No Marketing Blurb

Bob's journey spans over four decades, transitioning from a young actor in California to a successful business career. In 2019, he retires from the corporate world to pursue his original passions of acting, filmmaking, and living a nomadic life traveling throughout Europe. In January 2020, Bob's European adventure begins in Vienna, Austria, and everything goes smoothly until mid-March when a global pandemic changes the world. He narrowly escapes border closures and reaches Zagreb, Croatia, only to face a devastating earthquake, the worst in the country in 140 years. The US Travel Department advises him to return home, but lacking a real home to go back to, Bob decides to stay in Europe. Riding out the pandemic in Europe grants Bob a unique perspective on the world as he learns to face fears, develop resilience, and keep moving forward. Upon returning to the US after three years, Bob is met with a different world, where discussing sensitive subjects like the pandemic, health, politics, and just about any subject seems to pose challenges and creates occasional tension. The atmosphere feels delicate and uncertain, leading to shifts in relationships. However, reconnecting with loved ones after a long absence proves to be a transformative, healing, and enlightening experience for Bob. His journey represents a testament to embracing change, facing adversity, and finding personal growth through exploration and pursuing one's passions.

Met lit. opg. For different periods from the pre-world war II years onwards, attention is given to the influence of the American film industry on European films and the depiction of America in European films.

'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.

From David Puttnam—producer of such modern film classics as Chariots of Fire, The Killing Fields, Midnight Express, and The Mission, and the only European to have run a major Hollywood studio—an insightful and provocative history that explains the personalities and events which shaped film's transformation from a technological curiosity into one of the world's most powerful cultural and economic forces. From the early rivalry between its inventors to the power-brokering and political influence of today's mega-stars; from Zukor and Laemmle to Ovitz and Eisner; from the serendipitous discovery of Los Angeles ("flagstaff no good," wired Cecil B. De Mille. "want authority to rent barn for $75 a month in place called hollywood") to the exploitation and depredation of Europe's film culture in the name of the marketplace, Puttnam captures the urgency and wonder that swept through a young industry and set it spinning on an axis of money and power. Movies and Money chronicles the unprecedented collision between art and commerce, and incisively analyzes its implications in today's global arena. Puttnam's engaging history is also an impassioned polemic: From the moment Thomas Edison stole the first crude attempt at a movie camera from the French scientist Étienne Jules Marey, Hollywood and Europe have existed, the author claims, in a state of undeclared hostility—hostility that has occasionally erupted into open battle for control of the century's most powerful artistic medium. And this battle, he contends, will ultimately determine the nature of Europe's cultural identity. He also argues forcefully for the intelligent application of the language and techniques of cinema to education, urging filmmakers to make films that challenge and inspire as well as entertain. Ten years after his abrupt departure from Columbia, Puttnam re-enters the debate about cinema with characteristic audacity, with the irreverence of an iconoclast and the canniness of a seasoned player. Movies and Money is a book that will change our understanding of the history—and future—of film.

No Marketing Blurb

Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000

A comprehensive guide to European actors in American film, this book brings together 15 chapters with A-Z entries on over 900 individuals. It includes case studies of prominent individuals and phenomena associated with the emigres, such as the stereotyping of European actresses in 'bad women' roles, and the irony of Jewish actors playing Nazis.

Examines Hollywood's European travelogue romances from 1947 to 1964, the end of American isolationism and the advent of challenges in Hollywood that made American filmmakers begin filming abroad.