an interest in pre-Revolutionary New York. Devoted to the study of art and architecture, American author MARIANA GRISWOLD VAN RENSSELAER (1851-1934) was born in New York City and was an honorary member of the American Institute of Architects. In a rare accomplishment for a woman at the time, she received a doctorate of literature from Columbia University in 1910. Her other books include English Cathedrals, Art Out of Doors, and One Man Who Was Content.

Historical Archaeology of New York City is a collection of narratives about people who lived in New York City during the seventeenth, eighteenth, and nineteenth centuries, people whose lives archaeologists have encountered during excavations at sites where these people lived or worked. The stories are ethnohistorical or microhistorical studies created using archaeological and documentary data. As microhistories, they are concerned with particular people living at particular times in the past within the framework of world events. The world events framework will be provided in short introductions to chapters grouped by time periods and themes. The foreword by Mary Beaudry and the afterword by LuAnne DeCunzo bookend the individual case studies and add theoretical weight to the volume. Historical Archaeology of New York City focuses on specific individual life stories, or stories of groups of people, as a way to present archaeological theory and research. Archaeologists work with material culture—artifacts—to recreate daily lives and study how culture works; this book is an example of how to do this in a way that can attract people interested in history as well as in anthropological theory.

From its earliest days under English rule, New York City had an unusually diverse ethnic makeup, with substantial numbers of Dutch, English, Scottish, Irish, French, German, and Jewish immigrants, as well as a large African-American population. Joyce Goodfriend paints a vivid portrait of this society, exploring the meaning of ethnicity in early America and showing how colonial settlers of varying backgrounds worked out a basis for coexistence. She argues that, contrary to the prevalent notion of rapid Anglicization, ethnicity proved an enduring force in this small urban society well into the eighteenth century.

A comprehensive study of the business community in a pre-industrial economy.

Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.

This title was first published in 2001: Although 17th- and 18th-century English language theorists claimed to be correcting errors in grammar and preserving the language from corruption, this new study demonstrates how grammar served as an important cultural battlefield where social issues were contested. Author Linda C. Mitchell situates early modern linguistic discussions, long thought to be of little interest, in their larger cultural and social setting to show the startling degree to which grammar affected, and was affected by, such factors as class and gender. In her examination of the controversies that surrounded the teaching and study of grammar in this period, Mitchell looks especially at changing definitions and standardization of "grammar", how and to whom it was taught, and how grammar marked the social position of marginal groups. Her comprehensive study of the contexts in which grammar was intended or thought to function is based on her analysis of the ancillary materials - prefaces, introductions, forewords, statements of intent, organization of materials, surrounding materials, and manifestos of pedagogy, philosophy, and social or political goals - of more than 300 grammar texts of the time. The book is intended as a landmark study of an important movement in the foundation of the modern world.

The first comprehensive history of seventeenth-century London, told through the lives of those who experienced it “Lively and arresting. . . . [Lincoln] is as confident in handling the royal ceremonials of political transition . . . as she is with London's thriving coffee-house culture, and its turbulent maritime community.”—Ian W. Archer, Times Literary Supplement “Lincoln has a curator’s gift for selecting all the right details for a thoroughly absorbing account.”—Tony Barber, Financial Times, “Best Books of 2021: History” The Gunpowder Plot, the Civil Wars, Charles I’s execution, the Plague, the Great Fire, the Restoration, and then the Glorious Revolution: the seventeenth century was one of the most momentous times in the history of Britain, and Londoners took center stage. In this fascinating account, Margarette Lincoln charts the impact of national events on an ever-growing citizenry with its love of pageantry, spectacle, and enterprise. Lincoln looks at how religious, political, and financial tensions were fomented by commercial ambition, expansion, and hardship. In addition to events at court and parliament, she evokes the remarkable figures of the period, including Shakespeare, Bacon, Pepys, and Newton, and draws on diaries, letters, and wills to trace the untold stories of ordinary Londoners. Through their eyes, we see how the nation emerged from a turbulent century poised to become a great maritime power with London at its heart—the greatest city of its time.

This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.