Frequently referred to as “the Greatest Generation,” Americans of the World War II era were influenced by Hollywood’s depictions of their nation, its role in world affairs, and the virtue of its involvement in the war. Stories of the bravery and heroism of the American military—as well as the moral and political threat posed by the enemy—filled movie screens across the country to garner passionate support for wartime policies. In Hollywood Enlists! Propaganda Films of World War II, Ralph Donald explores how the studios supported the war effort and helped shape the attitudes of an entire generation. Through films the studios appealed to the public’s sense of nationalism, demonized the enemy, and stressed that wartime sacrifices would result in triumph. The author contends that American films of the period used sophisticated, but often overlooked, strategies of propaganda to ideologically unite the country. While these strategies have long been associated with political speeches and writings during the war, little in-depth consideration has been given to their use in the era’s cinema. By examining major motion pictures—including Casablanca, The Flying Tigers, Mrs. Miniver, Sergeant York, They Were Expendable, and many others—Donald illustrates how various propaganda techniques aligned the nation’s entertainment with government aims. Hollywood Enlists! will appeal to readers with interests in war films and motion picture history, as well as politics and social history.

This book examines the interplay between political culture and diplomatic strategy in the U.S., revealing the transformation of American political culture and its impact on the country’s foreign strategy. The theoretical pivot of this study is an analysis of the dynamics of political culture and the mechanisms of the interaction between political culture and diplomatic strategy. Given this premise, the core chapters revisit the historical transformations of American political culture and analyze the responses and countermeasures taken to attempt to reverse the perceived decline in American hegemony during the presidencies of George W. Bush, Barack Obama, and Donald Trump, factors interwoven with security, economic, and institutional crises. The discussion describes the landscape and evolution of contemporary American political culture and the correlated adjustments of U.S. global strategy over the course of the twenty-first century. Given the myriad of challenges and political legacies left by its predecessors, the author gives a pessimistic prognosis of the prospect of resolving America’s political plight by the Joe Biden administration. The title will be a valuable reference for academic and general readers interested in American politics, U.S. diplomatic strategy, and international relations.

In this two-volume set, a series of expert contributors look at what it means to be a boy growing up in North America, with entries covering everything from toys and games, friends and family, and psychological and social development. Boy Culture: An Encyclopedia spans the breadth of the country and the full scope of a pivotal growing-up time to show what "a boy's life" is really like today. With hundreds of entries across two volumes, it offers a series of vivid snapshots of boys of all kinds and ages at home, school, and at play; interacting with family or knocking around with friends, or pursuing interests alone as they begin their journey to adulthood. Boy Culture shows an uncanny understanding of just how exciting, confusing, and difficult the years between childhood and young adulthood can be. The toys, games, clothes, music, sports, and feelings—they are all a part of this remarkable resource. But most important is the book's focus on the things that shape boyhood identities—the rituals of masculinity among friends, the enduring conflict between fitting in and standing out, the effects of pop culture images, and the influence of role models from parents and teachers to athletes and entertainers to fictional characters.

The Cold War spanned some five decades from the devastation that remained after World War Two until the fall of the Berlin wall, and for much of that time the perception was that only on the Eastern side were politics and sport inextricably linked. However, this assumption underestimates the extent to which sport was an important symbol for both power blocs in their ongoing ideological struggle. This collection of essays from leading international authorities on sport, culture and ideology brings together an impressive body of work organized around key political themes and outstanding moments in sport, and is at once a political history of sport and an illuminating new perspective on the forces that shaped this unsettled time.

BY THE AUTHOR OF THE BOOKER PRIZE-SHORTLISTED BEWILDERMENT AND THE OVERSTORY Something is wrong with Eddie Hobson Sr., father of four, sometime history teacher, quiz master, black humourist and virtuoso invalid. His recurring fainting spells have worsened, and with his ingrained aversion to doctors, his worried family tries to discover the nature of his sickness. Meanwhile, in private, Eddie puts the finishing touches on a secret project he calls 'Hobbstown', a place that he promises will save him, the world and everything that's in it. 'Richard Powers is the most intellectually stimulating novelist at work in the English language today... Sentence after sentence has the razor-sharp quality of aphorism about the weird wired world we have made' Daily Telegraph

