Here's how to start your own ancestry-television business online on a shoestring budget. Learn how to launch family history/genealogy television shows globally on your Web site, produce videos, and publish hobby materials, publications, books, multimedia, or life stories as a pay-per-view or sponsored free entertainment. Create social history documentaries. Customize vintage maps and family atlases. Give visibility to family history educational entertainment businesses. Supply genealogy tools and videos to followers of the second most popular hobby in the country with more than 113 million people interested in genealogy and related family history topics. Provide or market content and tools to those that want to know more about their ancestor's roots, migrations, and social history. What news did the papers print in your ancestor's lifetime? You'll learn practical, specific steps on how to adapt real life stories into romance novels, skits, plays, monologues, biographies, documentaries, or newsletters. Produce genealogy/family history television programs on Web sites or specialty/niche television stations. Follow steps to start genealogy journalism and personal history television, Web-based businesses. Interview individuals tactfully with these sample questions. Record life experiences using oral historian's techniques. Avoid pitfalls. Learn to write and/or collect and showcase personal history videos. Produce your own documentaries. Showcase other people's genealogy tools.

It's easy to start, teach, and franchise a creative genealogy writing club, class, or publication. Start by looking at the descriptions of each business and outline a plan for how your group operates. Flesh out each category with your additional research pertaining to your local area and your resources. Your goal always is to solve problems and get measurable results or find accurate records and resources. Or research personal history and DNA-driven genealogy interpretation reporting. You can make keepsake albums/scrapbooks, put video online or on disc, and create multimedia text and image with sound productions or work with researching records in archives, oral history, or living legacies and time capsules. A living legacy is a celebration of life as it is now. A time capsule contains projects and products, items, records, and research you want given to future generations such as genograms of medical record family history, family newsletters, or genealogy documents, diaries, photos, and video transcribed as text or oral history for future generations without current technology to play the video discs. Or start and plan a family and/or school reunion project or franchise, business or event. Another alternative is the genealogy-related play or skit, life story, or memoir.

Raise funds and/or promote your favorite cause. Develop original creativity enhancement products such as writing vocational biographies. Solve problems and publish measurable results. Design practical media projects that easily can be turned into home-based businesses or one-time projects. Homeschoolers, parents, teachers, students, entrepreneurs, and workers interested in opening powerful, affordable-budget, trend-ready home-based publishing, writing, or video podcasting and video news release-production businesses and creative writing fundraising events will enjoy these unique applications to help you create your own board games, projects, businesses, publications, and events. Sample business start-ups (or one-time project) categories include the following categories: description of business, income potential, best locale to operate the business, training required, general aptitude or experience, equipment needed, operating your business, target market, related opportunities, and additional information for resources. Develop practical projects using the skills of video production, creative writing, book and pamphlet publishing, or newsletter design. These skills include adapting stories, novels, news events, or scripts and skits to numerous platforms, formats, and media types. Inform others how to avoid pitfalls and blind spots that can derail careers early in the game. The campaigns are ideal for most promotional, business, or training situations.

Are you best-suited to be a historical novelist, mystery writer, short story sprinter, digital interactive story writer on ancient civilizations, a nonfiction writer, or an author of thrillers using historical settings or universal themes? Do you think like a fiction writer, investigative journalist, or an imaginative, creative nonfiction author writing biography in the style of genre or mainstream fiction? Enhance your creativity. How are you going to clarify and resolve the issues, problems, or situations in your plot by the way your characters behave to move the action forward? How do you get measurable results when writing fiction or creative nonfiction? Consider what steps you show to reveal how your story is resolved by the characters. This also is known as the dénouement. Dénouement as it applies to a short story or novel is the final resolution. It's your clarification of a dramatic or narrative plot. What category of dénouement will your characters take to move the plot forward? Take the writing style preference classifier and find out how you approach your favorite writing style using facts and acts. Which genre is for you--interactive, traditional, creative nonfiction, fiction, decisive or investigative? Would you rather write for readers that need to interact with their own story endings or plot branches? Which style best fits you? What's your writing profile? Enjoy this ancient echoes writing genre interest, personality, and aptitude classifier and see the various ways in which way you can be more creative. There are 35 questions-seven questions for each of the five pairs. There are 10 choices, five assessments and a section on how to write a novel/story/script by developing depth of character that drives your plot.

