Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

"The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came to power in 1933, Hitler and Goebbels set their aesthetic vision into motion and removed degenerate art from German life: artists fled the country; museums were purged; and great works disappeared, only a fraction of which were rediscovered at the end of the Second World War. Most remained in garrets and cellars, the last hostages of the era of the Reich. In 2013, 1290 works by Chagall, Picasso, Matisse, Otto Dix, Max Beckmann and others were rediscovered. In Hitler's Last Hostages, Mary Lane brilliantly tells the story of art and the Third Reich, and the fate of Germany's great artists as they fought to survive the Nazi era"--

Revealed for the first time: how the SS rounded up the Nazis' most prominent prisoners to serve as human shields for Hitler in the last days of World War II In April 1945, as Germany faced defeat, Hitler planned to round up the Third Reich's most valuable prisoners and send them to his "Alpine Fortress," where he and the SS would keep the hostages as they made a last stand against the Allies. The prisoners included European presidents, prime ministers, generals, British secret agents, and German anti-Nazi clerics, celebrities, and officers who had aided the July 1944 bomb plot against Hitler--and the prisoners' families. Orders were given to the SS: if the German military situation deteriorated, the prisoners were to be executed--all 139 of them. So began a tense, deadly drama. As some prisoners plotted escape, others prepared for the inevitable, and their SS guards grew increasingly volatile, drunk, and trigger-happy as defeat loomed. As a dramatic confrontation between the SS and the Wehrmacht threatened the hostages caught in the middle, the US Army launched a frantic rescue bid to save the hostages before the axe fell. Drawing on previously unpublished and overlooked sources, Hitler's Last Plot is the first full account of this astounding and shocking story, from the original round-up order to the prisoners' terrifying ordeal and ultimate rescue. Told in a thrilling, page-turning narrative, this is one of World War II's most fascinating episodes.

December 1944. Soviet and German troops fight from house to house in the shattered, corpse-strewn suburbs of Budapest. Crazed Hungarian fascists join with die-hard Nazis to slaughter Jews day and night, turning the Danube blood-red. In less than six months, thirty-eight-year-old SS Colonel Adolf Eichmann has sent over half a million Hungarians to the gas chambers in Auschwitz. Now all that prevents him from liquidating Europe's last Jewish ghetto is an unarmed Swedish diplomatic envoy named Raoul Wallenberg. The Envoy is the stirring tale of how one man made the greatest difference in the face of untold evil. The legendary Oscar Schindler saved hundreds, but Raoul Wallenberg did what no other individual or nation managed to do: He saved more than 100,000 Jewish men, women, and children from extermination. Written with Alex Kershaw's customary narrative verve, The Envoy is a fast-paced, nonfiction thriller that brings to life one of the darkest and yet most inspiring chapters of twentieth century history. It is an epic for the ages.

A gripping examination of the systematic and murderous ways that Germans first put into place their criminal ideology in their invasion of Poland, during which tens of thousands of civilians were killed to make ``living space'' for Germans in the east.

A charged biography of a notorious Nazi art plunderer and his career in the postwar art worldBruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler’s special art looting agency, he went on to supervise the systematic theft and distribution of over 22,000 artworks, largely from French Jews; helped Göring develop an enormous private art collection; and staged twenty private exhibitions of stolen art in Paris’s Jeu de Paume museum during the war. By the 1950s Lohse was officially denazified but back in the art dealing world, offering looted masterpieces to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home.Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse’s life, offering a critical examination of the postwar art world.

For fans of The Age of Light and Z, a mystical, historical novel based on the true story of the 20th-century painters and occultists Remedios Varo and Leonora Carrington, each beginning as the muse of a famous lover and then breaking away to become an icon in her own right through a powerful friendship that springs from their connection to the tarot. Desperate to escape the Nazis, painter Remedios Varo and her lover, poet Benjamin Peret, flee Paris for Villa Air Bel, a safe house for artists on the Riviera. Along with Max Ernst, Peggy Guggenheim, and others, the two anxiously wait for exit papers. As the months pass, Remedios begins to sense that the others don't see her as a fellow artist; they have cast her in the stifling role of a surrealist ideal: the beautiful innocent. She finds refuge in a mysterious bookshop, where she stumbles into a world of occult learning and intensifies an esoteric practice in the tarot that helps her light the bright fire of her creative genius. When travel documents come through, Remedios and Benjamin flee to Mexico where she is reunited with friend and fellow painter Leonora Carrington. Together, the women tap into their creativity, stake their independence, and each find their true loves. But it is the tarot that enables them to access the transcendent that lies on the other side of consciousness, to become the truest Surrealists of all. From an author with "an enchanting, intoxicating voice" (Cristina Alger, author of The Darlings), Alchemy of a Blackbird is about a dynamic female friendship that became a historic artistic collaboration between two giants of the art world.

The stories of thirty war criminals who escaped accountability, from a historian praised for his “well written, scrupulously researched” work (The New York Times). This deeply researched book traces the biographies of thirty “typical” perpetrators of the Holocaust—some well-known, some obscure—who survived World War II. Donald M. McKale reveals the shocking reality that the perpetrators were rarely, if ever, tried or punished for their crimes, and nearly all alleged their innocence in Germany’s extermination of nearly six million European Jews. He highlights the bitter contrasts between the comfortable postwar lives of many war criminals and the enduring suffering of their victims, and how, in the face of exhaustive evidence showing their culpability, nearly all claimed ignorance of what was going on—and insisted they had done nothing wrong. “McKale ends the book with a haunting question: whether life would be different today if the Allies had pursued Holocaust criminals more aggressively after WWII. History buffs and students of the Holocaust will be fascinated.” ―Publishers Weekly “Gripping and important reading.” —Eric A. Johnson, author of What We Knew

The climax and conclusion of one of the best-selling biographies of our time. The New Yorker declared the first volume of Ian Kershaw's two-volume masterpiece "as close to definitive as anything we are likely to see," and that promise is fulfilled in this stunning second volume. As Nemesis opens, Adolf Hitler has achieved absolute power within Germany and triumphed in his first challenge to the European powers. Idolized by large segments of the population and firmly supported by the Nazi regime, Hitler is poised to subjugate Europe. Nine years later, his vaunted war machine destroyed, Allied forces sweeping across Germany, Hitler will end his life with a pistol shot to his head. "[M]ore probing, more judicious, more authoritative in its rich detail...more commanding in its mastery of the horrific narrative."—Milton J. Rosenberg, Chicago Tribune

Now available in a single, abridged paperback, Ian Kershaw's Hitler is the definitive biography of the Nazi leader. Ian Kershaw's two volume biography, Hitler 1889-1936: Hubris and Hitler 1936-1945: Nemesis, was greeted with universal acclaim as the essential work on one of the most malign figures in history, from his earliest origins to the final days of the Second World War. Now this landmark historical work is available in one single, abridged edition, tracing the story of how a bitter, failed art student from an obscure corner of Austria rose to unparalleled power, destroying the lives of millions and bringing the world to the brink of Armageddon. 'Supersedes all previous accounts. It is the sort of masterly biography that only a first-rate historian can write' David Cannadine, Observer 'The Hitler biography for the twenty-first century' Richard Evans, Sunday Telegraph 'I cannot imagine a better biography of this great tyrant emerging for a long while' Jeremy Paxman 'Magisterial ... anyone who wishes to understand the Third Reich must read Kershaw, for no one has done more to lay bare Hitler's morbid psyche' Niall Ferguson, Sunday Telegraph