In his prime, in the 1970-s and 80-s, legendary Swedish chess grandmaster Ulf Andersson was a Top 10 player with a distinct, immediately recognizable style. He almost never lost a game and kept scoring wins from quiet positions. Quiet positons? Acclaimed chess author Cyrus Lakdawala has played Andersson’s lines for decades and explains that those positions only LOOK quiet. Ulf Andersson, who understood the subtleties of strategic chess better than almost anyone else, always detected and exploited hidden opportunities. As Andersson’s openings tend to glide into the middlegame and often into the endgame, How Ulf Beats Black is much more than just a chess opening manual. Lakdawala’s lucid explanations offer a practical guide to positional technique that will improve your endgame skills as well. On top of that it is also a games collection of a great but often misunderstood chess player. This repertoire is not based on forcing variations but on understanding the underlying principles and techniques. As a result your opponent will not be able to surprise you because you forgot to check recent novelties. The final chapter ‘What did Ulf play?’ presents exercises to test your understanding.

When was the last time you won a perfect game? A game that wasn’t tainted by inferior moves? Every chess player knows that smooth wins are the exception, that play is often chaotic and positions are frequently irrational. The road to victory is generally full of bumps and misadventures. Welcome to the world of imperfection! Chess books usually feature superbly played games, in Winning Ugly in Chess you will see games where weird moves are being rewarded. Cyrus Lakdawala knows that playing good chess is all very well, but that beating your opponent is better. He demonstrates the fine art of winning undeserved victories by miraculously surviving chaos, vile cheapos, refusing to resign in a lost position, lucky breaks, provoking unforced errors, improbable comebacks and other ways to land on your feet after a roller-coaster ride. Lakdawala shows how you can make sure that it is your opponent, not you, who makes the last blunder. If you’d rather win a bad game than lose a good one, then this your ideal guide. The next time ‘the wrong player’ wins, you will be that player!

A fun & tricky ambush weapon for Black against 1.e4? In this book, the authors cover the exciting 1.e4 g6 2.d4 Nf6!? which players like Magnus Carlsen, Ian Nepomniachtchi, Richard Rapport, and other strong players have used with powerful effect to drag White players out of their comfort zones into Black's domain. The authors are pulling games from many resources, including their own experiments with the opening to illustrate how it is possible to beat titled players right out of the opening by shocking White's system and beliefs.

In this book, the authors aim to assist the reader in becoming better at finding combinations, constructing plans, and calculating long, forcing variations. For the purpose of instruction, the material is based on the output of former World Champion Vassily Smyslov (1921-2010), using his endgame compositions from various works and publications as well as several of his practical endgames from games from tournaments and matches throughout his career against players such as Mikhail Botvinnik, Paul Keres, Bent Larsen, Efim Geller, Tigran Petrosian, and several other world-class players

The origin story of hip-hop—one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx—has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music. In Break Beats in the Bronx, Ewoodzie portrays the creative process that brought about what we now know as hip-hop and shows that the art form was a result of serendipitous events, accidents, calculated successes, and failures that, almost magically, came together. In doing so, he questions the unexamined assumptions about hip-hop's beginnings, including why there are just four traditional elements—DJing, MCing, breaking, and graffiti writing—and not others, why the South Bronx and not any other borough or city is considered the cradle of the form, and which artists besides Kool Herc, Afrika Bambaataa, and Grandmaster Flash founded the genre. Ewoodzie answers these and many other questions about hip-hop's beginnings. Unearthing new evidence, he shows what occurred during the crucial but surprisingly underexamined years between 1975 and 1979 and argues that it was during this period that the internal logic and conventions of the scene were formed.

The Ashgate Research Companion to Black Sociology provides the most up to date exploration and analysis of research focused on Blacks in America. Beginning with an examination of the project of Black Sociology, it offers studies of recent events, including the ‘Stand Your Ground’ killing of Trayvon Martin, the impact of Hurricane Katrina on emerging adults, and efforts to change voting requirements that overwhelmingly affect Blacks, whilst engaging with questions of sexuality and family life, incarceration, health, educational outcomes and racial wage disparities. Inspired by W.E.B. Du Bois’s charge of engaging in objective research that has a positive impact on society, and organised around the themes of Social Inequities, Blacks and Education, Blacks and Health and Future Directions, this timely volume brings together the latest interdisciplinary research to offer a broad overview of the issues currently faced by Blacks in United States. A timely, significant research guide that informs readers on the social, economic and physical condition of Blacks in America, and proposes directions for important future research. The Ashgate Research Companion will appeal to policy makers and scholars of Africana Studies, Sociology, Cultural Studies, Anthropology and Politics, with interests in questions of race and ethnicity, gender and sexuality, social inequalities, health and education.

This specialized reference textbook presents the physiological and pathophysiological aspects of cardiovascular diseases affecting the athlete population. The first part is a systematic explanation of the non-invasive and invasive diagnostic techniques used in cardiology. The second part examines the clinical approach to a great majority of the cardiological problems that involve the athlete population. All of the fields discussed in this textbook are treated from physiological and pathophysiological viewpoints, including the clinical and legal implications of athletes affected by diagnosed or unsuspected cardiovascular diseases. As such, this book is a particularly useful contribution to the literature for health care professionals, especially cardiologists (also fellows) and sports medicine physicians, providing them with the knowledge to make critical decisions regarding eligibility, thus preventing tragic events, and especially sudden death the most crucial event in sport.

This volume of articles comprises papers from the 25th annual conference of the Poetics and Linguistics Association (PALA), which was held at the University of Huddersfield, England, in July 2005. The theme of the conference was ‘Stylistics and Social Cognition’, and as usual at a PALA conference, this theme was interpreted very widely by the participants, as the reader of this book will no doubt conclude. At the heart of this volume, there is something of a reaction against the cognitive developments in stylistics, which might be seen as being in danger of privileging the individual interpretation of literature over something more social. The concern is to consider whether there is a more collective approach that could be taken to the meaning of text, and whether recent insights from cognitive stylistics could work with this idea of collectivity to define something we might call ‘commonality’ of meaning in texts. Stylistics and Social Cognition will be of interest to those working in stylistics and other text-analytic fields such as critical discourse analysis and those concerned with notions of interpretation, collective meaning and human communication.

A rich, witty, and accessible introduction to the anthropology of contemporary cultures, Cultural Complexity emphasizes that culture is organized in terms of states, markets, and movements. Hannerz pays special attention to the interplay between the centralizing agencies of culture, such as schools and media, and the decentering diversity of subcultures, and considers the special role of cities as the centers of cultural growth. Hannerz discusses cultural process in small-scale societies, the concept of subcultures, and the economics and politics of culture. Finally, he presents the twentieth-century globalization of culture as a process of cultural diffusion, polycentralism, and local innovation, focusing on periods of intensive cultural productivity in Vienna, Calcutta, and San Francisco.