Leonardo Bruni was famous in his day as a translator, orator, and historian, and was one of the best-selling authors of the 15th century. Bruni's 'History of the Florentine People' is generally considered the first modern work of history.

By way of essays and a selection of primary sources in parallel text, Biography, Historiography, and Modes of Philosophizing provides an introduction to a vast, significant, but neglected corpus of early modern literature: collective biography. It focuses especially on the various related strands of political, philosophical, and intellectual and cultural biography as well as on the intersection between biography, historiography, and philosophy. Individual texts from the fifteenth to the eighteenth century are presented as examples of how the ancient collective biographical tradition – as represented above all by Plutarch, Suetonius, Diogenes Laertius, and Jerome – was received and transformed in the Renaissance and beyond in accordance with the needs of humanism, religious controversy, politics, and the development of modern philosophy and science.

The modern world was not created by the civilization of Renaissance Italy, the advent of the printing press, or the marriage restrictions imposed by the medieval church. Rather, it was widespread reading that brought about most of the cognitive, psychological, and social changes that we recognize as peculiarly modern. David Williams combines book and communications history with readings of major works by Petrarch, Bruni, Valla, Reuchlin, Erasmus, Foxe, and Milton to argue that expanding literacy in the Renaissance was the impetus for modern civilization, turning a culture of arid logic and religious ceremonialism into a world of individual readers who discovered a new form of communion in the act of reading. It was not the theologians Luther and Calvin who first taught readers to become what they read, but the biblical philologist Erasmus, who encountered the divine presence on every page of the gospels. From this sacramental form of reading came other modes of humanist reading, particularly in law, history, and classics, leading to the birth of the nation-state. As literacy rates rose, readers of all backgrounds gained and embodied the distinctly modern values of liberty, free speech, toleration, individualism, self-determination, and democratic institutions. Communion and community were linked, performed in novel ways through revolutionary forms of reading. In this conclusion to a quartet of books on media change, Williams makes a compelling case for readers and acts of reading as the true drivers of social, political, and cultural modernity – and for digital media as its looming nemesis.

The instant Sunday Times bestseller A Times, New Statesman and Spectator Book of the Year 'Simply the best popular history of the Middle Ages there is' Sunday Times 'A great achievement, pulling together many strands with aplomb' Peter Frankopan, Spectator, Books of the Year 'It's so delightful to encounter a skilled historian of such enormous energy who's never afraid of being entertaining' The Times, Books of the Year 'An amazing masterly gripping panorama' Simon Sebag Montefiore 'A badass history writer... to put it mildly' Duff McKagan 'A triumph' Charles Spencer Dan Jones's epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity. Across 16 chapters, blending Dan Jones's trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting – or stealing – the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations – Rome, Paris, Venice, Constantinople – and it features some of history's most famous and notorious men and women. This is a book written about – and for – an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here? Also available in audio, read by the author.

Covers the period from 1790 to 1905 in The Times of London.

Leon (Judah Aryeh) Modena was a major intellectual figure of the early modern Italian Jewish community--a complex and intriguing personality who was famous among contemporary European Christians as well as Jews. Modena (1571-1648) produced an autobiography that documents in poignant detail the turbulent life of his family in the Jewish ghetto of Venice. The text of this work is well known to Jewish scholars but has never before been translated from the original Hebrew, except in brief excerpts. This complete translation, based on Modena's autograph manuscript, makes available in English a wealth of historical material about Jewish family life of the period, religion in daily life, the plague of 1630-1631, crime and punishment, the influence of kabbalistic mysticism, and a host of other subjects. The translator, Mark R. Cohen, and four other distinguished scholars add commentary that places the work in historical and literary context. Modena describes his fascination with the astrology and alchemy that were important parts of the Jewish and general culture of the seventeenth century. He also portrays his struggle against poverty and against compulsive gambling, which, cleverly punning on a biblical verse, he called the "sin of Judah." In addition, the book contains accounts of Modena's sorrow over his three sons: the death of the eldest from the poisonous fumes of his own alchemical laboratory, the brutal murder of the youngest, and the exile of the remaining son. The introductory essay by Mark R. Cohen and Theodore K. Rabb highlights the significance of the work for early modern Jewish and general European history. Howard E. Adelman presents an up-to-date biographical sketch of the author and points the way toward a new assessment of his place in Jewish history. Natalie Z. Davis places Modena's work in the context of European autobiography, both Christian and Jewish, and especially explores the implications of the Jewish status as outsider for the privileged exploration of the self. A set of historical notes, compiled by Howard Adelman and Benjamin C. I. Ravid, elucidates the text.