The opening lines of The Divine Comedy by Dante Alighieri launched Rod Dreher on a journey that rescued him from exile and saved his life. Dreher found that the medieval poem offered him a surprisingly practical way of solving modern problems. Following the death of his little sister and the publication of his New York Times bestselling memoir The Little Way of Ruthie Leming, Dreher found himself living in the small community of Starhill, Louisiana where he grew up. But instead of the fellowship he hoped to find, he discovered that fault lines within his family had deepened. Dreher spiraled into depression and a stress-related autoimmune disease. Doctors told Dreher that if he didn’t find inner peace, he would destroy his health. Soon after, he came across The Divine Comedy in a bookstore and was enchanted by its first lines, which seemed to describe his own condition. In the months that followed, Dante helped Dreher understand the mistakes and mistaken beliefs that had torn him down and showed him that he had the power to change his life. Dreher knows firsthand the solace and strength that can be found in Dante’s great work, and distills its wisdom for those who are lost in the dark wood of depression, struggling with failure (or success), wrestling with a crisis of faith, alienated from their families or communities, or otherwise enduring the sense of exile that is the human condition. Inspiring, revelatory, and packed with penetrating spiritual, moral, and psychological insights, How Dante Can Save Your Life is a book for people, both religious and secular, who find themselves searching for meaning and healing. Dante told his patron that he wrote his poem to bring readers from misery to happiness. It worked for Rod Dreher. Dante saved Rod Dreher’s life—and in this book, Dreher shows you how Dante can save yours.

Reports of the death of reading are greatly exaggerated Do you worry that you've lost patience for anything longer than a tweet? If so, you're not alone. Digital-age pundits warn that as our appetite for books dwindles, so too do the virtues in which printed, bound objects once trained us: the willpower to focus on a sustained argument, the curiosity to look beyond the day's news, the willingness to be alone. The shelves of the world's great libraries, though, tell a more complicated story. Examining the wear and tear on the books that they contain, English professor Leah Price finds scant evidence that a golden age of reading ever existed. From the dawn of mass literacy to the invention of the paperback, most readers already skimmed and multitasked. Print-era doctors even forbade the very same silent absorption now recommended as a cure for electronic addictions. The evidence that books are dying proves even scarcer. In encounters with librarians, booksellers and activists who are reinventing old ways of reading, Price offers fresh hope to bibliophiles and literature lovers alike. Winner of the Phi Beta Kappa Christian Gauss Award, 2020

Most of us probably don’t learn about Alexis de Tocqueville in school anymore, but his masterpiece, Democracy in America, is still surprisingly resonant. When he came to America in 1831 to study our great political experiment, he puzzled over our strange struggles with religion and politics, work and money, sex and gender, and love and death. Clearly we haven’t come as far as one might hope. But it wasn’t all doom and gloom—and it isn’t now. Tocqueville didn’t just catalog our problems; he provided a manual on how to flourish despite them. In The Art of Being Free, journalist and scholar James Poulos puts Tocqueville’s advice to work for a contemporary audience, showing us how to live sane, healthy, and happy lives amid our hectic, shifting world. Poulos reveals what Tocqueville’s beloved study tells us about everything from our relationship to technology and our obsession with appearances to our workaholism, our listlessness, and our ways of coping with stress. He explores how our uniquely American malaise can be alleviated—not by the next wellness fad or self-help craze, but by the kind of fearless inventory-taking that has fallen out of fashion.

Dante's Divine Comedy can compel and shock readers: it combines intense emotion and psychological insight with medieval theology and philosophy. This volume will help instructors lead their students through the many dimensions--historical, literary, religious, and ethical--that make the work so rewarding and enduringly relevant yet so difficult. Part 1, "Materials," gives instructors an overview of the important scholarship on the Divine Comedy. The essays of part 2, "Approaches," describe ways to teach the work in the light of its contemporary culture and ours. Various teaching situations (a first-year seminar, a creative writing class, high school, a prison) are considered, and the many available translations are discussed.

Dante, Mercy, and the Beauty of the Human Person is a pilgrimage to rediscover the spiritual and humanizing benefit of the Commedia. Treating each cantica of the poem, this volume offers profound meditations on the intertwined themes of memory, prayer, sainthood, the irony of sin, theological and literary aesthetics, and desire, all while consistently reflecting upon the key themes of mercy and beauty in the revelation of the human person within the drama of divine love.

