Florida Historical Society Rembert Patrick Award Florida Book Awards, Silver Medal for Florida Nonfiction Countering the conventional narrative that Florida’s tourism industry suffered during the Great Depression, this book shows that the 1930s were, in reality, the starting point for much that characterizes modern Florida’s tourism. David Nelson argues that state and federal government programs designed to reboot the economy during this decade are crucial to understanding the state today. Nelson examines the impact of three connected initiatives—the federal New Deal, its Civilian Conservation Corps program (CCC), and the CCC’s creation of the Florida Park Service. He reveals that the CCC designed state parks to reinforce the popular image of Florida as a tropical, exotic, and safe paradise. The CCC often removed native flora and fauna, introduced exotic species, and created artificial landscapes that were then presented as natural. Nelson discusses how Florida business leaders benefitted from federally funded development and the ways residents and business owners rejected or supported the commercialization and shifting cultural identity of their state. A detailed look at a unique era in which the state government sponsored the tourism industry, helped commodify natural resources, and boosted mythical ideas of the “Real Florida” that endure today, this book makes the case that the creation of the Florida Park Service is the story of modern Florida.

A look at how the New Deal fundamentally changed American life, and why it remains relevant today "The New Deal was America's response to the gravest economic and social crisis of the twentieth century. It now serves as a source of inspiration for how we should respond to the gravest crisis of the twenty-first. There's no more fluent and informative a guide to that history than Eric Rauchway, and no one better to describe the capacity of government to transform America for the better."—Barry Eichengreen, University of California, Berkeley The greatest peaceable expression of common purpose in U.S. history, the New Deal altered Americans' relationship with politics, economics, and one another in ways that continue to resonate today. No matter where you look in America, there is likely a building or bridge built through New Deal initiatives. If you have taken out a small business loan from the federal government or drawn unemployment, you can thank the New Deal. While certainly flawed in many aspects—the New Deal was implemented by a Democratic Party still beholden to the segregationist South for its majorities in Congress and the Electoral College—the New Deal was instated at a time of mass unemployment and the rise of fascistic government models and functioned as a bulwark of American democracy in hard times. This book looks at how this legacy, both for good and ill, informs the current debates around governmental responses to crises.

This book provides an overview of the history and evolution of tourism to the present, and speculates on possible and probable change into the future. It discusses significant travel, tourism and hospitality events while referring to tourism-related notions and theories that have been developed since the beginnings of tourism. Its scope moves beyond a comprehensive historical account of facts and events. Instead, it bridges these with contemporary issues, challenges and concerns, hence enabling readers to connect tourism past with the present and future. This textbook aspires to enhance readers' comprehension of the perplexed system of tourism, promoting decision-making and even the development of new theories. This book will be of great interest to academics, practitioners and students from a wide variety of disciplines, including tourism, hospitality, events, sociology, psychology, philosophy, history and human geography.

Florida Historical Society Charlton Tebeau Award With an eye for the illogical and a flair for the irreverent, journalist Mark Lane aims his sharp wit at one of the most intriguing duties of the Florida legislature—signing state symbols into law. In Roaring Reptiles, Bountiful Citrus, and Neon Pies, he spotlights nineteen things that have been proposed and/or appointed to officially define Florida. Lane guides readers through the often-comic historical events that led to the selection of Florida’s official fruit, tree, gem, bird, song, and other items ranging from the well known to the obscure, packing in personal stories and laugh-out-loud moments along the way. Did you know the state slogan was almost “the alligator state”? Or that a mailbox in the shape of the state marine mammal can tell you a lot about a person? Readers will also discover that the bill proposing the state soil caused a crisis in the Senate and that the state play—written in the peculiar genre of symphonic outdoor drama—puts a heroic spin on the grisly European conquest of St. Augustine. “Full of the kind of unnecessary commentary that might cause trouble,” as Lane describes it, this book is also written with affection toward the wide diversity of lives and experiences that make up the state he calls home. He shows that deciding the things that represent us at any given moment is far trickier than it appears. Especially in Florida, a state aptly symbolized by “a lot of contradictions baked into a Key lime pie.”