This Medieval Princess in the Caucasus Mountains Seeks to Do Acts of Kindness My life adventure is resilience and to find a voice that resonates all of my confidence. Now in my youth just before I will become sixteen years of age, my confidence speaks all about lighting a wonderful brightness and walking out of the darkness of insatiable banalities. With the renewal of spring, the world is repaired, and the gardens bloom in my magnificent Alania. I walk up steep hills and ride far to remember each intimate glimpse of blooms on trees and to listen as waterfalls whisper. We have come up here all the way from Sarkel to remain here in the mountains, close to my childhood home. To insure my confidence, my voice, and my resilience, here I light the eternal flame to brighten the damp room. I am Raziet, now called Serakh. I am Karachaian-Balkarian, and from my grandfathers, of sweet Alania. I am partly Khazar and partly from the peoples that dwell by Mount Elbrus. I am all of them, all mixed together for generations. My many ancestors came from Persia, the Kavkaz, the Steppes, and beyond where the sky rides the moon. I am the tamga of the horse, the orchards, my pet wolf, and the open grasslands. And today, I am here, not where the Volga meets the Caspian, but with our friends and my cousin breathing deeply the sparkling air beneath my Mount Elbrus. We wait in our aoul. We are all of my magnificient Alania, and here now, in this land of orchards to the north, the scent of the birch trees, the patina, the starlight, my venture, value, and vision. Sit at my table and experience the eternal light of Khazaria and the rest of these mountains and rivers from the Caucasus to the seas of Pontus and Meotis. We are all one from many in the joy of life and we are here to do acts of kindness.

Here's how to write salable plays, skits, monologues, or docu-dramas from life experiences, social issues, or current events. Write plays/skits using the technique of ethno-playography which incorporates traditions, folklore, and ethnography into dramatizing real events. The sample play and monologues portray events as social issues. One true life example for a skit is the scene in the sample play written from first-person point-of-view about a 1964 five-minute train interlude when a male passenger commands the protagonist not to cross between cars while the train is in motion. The passenger stands between the cars next to his wife who says timorously, "Let her go, dear," after the wife notices the young protagonist wears a wedding ring. The protagonist tells him she's pregnant, returning from the john, and needs to get back to her family. Instead, he squeezes her head in a vise-like grip, crushing her between his knee and the wall of the train. He kicks at the base of her spine, yelling stereotypical ethnic epithets while passengers ignore events. After the sample play and three monologues for performance, you will have learned how to write ethnographic dialogue and select appropriate scene settings. Also included are e-interviews with popular fiction writers.

Here's how to open your own genealogy, family history journalism, or personal history business. This includes a genealogy course template and instruction on how to start and operate a home-based business working with personal and oral histories, genealogy, family history, and life story writing. You also learn how to interview people, what questions to ask, and how to put together a business and/or a course or book on any aspect of genealogy around the world, journalism, writing, personal history, and life story writing. Start your own course using the genealogy course template to inspire you to develop your own specialties and niche areas. Work with almost any ethnic group, and create businesses ranging from DNA-driven genealogy reporting services to family history, memoirs writing, or personal history videography services. Use social history to find information such as female ancestors' maiden names that had not been recorded using hidden and niche areas of information, including ethnic, religious, and institutional sources such as widows' military pension applications. Develop genealogy and personal history classes anywhere. You'll make history. To start, first you need to create a course syllabus-either to teach beginners genealogy or to train professionals in other fields to use personal history techniques to find hidden information, or organize information for the reports you generate for your clients or family. You'll learn how to write social history by using genealogy journalism resources, find hidden records, and market your own course or write your book or report in many different areas of personal history and genealogy journalism. Make family tree charts. Start your own business, club, franchise, or course.

