Haunted Hollywood, a collection of stories of ghosts, mysteries, and paranormal happenings in Tinsel Town, will leave readers delightfully frightened. Each story includes notes on historical significance and local lore and readers will discover just how haunted and spooky their city is. A bibliography, a resources list of contact information to visit the haunted sites, and a brief “Ghost Hunter’s Guide” for the region or city, are also included, giving readers the resources to explore the haunted areas for themselves.

With a worldwide box office of more than a half-billion dollars, The Purge franchise has become one of the top horror franchises in film history, with many reviewers wowed by the concept of the series and differentiating on the execution. With five films and a TV show (and another film possibly in the works), the series seems unstoppable. The franchise's main concept taps into underlying tensions throughout America. The vast differences between the films are largely due to the ever-changing casts, including actors, writers, and directors, so that each film has its own unique commentary, sometimes getting right at the nerve of social issues that seem to be best discussed in fictional worlds' metaphors and parables. Acclaimed film and television critics and horror scholars such as Dale Bailey, Jason V. Brock, Chesya Burke, Lisa Morton, Katherine A. Troyer, and Kevin J. Wetmore give a wide range of analyses of just what The Purge films are saying about modern-day America and the world. Essays in the collection examine politics, violence, Trump, Freud, class issues, feminism, race, and more.

This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include Gaslight, Sleeping with the Enemy, What’s Love Got to Do with It, Dolores Claiborne, Enough, and Safe Haven. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about men as abusers, women as victims, and the racial and class politics of domestic violence. While the films purport to condemn abuse and empower abused women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions.

America's Secret Government is an archive of hightechharassment.com and how state power will always win and do whatever it can to destroy you if you wrong think in society, ever been honeypotted in a hotel and been told by the guard after spotting the LED's about Secret Courts based on the District of London/Columbia or the Act of 1871 where we are a corporation in the USA, plus in other countries such as Canada the CSIS gladly overvolts your stuff without a warrant, in the USA we have Direted SCALAR for that. We all have Cestui Que Vie 1666 Act accounts while born on earth and go by UCC Code which is based on Vatican Roman Law. One World Government and Fiat Usury Currency is nothing new, Martians Started the God Myth, Zionism/Freemasonry/Jewish & Italian Crime Networks run us, 95% of LES is Freemasonry based.

Tony Magistrale explores many of the movie versions of Stephen King's works and provides important insights into both the films and the fiction on which they are based.

A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.

A collection of short stories from the darkside of showbusiness,including strange tales set in the movie,television & music industries!!