Change is terrifying, and rapid change, within a small amount of time, is destabilizing to any culture. England, under the tutelage of Queen Victoria, witnessed precipitous change the likes of which it had not encountered in generations. Wholesale swaths of the economy and the social structure underwent complete recalibration, through the hands of economic progress, industrial innovation, scientific discovery, and social cohesiveness. Faced with such change, Britons had to redefine the concept of work, belief, and even what it meant to be English. Victorians relied on many methods to attempt to release the steam from the anxieties incurred through change, and one of those methods was the horror story of everyday existence during an age of transition. This book is a study of how authors Elizabeth Gaskell, Emily Brontë, and Anne Brontë turned to horrifying representations of everyday reality to illustrate the psychological-traumatic terrors of an age of transition

By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.

Winner of the 2004 ForeWord Book of the Year Award Toronto in 1856 is industrializing with little time for scruple or sentiment. When Reform politician William Sheridan dies suddenly and his daughter Theresa vanishes, only one man persists in asking questions. A former suitor of Theresa’s, bank cashier Isaac Harris has never managed to forget her, despite her marriage to another man. Thrust into the role of amateur detective, he must now struggle with the demands of his job and the shortcomings of the fledgling city police. He also faces the hostility of Theresa’s powerful husband, a steamboat and railway magnate. Harris’s search takes a grisly turn when, in a valley outside of town, he finds human remains decked in traces of Theresa’s finery. If she is dead, who is responsible? And who cares to find out, apart from the man who wooed her too timidly and now would do anything to make up for it? Death in the Age of Steam whirls the reader through a richly realized Victorian landscape, from Niagara Falls to Montreal and north as far as the shores of Lake Superior. It’s a world at once near and exotic, a world of noise and smoke and churning pistons, but a world still very familiar to denizens of the 21st century.

Portrays 125 years of steam engine operations on the railroad.

This revised annotated work explores the rise and fall of the steam age as it shaped the life of an archetypal industrial family. Particular emphasis is placed on the railroad and shipbuilding industries in Britain and the United States.

Among other stories, this anthology includes Steampunk tales from Australia and the Amazon; there is a Steam Cleansing machine that alters human's souls; a prisoner/maniac who produces bestselling novels and machine schematics; a time portal opened accidentally by a steam powered mechanized band, leaving behind a mastermind's airship and devices; a trio of misfits on a journey across a distant planet's desert who are forced to save their lives by using a time forgotten steampunk technology; and an unusual transportation device to quickly cover distances on the emerging American continent.

Out of the tradition of those long-gone days of great, heaving steam locomotives and endless rail lines comes this remarkable selection of vintage cards, a treasure trove selected from John Vander Maas' consummate collection at the University of Iowa Libraries. This lavish volume is the first general book-length work devoted to the once-ubiquitous railroad picture postcard. It comprises an introductory essay and an album of cards. The former fully examines the nature of the postcard craze, which reached its zenith about 1910, and discusses why images of American railroads played such an important part in the card phenomenon. The album divides an engaging assortment of more than 150 representative views into five sections: "Trains and Rolling Stock," "Depots and Railway Structures," "The Railroad Corridor," "People and Railroads," and "The Lighter Side of Railroading." Railroad historians, train enthusiasts, postcard collectors, and all other readers will find much to interest them in this selection of images. Not only are the cards themselves visually striking, but they convey a sense of how important railroads once were to the nation's citizenry. The sight of steaming locomotives and the hustle and bustle associated with "train time" caused hearts to quicken. These feelings made views of railroad scenes popular with buyers of postcards and now with latter-day railroad fans and card collectors.