Mark Twain, the great American writer of the South whose characters struggle with difficult choices, famously said: “Always do what is right. It will gratify half of mankind and astound the other.” Taking Twain’s phrase as a starting point, this book considers how literature and art explore different systems of values and principles of conduct, and how they can teach us to cope at times of trial. Morality remains one of the most contested areas of thought and ethics in the modern world, due to numerous misapprehensions and the move away from solidarity, from what we share and hold in common, particularly our inherent pursuit of virtue and consideration of principles concerning the distinction between right and wrong, good and bad. Featuring essays by scholars from countries which have seen traditions of virtue and character formation perish in the course of tragic social experiments, this book highlights the role of literature and arts in educating about virtues and character, in both a regional and global context. The volume offers philosophical analysis of moral education and engages with the literary canon, discussing the ways in which virtue was taught and can still be taught with Aristotle as one of the regained “tools of learning.” The essays span countries from England, Spain, Italy and Belgium to the USA, Costa Rica, ancient China and Israel, with Poland, the Polish-Lithuanian Commonwealth and Central Europe receiving considerable coverage. They address themes of virtue and character formation from the Bronze Age to the present and serve as inspiring reading for educators, literary scholars, historians, ethicists, artists and active readers.

If Is the Only Peacemaker explores the drama of Shakespeare through a cultural lens that can be shown to be central to the formation of this theatrical art: fourteenth- to sixteenth-century Catholic Humanism. Part I of this book traces this tradition through key figures in Medieval and Renaissance Humanism, including Dante, Chaucer, Erasmus, and Thomas More. The latter two, especially, convey Catholic Humanism to Shakespeare’s England, and help to establish a rhetorical ideal: the union of eloquentia and sapientia, of wit and wisdom. Part II then closely reads one of Shakespeare’s major comedies, As You Like It, through this ideal, finding in this play an outstanding example of the Catholic Humanist rhetoric central to Shakespeare’s art. This part of the book also mingles rhetorical and performance criticism, citing six different productions of As You Like It.

You probably know that Jesus did miracles, but do you know why? Reading about Jesus’ miracles is like pointing at constellations in the sky. We look at the stars themselves, not the finger pointing at them. This constellation of seven miracles in John’s Gospel shows us who Jesus was and why it matters. It is the miracle worker we’re to see, not just the miracles. Why was his turning water into wine not a party trick? Why did he walk on water instead of staying on shore? Why did he cry when raising Lazarus back to life? Each miracle in John’s narration is a story that had to be told. The Jesus you meet in these pages is full of power and compassion, glory and approachability, grace and truth. Whether you’ve known Jesus a long time, are new to faith, or just curious about him, He Made the Stars Also draws upon John’s seven sign events to show you why Jesus remains so compelling.

This book comprises a searching philosophical meditation on the evolution of the humanities in recent decades, taking Dante studies as an exemplary specimen. The contemporary currents of theory have decisively impacted this field, but Dante also has a strong relationship with theology. The idea that theology, teleology, and logocentric rationalities are simply overcome and swept away by new theoretical approaches proves much more complex as the theory revolution is exposed in its crypto-theological motives and origins. The revolutionary agendas and methodologies of theoretical currents have ushered in all manner of minorities and postcolonial and gender studies. But the exciting adventure they inaugurate shows up in quite a surprising light when brought to focus through the scholarly discipline of Dante studies as a terrain of dispute between traditional philology and postmodern theory. On this terrain, negative theology can play a peculiarly destabilizing, but also a conciliatory, role: it is equally critical of all languages for a theological transcendence to which it nevertheless remains infinitely open.

When you hear a riveting story, does it thrill your heart and stir your soul? Do you hunger for truth and goodness? Do you secretly relate to Belle’s delight in the library in Beauty and the Beast? If so, you may be on your way to being a book girl. Books were always Sarah Clarkson’s delight. Raised in the company of the lively Anne of Green Gables, the brave Pevensie children of Narnia, and the wise Austen heroines, she discovered reading early on as a daily gift, a way of encountering the world in all its wonder. But what she came to realize as an adult was just how powerfully books had shaped her as a woman to live a story within that world, to be a lifelong learner, to grasp hope in struggle, and to create and act with courage. She’s convinced that books can do the same for you. Join Sarah in exploring the reading life as a gift and an adventure, one meant to enrich, broaden, and delight you in each season of your life as a woman. In Book Girl, you’ll discover: how reading can strengthen your spiritual life and deepen your faith, why a journey through classic literature might be just what you need (and where to begin), how stories form your sense of identity, how Sarah’s parents raised her to be a reader—and what you can do to cultivate a love of reading in the growing readers around you, and 20+ annotated book lists, including some old favorites and many new discoveries. Whether you’ve long considered yourself a reader or have dreams of becoming one, Book Girl will draw you into the life-giving journey of becoming a woman who reads and lives well.