Here's how to open your own online DNA-driven genealogy reporting/interpreting service business. You wouldn't do the actual DNA testing. The laboratory you contract with does the testing and sends you reports that you interpret for your clients. As a DNA-driven genealogist, you would prepare illustrated and text-driven reports, colorful CDs, brochures, press kits, covers, Web sites, and guides to interpreting the DNA-for-ancestry-based information. You would interpret tests for deep ancestry to your clients. What verbal skills and any other preparation would you need to empower consumers with knowledge from reports you receive from your partnering DNA-testing laboratory? Would you also interpret reports from genetics counselors testing for predisposition to diseases? Or emphasize only deep ancestry? Would you need a self-taught science background, a genealogy hobby, or only marketing and communications experience? Who does the actual interpreting? How would you contract with DNA laboratories to send reports and other information related to ancestry? You may be a genealogist, a personal historian, or a life story videographer thinking of partnering with a DNA-testing laboratory. Your business would be to make complex information easy to understand and interpret in plain language DNA reports from scientists to genealogy clients and surname groups. The DNA tests could be for ancestry and/or nutritional genomics issues.

The Routledge History of Rural America charts the course of rural life in the United States, raising questions about what makes a place rural and how rural places have shaped the history of the nation. Bringing together leading scholars to analyze a wide array of themes in rural history and culture, this text is a state-of-the-art resource for students, scholars, and educators at all levels. This Routledge History provides a regional context for understanding change in rural communities across America and examines a number of areas where the history of rural people has deviated from the American mainstream. Readers will come away with an enhanced understanding of the interplay between urban and rural areas, a knowledge of the regional differences within the rural United States, and an awareness of the importance of agriculture and rural life to American society. The book is divided into four main sections: regions of rural America, rural lives in context, change and development, and resources for scholars and teachers. Examining the essays on the regions of rural America, readers can discover what makes New England different from the South, and why the Midwest and Mountain West are quite different places. The chapters on rural lives provide an entrée into the social and cultural history of rural peoples – women, children and men – as well as a description of some of the forces shaping rural communities, such as immigration, race and religious difference. Chapters on change and development examine the forces molding the countryside, such as rural-urban tensions, technological change and increasing globalization. The final section will help scholars and educators integrate rural history into their research, writing, and classrooms. By breaking the field of rural history into so many pieces, this volume adds depth and complexity to the history of the United States, shedding light on an understudied aspect of the American mythology and beliefs about the American dream.

Launch your career or business in video podcasting. Are you looking for a job in video podcasting? Anyone with a digital video camcorder, microphone, computer and some technical savvy can launch an Internet video podcast show to inform, direct or enlighten. You can offer foresight, insight, or hindsight. Open a business or find a job creating and delivering digital video recordings-usually free-as podcasts. If you want to make money with video podcasting, offer to sell a sponsor's publicity and advertising on your video, or an author's creative works, interviews, or sermons. You can even show people how to fill out tax forms using a video podcast for instruction on most any subject people can learn independently. People who subscribe to video podcasts usually want to view for free. You can charge for a course to train or teach a class by video lecture and/or demonstration, but what if you want an actual paid job in video podcasting? And can you make more money in video than in the older, audio MP3 file 'radio' podcasting? Careers in video podcasting are beginning to bloom as seen by a variety of podcasting associations, news publications, and career information. Even job listings unrelated to podcasting are 'broadcast' by RSS feeds. Create your own job in podcasting by showing others how to find new trends and applications in their careers. Make informational, how-to, and motivational video podcasts. What if you want to use video podcasting to actually get hired? Are there jobs right now in video podcasting? Or is the field still primarily for trade publication publishers, syndicators, and video entrepreneurs on the Web?