In this sweeping history, Steven Marks tells the fascinating story of how Russian figures, ideas, and movements changed our world in dramatic but often unattributed ways. On Europe's periphery, Russia was an early modernizing nation whose troubles stimulated intellectuals to develop radical and utopian alternatives to Western models of modernity. These provocative ideas gave rise to cultural and political innovations that were exported and adopted worldwide. Wherever there was discontent with modern existence or traditional societies were undergoing transformation, anti-Western sentiments arose. Many people perceived the Russian soul as the antithesis of the capitalist, imperialist West and turned to Russian ideas for inspiration and even salvation. Steven Marks shows that in this turbulent atmosphere of the past century and a half, Russia's lines of influence were many and reached far. Russia gave the world new ways of writing novels. It launched cutting-edge trends in ballet, theater, and art that revolutionized contemporary cultural life. The Russian anarchist movement benignly shaped the rise of vegetarianism and environmentalism while also giving birth to the violent methods of modern terrorist organizations. Tolstoy's visions of nonviolent resistance inspired Gandhi and the U.S. Civil Rights movement at the same time that Russian anti-Semitic conspiracy theories intoxicated right-wing extremists the world over. And dictators from Mussolini and Hitler to Mao and Saddam Hussein learned from the experiments of the Soviet regime. Moving gracefully from Moscow and St. Petersburg to Beijing and Berlin, London and Luanda, Mexico and Mississippi, Marks takes us on an intellectual tour of the Russian exports that shaped the twentieth century. The result is a richly textured and stunningly original account of the extent to which Russia--as an idea and a producer of ideas--has contributed to the making of the modern world. Placing Russia in its global context, the book betters our understanding of the anti-Western strivings that have been such a prominent feature of recent history.

Famed and outspoken Russian poet, Maximilian Voloshin's notoriety has grown steadily since his slow release from Soviet censorship. For the first time, Landa showcases his vast poetic contributions, proving his words to be an overlooked solution both to the political and cultural turmoil engulfing the Soviet Union in the early twentieth century.

The essays in this volume articulate the historical ground on which this artistic exploration of the Holocaust and anti-Semitism depends. They also elaborate the spectrum that connects them, in terms of their historical location and ideological emphases, and thus suggest the ways in which they are connected in terms of rhetorical discourse. The essays are governed by the sense that anti-Semitism has not been a unitary experience or event. Rather it is its varieties that are explored--rexactly those aspects that have made it so difficult to grasp, and that led to the wide-ranging events and murdering methods of the Holocaust. Thus the editors eschew the causal explanation of Hitler's Willing Executioners as they seek to provide more nuanced understanding. Murray Baumgarten directs the Jewish Studies program at the University of California, Santa Cruz. Peter Kenez teaches at the University of California, Santa Cruz. Bruce Thompson is a lecturer in History and Literature at the University of California, Santa Cruz.

This book explores the global impact of the Russian Revolution, arguably the most influential revolution of the modern age. It explores how the Revolution influenced political movements on the radical Left and Right across the world and asks whether the Russian Revolution remains relevant today. In Part one, four leading historians debate whether or not the Russian Revolution’s legacy endures today. Part two presents examples of how the Revolution inspired political movements across the world, from Latin America and East Asia, to Western Europe and the Soviet Union. The Revolution inspired both sides of the political spectrum—from anarchists, and leftist radicals who fought for a new socialist reality and dreamed of world revolution, to those who on the far Right who tried to stop them. Part three, an interview with the historian S. A. Smith, gives a personal account of how the Revolution influenced a scholar and his work. This volume shows the complexity of the Russian Revolution in today’s political world. The chapters in this book were originally published as a special issue of the journal Revolutionary Russia.

"This fascinating volume is a major contribution to our understanding of the Russian Revolution, from World War I to consolidation of the Bolshevik regime. The seven myths include the exaggeration of Rasputin's influence; a purported conspiracy behind the February Revolution; the treasonous Bolshevik dependence on German support; the multiple Anastasia pretenders to the royal inheritance; the antisemitic claims about 'Judeo-Bolsheviks'; distortions about America’s intervention in the civil war; and the 'inevitability' of Bolshevism. In each case the authors analyze the facts, uncover the origins of the myth, and trace its later perseverance (even in contemporary Russia). To assist readers, the volume includes three reference guides (people, terms, dates), nine maps, and twenty-nine illustrations. The result is immensely valuable for undergraduate courses in Russian history." —Gregory L. Freeze, Raymond Ginger Professor of History, Brandeis University

This companion comprises 28 essays by international scholars offering an analytical overview of the development of Russian history from the earliest Slavs through to the present day. Includes essays by both prominent and emerging scholars from Russia, Great Britain, the US, and Canada Analyzes the entire sweep of Russian history from debates over how to identify the earliest Slavs, through the Yeltsin Era, and future prospects for post-Soviet Russia Offers an extensive review of the medieval period, religion, culture, and the experiences of ordinary people Offers a balanced review of both traditional and cutting-edge topics, demonstrating the range and dynamism of the field

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.

Explores the transnational movements of people, plants, agricultural sciences, and techniques from Russia's steppes to North America's Great Plains.

Jews and shoes / Edna Nahshon -- The biblical shoe : eschewing footwear : the call of Moses as biblical archetype / Ora Horn Prouser -- The halitzah shoe : between female subjugation and symbolic emasculation / Catherine Hezser -- The tombstone shoe : shoe-shaped tombstones in Jewish cemeteries in the Ukraine / Rivka Parciack -- The Israeli shoe : "biblical sandals" and native Israeli identity / Orna Ben-Meir -- The shtetl shoe : how to make a shoe / Mayer Kirshenblatt and Barbara Kirshenblatt-Gimblett -- The folkloristic shoe : shoes and shoemakers in Yiddish language and folklore / Robert A. Rothstein -- The Holocaust shoe : untying memory : shoes as Holocaust memorial experience / Jeffrey Feldman -- Wanderer's shoe : the cobbler's penalty : the wandering Jew in search for salvation / Shelly Zer-Zion -- The equalizing shoe : shoes as a symbol of equality in the Jewish society in Palestine during the first half of the twentieth century / Ayala Raz -- The fetishist's shoe : "poems of pedal atrocity" : sexuality, ethnicity, and religion in the art of Bruno Schulz / Andrew Ingall -- The artist's shoe : digging into the Jewish roots of shoe-field / Sonya Rapoport -- The theatrical shoe : the utterance of shoemaking : cobblers on the Israeli stage / Dorit Yerushalmi -- The cinematic shoe : Ernst Lubitsch's East European "touch" in Pinkus's Shoe Palace / Jeanette Malkin.