"How to Sing" by Luisa Tetrazzini was originally published in the 20th century and aimed to give concise but invaluable information about singing. Indeed, though singing can be considered a natural talent, there is logic and theory behind the art form. Thus, books like Tetrazzini's that could give tips and advice on the matter were always much appreciated among those who could not afford lessons on their own.

One of the most influential of all singing guides by one of opera's first international superstars. Famed for her dramatic presence, powerful and flexible voice and great repertoire, Mme. Lehmann offers inspiration and sound advice in every phase of singing, from how to breathe correctly, produce a ringing head tone and execute a proper trill to important nuances of vocal expression, language and role interpretation. Of special interest: the great singer's recommended vocal exercises and guidelines for proper care of the voice.

Everyone from budding professional to church choir soloist will be drawn to this step—by—step program that promises to teach people to sing like pros. This easy—to—use book starts with common singing terms, moves on to the importance of range and resonance, and continues with solid instruction on training the voice. A special chapter on vocal technique enriches the text, and the book's vocal exercises and tips for sight reading, learning music, and recognizing different musical forms all add value. Information about further study and finding a singing teacher, and answers to frequently asked questions, round out this useful text.

Most of us know only our speaking and untrained singing voices. This book will help you discover your 3rd powerful, trained singing voice through exercises that can be applied to any vocal style. the author presents a complete guide for discovering your vocal range and developing breath control, resonance, and vibrato. Includes chapters on the voice as an instrument including care of the voice, the relationship between one speaking and singing voice, and the cultivation of correct singing posture. You'll learn how to articulate and use the voice effectively in different styles of singing as well as how to sing with a microphone. A great number of vocal exercises and complete songs in various styles are presented, making this book an enjoyable learning experience as well as an effective tool for voice development.

Specially designed for people using Sing & See, "How to Sing and See: Singing Pedagogy in the Digital Era" is a comprehensive guide to using visual feedback software in ways that will foster both vocal and musical development. It includes explanation of the Sing & See on-screen visual displays, a discussion of vocal questions that need to be considered in the individual application of the software, and over 200 vocal training exercises. The exercises cover intervals, triads and a comprehensive range of scales and modes used in a range of vocal styles. A page is devoted to each exercise, with the same layout, giving musical notation of the exercise, a brief explanation of its purpose, a reproduction of the target display and instructions on how to achieve it. The manual begins with the most basic singing task and builds from there, so you can choose exercises to build a graded vocal and musical developmental program, or to answer specific needs of individual students, or to construct a personalized practice regimen. Although written with singing teachers in mind, the book is also proving to be very useful for singers (those who already have some basic singing skills) as a self-directed practice regime. The large variety of vocal techniques covered by the book give the advanced student of singing a valuable guide to systematically improving his or her vocal skill by making best use of the Sing & See software. This version of the book is a paperback bound replica of the original spiral-bound Teacher's Manual available from Lulu.com. It is slightly smaller in size and is easier to hold - although without the lie-flat ability of the original spiral binding. And it's cheaper!

This book teaches non-classical or pop-style singers how to pronounce lyrics in American English. Its primary audience is singers with English as a second language, but all singers of pop music, and indeed anyone wishing to improve their vocal technique, can benefit from this book. Through the use of the International Phonetic Alphabet, which assigns a specific symbol to each consonant and vowel sound, singers can immediately produce American sounds devoid of any local accents. Each sound is taught through a list of several practice words, photographs of mouth positions, and examples on the accompanying CD.

The 'Dago' in the title of this book of poems sings with irreverence and with fire. Whether she is writing about her family origins in such poems as 'Italian Grocer' or 'Mamma', or in the long evocative closing poem, 'Birds Remembering', Rachel Guido deVries's perspective is that of a southern Italian American woman looking first at the world of family and lovers and friends, then focusing on the dominant culture in which she and her cast of characters must live. What results is an unusual collection, at times startling, always passionate.

So many who love to sing are drawn to the immediacy and essential simplicity of the music we commonly call folk. Folk music, in fact, can serve as the perfect entry point for those just starting on their singing careers because of the ways in which it sidesteps the strictures of classical forms without giving up the fundamentals of professional singing techniques. In So You Want to Sing Folk Music, singer and writer Valerie Mindel demystifies this sprawling genre, looking at a variety of mainly traditional American musical styles as well as those of the folk revival that continues in various forms to this day. The aim is to help the fledgling singer better understand the scope of folk music and find his or her voice in the genre, looking at the “how” of creating a vocal sound that reflects a folk-based style. The book looks at specific repertories and ways of approaching them in terms of both working up material and performing it. It also looks at some of the realities of folk music in the twenty-first century that affect both amateurs and professionals. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Folk Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Cabaret performances are often known for bringing alive the Great American Songbook from the 1920s through the 1950s for contemporary audiences. But modern-day cabaret does much more than preserve the past—it also promotes and fosters the new generation of American composers and creates a uniquely vibrant musical and theatrical experience for its audiences. So You Want to Sing Cabaret is the first book of its kind to examine in detail the unique vocal and nonvocal requirements for professional performance within the exciting genre of cabaret. With a foreword by cabaret legend Lorna Luft, So You Want to Sing Cabaret includes interviews from the top professionals in the cabaret industry, including Michael Feinstein, Ann Hampton Callaway, Roy Sander, Sidney Myer, Jeff Harner and many others. There are also chapters devoted to crafting your show, lyric connection, “do-it-yourself” production and promotion, and working with your musical team. David Sabella and Sue Matsuki have crafted the perfect one-volume resource for both the aspiring cabaret singer and the singing teacher who seeks to learn more about this unique art form. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Cabaret features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Sacred music traditions vary profoundly from one religion to the next. Even within the Christian faith, one can hear a wide variety of music among and within different denominations. Catholics, mainline Protestants, and Evangelicals have all developed unique traditions. Many people are not exposed to multiple faith experiences in their upbringings, which can make exploring an unfamiliar sacred music style challenging. Because of this, singers and teachers regularly encounter religious singing styles to which they have not yet been exposed. In So You Want to Sing Sacred Music,multiplecontributors offer a broad overview of sacred singing in the Judeo-Christian tradition. Evan Kent, Anthony Ruff, Matthew Hoch, and Sharon L. Radionoff share their expertise on topics as diverse as Jewish cantorial music, Gregorian chant, post-Vatican II Catholic music, choral traditions, and contemporary Christian music. This plethora of styles represents the most common traditions encountered by amateur and emerging professional singers when exploring sacred performance opportunities. In each chapter, contributors consider liturgical origins, musical characteristics, training requirements, repertoire, and resources for each of these traditions. The writers—all professional singers and teachers with rich experience singing these styles—also discuss vocal technique as it relates to each style. Contributors also offer professional advice for singers seeking work within each tradition’s institutional settings, surveying the skills needed while offering practical advice for auditioning and performing successfully in the world of sacred music. So You Want to Sing Sacred Music is a helpful resource for any singer looking to add sacred performance to their portfolio or seeking opportunities and employment where sacred music is practiced and performed. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Sacred Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.