This book’s predecessor, The Grapevine of the Black South, emphasized the owners of the Atlanta Daily World and its operation of the Scott Newspaper Syndicate between 1931 and 1955. In a pragmatic effort to avoid racial confrontation developing from white fear, newspaper editors developed a practical radicalism that argued on the fringes of racial hegemony, saving their loudest vitriol for tyranny that was not local and thus left no stake in the game for would-be white saboteurs. Thomas Aiello reexamined historical thinking about the Depression-era Black South, the information flow of the Great Migration, the place of southern newspapers in the historiography of Black journalism, and even the ideological and philosophical underpinnings of the civil rights movement. With Practical Radicalism and the Great Migration, Aiello continues that analysis by tracing the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy. Practical Radicalism and the Great Migration is a supplement to The Grapevine of the Black South, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.

In 'How the New Deal Built Florida Tourism', David Nelson examines the creation of modern Florida tourism through the state and federal government during the Great Depression. And more specifically, with the Florida civic-elite's use of the Federal New Deal to develop state parks in order to re-boot Florida's depressed tourist industry.

Queering the Redneck Riviera recovers the forgotten and erased history of gay men and lesbians in North Florida, a region often overlooked in the story of the LGBTQ experience in the United States. Jerry Watkins reveals both the challenges these men and women faced in the years following World War II and the essential role they played in making the Emerald Coast a major tourist destination. In a state dedicated to selling an image of itself as a “family-friendly” tropical paradise and in an era of increasing moral panic and repression, queer people were forced to negotiate their identities and their places in society. Watkins re-creates queer life during this period, drawing from sources including newspaper articles, advertising and public relations campaigns, oral history accounts, government documents, and interrogation transcripts from the state’s Johns Committee. He discovers that postwar improvements in transportation infrastructure made it easier for queer people to reach safe spaces to socialize. He uncovers stories of gay and lesbian beach parties, bars, and friendship networks that spanned the South. The book also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places. Illuminating a community that boosted Florida’s emerging tourist economy and helped establish a visible LGBTQ presence in the Sunshine State, Watkins offers new insights about the relationships between sexuality, capitalism, and conservative morality in the second half of the twentieth century.

"Blurring the traditional disciplinary boundaries of design history and political science, the contributors to The New Deal in South Florida examine the impact of a wide variety of New Deal projects on the region. They examine letters and photographs-many never before published-public murals, housing, parks, and architecture. In so doing, this book offers historians a new perspective on how Coral Gables, Miami Beach, and other communities were impacted by the New Deal programs."--Back cover.

Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Woods explores how photographers used their built environment to capture the disparate American landscapes prior to World War II, when urban and rural areas grew further apart in the face of skyscrapers, massive industrialization, and profound cultural shifts. Central to this study is the work of Alfred Stieglitz, Frances Benjamin Johnston, and Marion Post Wolcott, but Woods weaves a wider narrative that also includes Alice Austen, Gertrude Käsebier, Berenice Abbott, Margaret Bourke-White, Helen Levitt, Lisette Model, Louise Dahl-Wolfe, Morgan and Marvin Smith, Eudora Welty, Samuel Gottscho, Walker Evans, Max Waldman, and others. In such disparate places as New York City, the rural South, and the burgeoning metropolis of Miami, these unconventional architectural photographers observed buildings as deeply connected to their context. Whereas Stieglitz captured New York as the quintessential modern urban landscape in the period, the South was its opposite, a land supposedly frozen in the past. Yet just as this myth of the Old South crystallized in photographs like Johnston's, a New South shaped by popular culture and modern industry arose. Miami embodied both of these visions. In Wolcott's work, agricultural fields where stoop labor persisted were juxtaposed with Art Deco hotels, a popular modernism of the machine age that remade Miami Beach into a miniaturized "Manhattan on the beach." Beyond the Architect's Eye is a groundbreaking study that melds histories of American art, cities, and architecture with visual studies of landscape, photography, and cultural geography.