A beautiful hardback book illustrated throughout by 200 original images by the author and others including renowned underwater photographer David Doubilet. Howard Rosenstein wasn’t just opening the first dive school in Sharm El-Sheikh; he was cracking open a hidden world in Sinai. This true story dives headfirst into those ground-breaking times, where celebrated guests, uncharted dives and historical discoveries became the extraordinary routine. It’s a tale of grit, where resourcefulness and connections fuelled Howard’s pioneering spirit. From Roman coins glinting on the seabed to the dark, unmapped depths, his dives unveiled sunken treasures and secrets of the past. But these weren’t just underwater adventures — they were tightrope walks between nations still at war. He braved floods, assisted grounded ships, and even the depths of Mount Sinai itself. Howard’s journey wasn’t a solitary one. He rubbed shoulders with underwater legends, bestselling authors, true photography greats, and even world leaders. He navigated murky shipwrecks, charmed amorous sharks, and found himself a player in the delicate dance of peace negotiations. Through his dive centers, first in the Mediterranean and then exploding onto the Sinai scene, Howard became a pioneer of recreational diving. He shared the magic of the underwater world with a generation, igniting a passion that would forever burn, his only desire that it would never end. But peace, like the tide, comes with a change. Dive deep into the extraordinary story of the entrepreneur who pioneered Red Sea dive tourism with a cast of unforgettable characters. How a dive school in a train carriage at the edge of the desert became a global destination. A journey of success and purpose. Reviews: ‘A rollicking fun tale… Scuba divers worldwide are indebted to them’– Kathy Sullivan, history-making astronaut and oceanographer. ‘Once in a great while a book comes along that combines masterful storytelling, riveting adventure, charismatic characters, and meaningful messages that will continue to haunt you long after the last page is turned. For me, Treasures, Shipwrecks and the Dawn of Red Sea Diving is that book… I urge readers to dive into this book for vicarious adventure, for insight into a life well lived, for reasons why you, too, should succumb to the urge to submerge, and for unbelievable stories that are most wonderful because they are true’– Sylvia Earle, Oceanographer, Founder of Mission Blue (from the Foreword). ‘A fascinating story. Howard’s diving life took him from ancient history, to being among the first to see sharks mate in the wild, to world politics as his pioneering efforts helped make the wonders of the Red Sea available to divers from around the world.’– Marty Snyderman, underwater photographer, author and photojournalist. ‘A fascinating story that, if it was not the real-life of Howard Rosenstein, it would make a first-class adventure novel.’– Dan Orr, Diving Industry Consultant. ‘A captivating voyage through the exotic wonders of the Middle East, above in the Sinai desert and beneath the cobalt blue waters of the fabled Red Sea. His ability to traverse cultures and disciplines while remaining true to his vision is inspiring. This book records one man’s adventures pioneering scuba diving during high politics in the Middle East and is a testament to the transformative power of curiosity, determination, love for the ocean and the desert, and respect for the world around us. I urge you to pick up a copy and embark on this thrilling journey’– Amos Nachoum, award wining nature photographer and diving travel pioneer, BigAnimals.com ‘Howard Rosenstein had a dream that he made a reality – he built, and they came.’– David Doubilet (from the Foreword).

A significant intervention into Lacanian film studies, this book sets forth a new theory of the psychoanalytic Real in cinema. In psychoanalysis, the Real ruptures the Symbolic that organizes law, ideology, and other systems of belief, revealing fissures in this underlying order. The Cinema of the Real explores how transnational cinema and especially South Korean cinema facilitate an encounter with the Real, enabling the emergence of a new political subject. Paying close attention to form, Hyon Joo Yoo reveals the existence of an "emancipatory drive" in films by Jang Hun, Park Chan-wook, Lee Chang-dong, Jia Zhangke, Michael Haneke, Claire Denis, and Bong Joon-ho, among others. Their work in effect provides viewers with a picture of how it looks and feels to be on a trajectory in which the subject and her world can change. Far from being a passive consumer of images, Yoo's spectator enters the space of the Real. Theoretically rigorous and inventive, The Cinema of the Real offers new, transnationally attuned tools for conceptualizing the body, affect, femininity, and spectatorship, as well as fresh readings of both classic and contemporary films.

Have the music and movie industries lost the battle to criminalize downloading? This penetrating and informative book provides readers with the perfect systematic critical guide to the file-sharing phenomenon. Combining inter-disciplinary resources from sociology, history, media and communication studies and cultural studies, David unpacks the economics, psychology and philosophy of file-sharing. The book carefully situates the reader in a field of relevant approaches including network society theory, post-structuralism and ethnographic research. It uses this to launch into a fascinating enquiry into: the rise of file-sharing the challenge to intellectual property law posed by new technologies of communication the social psychology of cyber crime the response of the mass media and multi-national corporations. Matthew David concludes with a balanced, eye-opening assessment of alternative cultural modes of participation and their relationship to cultural capitalism. This is a landmark work in the sociology of popular culture and cultural criminology. It fuses a deep knowledge of the music industry and the new technologies of mass communication with a powerful perspective on how multinational corporations seek to monopolize markets, how international and state agencies defend property, while a global multitude undermine and/or reinvent both.

Explores the uses of Yiddish language in German literary and cultural texts 1781 until the late nineteenth century. This book explores the uses of Yiddish language in German literary and cultural texts from the onset of Jewish civil emancipation in the Germanies in 1781 until the late 19th century. Showing the various functions Yiddish assumedat this time, the study crosses traditional boundaries between literary and non-literary texts. It focuses on responses to Yiddish in genres of literature ranging from drama to language handbooks, from cultural criticism to the realist novel in order to address broader issues of literary representation and Jewish-German relations in the 18th and 19th centuries. Professor Grossman shows how the emergence of attitudes toward Jews and Yiddish is directly related to linguistic theories and cultural ideologies that bear a complex relationship to the changing social and political institutions of the time. Amidst the rise of national ideologies and modern anti-Semitism, the increasing consolidation of institutions, and the drive to cultural homogeneity in the 18th- and 19th-century German context, Yiddish functioned as an anarchic element that, in the view of its opponents, "threatened" to dissolve German nationalculture. Grossman locates the response to Yiddish in the context of historical events (the Hep Hep Riots of 1819, the Revolution of 1848) and institutional changes (Jewish legal emancipation, the promotion of Bildung as an educational and cultural ideal). In its methodology and its focus, this study seeks to show how the conflicted responses to the Yiddish language point to the problems that connected and frequently divided Jews and Germans as they soughtto re-invent themselves for a new and unsettling context.

Using a performance studies lens, this book is a study of performance in the post-9/11 context of the so-called war on terror. It analyzes conventional theatre, political protest, performance art and other sites of performance to unpack the ways in which meaning has been made in the contemporary global sociopolitical environment.