Hollywood is currently one of the largest and most profitable sectors of the U.S. economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is quickly moving even further into cyberspace, virtual reality, and digital imaging. Aida Hozic writes of these enormous changes in the film industry from a novel perspective: by tracing shifts in spatial organization of film production from the enclosed worlds of old Hollywood studios through globally dispersed location shooting to digital production and distribution. Hozic's fascinating tale of latter-day capitalism suggests that the physical reorganization of production—across the American economy, but in Hollywood in particular—alters material and conceptual boundaries between work and leisure, public and private, reality and fantasy. Particular economic regimes and forms of spatial organization have specific moral implications, and so the story of Hollywood's cultural production is partly a story of censorship and moral surveillance. Hozic's account of industrial change in Hollywood, and of its attempts at moral control over the production of fantasy, is an illuminating confrontation with the peculiar nature of Hollywood's political authority and of its complex power.

The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations. Visit our website for sample chapters!

"Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. Using well-known movies, stars, and directors, the book shows that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are the product of cultural, political, and commercial forces"--

Holly takes over the writing of Lisa, Jody, and her own adventures. Now they've discovered how to teleport themselves, the three girls spend rather less time flying, but as they can't teleport to somewhere they’ve never been, being able to fly is still an advantage. It’s a good thing Jody learned how to fly a plane, the three girls combine to rescue one out of control with no pilot. Holly has to deploy her secret weapon when the girls are asked to protect a notable figure, the Prime Minister no less. All three of the Angels get a bit damp when the river floods, but not nearly as damp as their friend Louisa. It’s not only Jody who has an imaginary world in her head, Holly seems to have one too – and then there’s Lisa! This is Holly’s bit of the story, from her point of view. Holly takes over the writing of Lisa, Jody, and her own adventures. Now they’ve discovered how to teleport themselves, the three girls spend rather less time flying, but as they can’t teleport to somewhere they’ve never been, being able to fly is still an advantage. It’s a good thing Jody learned how to fly a plane, the three girls combine to rescue one out of control with no pilot. Holly has to deploy her secret weapon when the girls are asked to protect a notable figure, the Prime Minister no less. All three of the Angels get a bit damp when the river floods, but not nearly as damp as their friend Louisa. It’s not only Jody who has an imaginary world in her head, Holly seems to have one too – and then there’s Lisa! This is Holly’s bit of the story, from her point of view.

Mark Olmstead is a young pest control exterminator whose company, Eco PC, becomes politically incorrect in the ultra green yet polluted city of Portland, where he is besieged by animal rights protesters, including the Militant Insect Alliance, who spank him with fly swatters. He moves back to rural eastern Oregon and commutes, only to find that his hometown Morehead Gap is now mostly owned by his new landlord, Wes Titus, a politically correct developer from Portland. The town church has decayed, is infested by vermin and occupied by Waldo Ralph, an old hippie who has reconsecrated the structure as the ecocentric Church of Highs, a refuge for wildlife where he grows medical marijuana in the basement. While trying to make enough money to buy a house, Mark courts a former classmate, Sally Chan, who is half Chinese, and takes a side job as an illegal marijuana distributor, involving him with violent hippies, a black drug gang, Islamic terrorists, political assassins, the FBI and a cabal of computer hackers playing God in real life through an Internet video game called Oz and the Flying Monkeys. Mark is targeted for deletion by the Monkeys when he turns informer and he suspects that one of the Monkeys is Yakov Tete, a radical professor visiting his neighbor Diana Hartfield, a book editor vacationing from New York.

These are the proceedings of the International Conference on Engineering Science and Production Management, 16th 17th April 2015, Tatransktrba, High Tatras Mountains - Slovak Republic . The proceedings contain articles focusing on:- Production Management, Logistics- Industrial development, sustainable production- Planning, management and pr

Gina Domingo lives in the world of southern California pop culture. Cuban-American by birth, Gina is less a multiculturalist than an omniculturalist, absorbing everything in her path. But her life with her overly-protective parents takes an unexpected turn when GinaÍs paternal grandmother, Estela, visits. Here is GinaÍs abuela„whom Gina hasnÍt seen since the family left Cuba„come to set the record straight. Now GinaÍs entire range of experience, memories, and family truths begin to change. Estela doesnÍt impose her history on a family still coming to grips with its past and life in exile. Instead, she regales her granddaughter with tales of the island. When Estela unexpectedly dies while visiting the United States, Gina finds she has been bequeathed a legacy of freedom to create her own memories, her own version of the past. Like SalingerÍs Holden Caulfield, or the heroines of Joyce Carol OatesÍs Foxfire, the teenaged protagonist of Brand New Memory is possessed of a voice so simpàtica„so engrossing in her perception of herself, her family, and her friends„that we find ourselves mesmerized and unable to stop turning the pages.

Jihad vs. McWorld is a groundbreaking work, an elegant and illuminating analysis of the central conflict of our times: consumerist capitalism versus religious and tribal fundamentalism. These diametrically opposed but strangely intertwined forces are tearing apart--and bringing together--the world as we know it, undermining democracy and the nation-state on which it depends. On the one hand, consumer capitalism on the global level is rapidly dissolving the social and economic barriers between nations, transforming the world's diverse populations into a blandly uniform market. On the other hand, ethnic, religious, and racial hatreds are fragmenting the political landscape into smaller and smaller tribal units. Jihad vs. McWorld is the term that distinguished writer and political scientist Benjamin R. Barber has coined to describe the powerful and paradoxical interdependence of these forces. In this important new book, he explores the alarming repercussions of this potent dialectic for democracy. A work of persuasive originality and penetrating insight, Jihad vs. McWorld holds up a sharp, clear lens to the dangerous chaos of the post-Cold War world. Critics and political leaders have already heralded Benjamin R. Barber's work for its bold vision and moral courage. Jihad vs. McWorld is an essential text for anyone who wants to understand our troubled present and the crisis threatening our future.

Essays “capturing media ecologies as varied as museum installations, film festival showings, photography, and multiple varieties of internet sharing.” —Jump Cut In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as “documentary” and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas, just like objects, can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary’s role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

From the award-winning and New York Times bestselling author of Once and for All In her eleventh novel, Sarah Dessen returns to the beach town of Colby, setting of some of her best-loved books. Emaline is a Colby native, and so summer at the beach for her means hard work and a new population of beach goers. During this, her last summer before college, Emaline meets Theo while working for her family’s rental business. He’s a city boy who’s come to Colby as the assistant to a high-strung documentary filmmaker who’s in town to profile a reclusive local artist. Emaline knows he’s not her type, but she can’t help feeling drawn to him. And as their relationship develops, Emaline finds herself questioning her own goals, values, and choices in this classic Dessen romance. Sarah Dessen is the winner of the Margaret A. Edwards Award for her contributions to YA literature, as well as the Romantic Times Career Achievement Award. Books by Sarah Dessen: That Summer Someone Like You Keeping the Moon Dreamland This Lullaby The Truth About Forever Just Listen Lock and Key Along for the Ride What Happened to Goodbye The Moon and More Saint Anything Once and for All