With the end of the global Cold War, the struggle for human rights has emerged as one of the most controversial forces of change in Latin America. Many observers seek the foundations of that movement in notions of rights and models of democratic institutions that originated in the global North. Challenging that view, this volume argues that Latin American community organizers, intellectuals, novelists, priests, students, artists, urban pobladores, refugees, migrants, and common people have contributed significantly to new visions of political community and participatory democracy. These local actors built an alternative transnational solidarity from below with significant participation of the socially excluded and activists in the global South. Edited by Jessica Stites Mor, this book offers fine-grained case studies that show how Latin America’s re-emerging Left transformed the struggles against dictatorship and repression of the Cold War into the language of anti-colonialism, socioeconomic rights, and identity.

Transnational solidarity movements often play an important role in reshaping structures of global power. Jessica Stites Mor looks at four in-depth case studies in the Global South, which act as a much-needed road map to navigate our current political climate and show us how solidarity movements might approach future struggles.

Offers a fresh interpretation of the social, cultural and ideological foundations that shaped the rapid expansion of the global NGO sector. Kevin O'Sullivan explains how and why NGOs became the primary conduits of popular compassion for the global poor and how this shaped the West's relationship with the post-colonial world.

For decades, Latin America has been plagued by civil wars, dictatorships, torture, legacies of colonialism, racism, and inequality. The region has also experienced dramatic—if uneven—human rights improvements, shedding light on the politics of transformation. The accounts of how Latin America’s people have dealt with the persistent threats to their fundamental rights offer lessons for people around the world. Human Rights in Latin America provides a comprehensive introduction to the human rights issues facing an area that constitutes more than half of the Western Hemisphere. This second edition brings together regional case studies and thematic chapters to explore cutting-edge issues and developments in the field. From historical accounts of abuse to successful transnational campaigns and legal battles, Human Rights in Latin America explores the dynamics underlying a vast range of human rights initiatives. In addition to surveying the roles of the United States, relatives of the disappeared, and truth commissions, Sonia Cardenas and Rebecca Root cover newer ground in addressing the colonial and ideological underpinnings of human rights abuses, emerging campaigns for gender and sexuality rights, and regional dynamics relating to the International Criminal Court. Engagingly written and fully illustrated, Human Rights in Latin America fills an important niche among human rights and Latin American textbooks. Ample supplementary resources—including discussion questions, interdisciplinary reading lists, filmographies, online resources, internship opportunities, and instructor assignments—make this an especially valuable text for use in human rights courses.

As bloody wars raged in Central America during the last third of the twentieth century, hundreds of North American groups “adopted” villages in war-torn Guatemala, Nicaragua, and El Salvador. Unlike government-based cold war–era Sister City programs, these pairings were formed by ordinary people, often inspired by individuals displaced by US-supported counterinsurgency operations. Drawing on two decades of work with former refugees from El Salvador as well as unprecedented access to private archives and oral histories, Molly Todd’s compelling history provides the first in-depth look at “grassroots sistering.” This model of citizen diplomacy emerged in the mid-1980s out of relationships between a few repopulated villages in Chalatenango, El Salvador, and US cities. Todd shows how the leadership of Salvadorans and left-leaning activists in the US concerned with the expansion of empire as well as the evolution of human rights–related discourses and practices created a complex dynamic of cross-border activism that continues today.

With a unique international scope, this timely text traces the impact of the ongoing Cold War on the transformation of the field of Latin American studies in the United States, United Kingdom, Netherlands, Germany, Czechoslovakia, Soviet Union, China, and Cuba. Drawing on unpublished documents, the book highlights how the new generation of academics challenged the mainstream Cold War consensus and opened the field to progressive theoretical currents. This book provides an essential foundation for new directions in the field of Latin American studies for academics and students.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. A City Against Empire is the history of the anti-imperialist movement in 1920s Mexico City. It combines intellectual, social, and urban history to shed light on the city’s role as an important global hub for anti-imperialism, exile activism, political art, and solidarity campaigns. After the Russian and the Mexican Revolution, Mexico City became a space and a symbol of global anti-imperialism. Radical politicians, artists, intellectuals, scientists, migrants, and revolutionary tourists took advantage of the urban environment to develop their visions of an anti-imperialism for the twentieth-century. These actors imagined national self-determination, international solidarity, and an emancipation from what they called “the West.” Global, local, and urban factors interacted to transform Mexico City into the most important hub for radicalism in the Americas. By weaving together the intellectual history of Mexico, the urban and social histories of Mexico City, and the global history of anti-imperialist movements in the 1920s, this books analyses the perfect storm of anti-imperialism in Mexico City.

This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy. Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.

The Cold War claimed many lives and inflicted tremendous psychological pain throughout the Americas. The extreme polarization that resulted from pitting capitalism against communism held most of the creative and productive energy of the twentieth century captive. Many artists responded to Cold War struggles by engaging in activist art practice, using creative expression to mobilize social change. The Art of Solidarity examines how these creative practices in the arts and culture contributed to transnational solidarity campaigns that connected people across the Americas from the early twentieth century through the Cold War and its immediate aftermath. This collection of original essays is divided into four chronological sections: cultural and artistic production in the pre–Cold War era that set the stage for transnational solidarity organizing; early artistic responses to the rise of Cold War polarization and state repression; the centrality of cultural and artistic production in social movements of solidarity; and solidarity activism beyond movements. Essay topics range widely across regions and social groups, from the work of lesbian activists in Mexico City in the late 1970s and 1980s, to the exchanges and transmissions of folk-music practices from Cuba to the United States, to the uses of Chilean arpilleras to oppose and protest the military dictatorship. While previous studies have focused on politically engaged artists or examined how artist communities have created solidarity movements, this book is one of the first to merge both perspectives.

This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.