This volume brings together a number of critical essays on three selected topics: biography, nationhood, and globalism. Written exclusively for this book by specialists from Mexico, Germany, and the United States, the essays propose a reexamination of Mexican American cultural history from a twenty-first century standpoint, written in English and approached from different analytical models and critical methods, but free of theoretical jargon. The essays range from biographies and memoirs by leading Chicano historians and studies of globalism during the rule of Imperial Spain (1492-1898), to the modern rise and global influence of the United States, particularly in Mexico, Latin America and the Caribbean. Also included are critical studies of novels by Chicano, Latin American, and Caribbean writers who narrate and represent the dominant role played by the United States both within the nation itself and in the Caribbean, thus illustrating the historical parallels and relations that bind Latinos and Americans of Mexican descent. This book will be of importance to literary historians, literary critics, teachers, students, and readers interested in stimulating and unconventional studies of Mexican American cultural history from a global perspective.

This volume collects the work of prominent art critics, art historians, and literary critics who study the art, lives, and times of the leading Mexican muralists José Clemente Orozco, Diego Rivera and, among other artists, David Alfaro Siqueiros. Written exclusively for this book in English or in Spanish, and with a full-length introduction (in English), the selected essays respond to a surging interest in Mexican mural art, bringing forth new interpretations and perspectives from the standpoint of the 21st century. The volume’s innovative and varied critical approaches will be of interest to a wide readership, including professors and students of Mexican muralism, as well as the speculative reader, public libraries, and art galleries around the world.

This book blends biography, history, and literary criticism in its analysis of Pocho (1959), José Antonio Villarreal’s evocative and semi-autobiographical novel about Richard Rubio, a Mexican American youth raised in a pastoral community in central California where people self-identified according to race, ethnicity, or religious affiliation. Richard is the son of an Indigenous Maya mother and a Mexican, fair-skin father who fought in the 1910 Mexican Revolution as a cavalryman, placing Richard outside the town’s imposed and regulated ethnic identities. In spite of his varied ancestry, his American birth, and his probing intelligence, Richard’s Indigenous appearance casts him as a social outsider. Pocho was written over a nine-year period of vigorous creativity, and with Villarreal’s power of recall and imagination at their prime. In writing his inaugural novel, Villarreal drew inspiration from modern narratives (paintings, novels, films), and from ancient Greek tragedy to create a Mexican American version of its classical drama ancestor. This book’s critical approach to Villarreal’s literary work is intelligibly written so as to be of access to a broad and all-inclusive readership and institutions, from college and university professors, public libraries, and the general reader to students of US, Mexican American, and world literatures.

With the publication of La Maravilla (1993), Alfredo Véa entered the world of letters in full possession of his craft as a novelist, blending narrative fiction and engaging anecdotes with allusions to art (music, paintings, poetry) and autobiography (e.g., his tour of duty in Vietnam), written in the poetry and prose of the world with penetrating reflections on America (as an ideal), and the United States (as a country). Véa’s narrative trilogy was recognized for its attention to language, ingenious conception at the level of plot and theme, and broad reflections on American society, its history (politics, art, religion, the entertainment industry), and its role as a world power in the twentieth century, specifically during the Vietnam war. Although recognized as a writer of great intuition and exceptional creativity, until now, no book-length study has been written on Alfredo Véa as a novelist. In this book, each one of the novels in the trilogy is analyzed and interpreted from an interdisciplinary perspective and with the general reader in mind, as well as college and university professors and students of US and world literatures.

Article abstracts and citations of reviews and dissertations covering the United States and Canada.

Hispanic culture is woven into all aspects of Texas life, from mission-style architecture to the highly popular Tex-Mex cuisine, from ranching and rodeo traditions to the Catholic religion. So common are these Hispanic influences, in fact, that they have been widely accepted as a part of everyone's heritage, comfortingly familiar and distinctively Texan. This new edition of Hispanic Texas contains all the guidebook entries of the original volume in a compact format perfect for taking along on trips throughout the state. Entries are arranged by region: San Antonio and South Texas Laredo and the Rio Grande Valley El Paso and Trans-Pecos Texas Austin and Central Texas Houston and Southeast Texas Dallas and North Texas Lubbock and the Plains Within each region, a city-by-city listing details the historic and modern sites and structures that bear Hispanic influence. Descriptions of local festivals and events, public art, museums, natural areas, and scenic drives enhance the entries, which are also profusely illustrated with historic and modern photographs and other illustrations.

Who can lay claim to a legally-recognized Indian identity? Who decides whether or not an individual qualifies? The right to determine tribal citizenship is fundamental to tribal sovereignty, but deciding who belongs has a complicated history, especially in the South. Indians who remained in the South following removal became a marginalized and anomalous people in an emerging biracial world. Despite the economic hardships and assimilationist pressures they faced, they insisted on their political identity as citizens of tribal nations and rejected Euro-American efforts to reduce them to another racial minority, especially in the face of Jim Crow segregation. Drawing upon their cultural traditions, kinship patterns, and evolving needs to protect their land, resources, and identity from outsiders, southern Indians constructed tribally-specific citizenship criteria, in part by manipulating racial categories - like blood quantum - that were not traditional elements of indigenous cultures. Mikaëla M. Adams investigates how six southern tribes-the Pamunkey Indian Tribe of Virginia, the Catawba Indian Nation of South Carolina, the Mississippi Band of Choctaw Indians, the Eastern Band of Cherokee Indians of North Carolina, the Seminole Tribe of Florida, and the Miccosukee Tribe of Indians of Florida-decided who belonged. By focusing on the rights and resources at stake, the effects of state and federal recognition, the influence of kinship systems and racial ideologies, and the process of creating official tribal rolls, Adams reveals how Indians established legal identities. Through examining the nineteenth and twentieth century histories of these Southern tribes, Who Belongs? quashes the notion of an essential "Indian" and showcases the constantly-evolving process of defining tribal citizenship.