Lama Wangdu Rinpoche is a contemporary practitioner of the Buddhist Chöd tradition. This autobiography is a delightful portrait of a great meditation master during his personal trials in feudal Tibet and his life in exile. The essence of the book is the authors spirit of ever-giving generosity and wisdom as a Buddhist teacher and healer. A true inspiration in today's world. This autobiography is supplemented by teachings on the transference of consciousness and Kusuli Chöd practice.

This volume strikes a new note in the study of Indian epics-the Ramayana and the Mahabharata. In it, for the first time, mythology is dissociated from the running threads of both the epic texts. The mythology of the two epics of India represents in general the belief of the people of Northern India along the lower Ganges within a few centuries of the Christian era. For the Mahabharata, the time from 300 B.C. to 400 A.D. The Mahabharata as a whole is later than the Ramayana, which is metrically more advanced and the work of one author. The rougher epic form of the Mahabharata, represents a life less rude than depicted in the Ramayana, and work of many hands and of different times. Epic mythology is, however, is fairly consistent. There is no great discrepancy between the character of any one god in the Mahabharata and that of the same god in Ramayana. Nor is the character of gods very different in different parts of the Mahabharata, save for the sectarian tendency to invert the positions of the three highest gods in favour of the sect.

Brahma Purana is one of the most fundamental Puranas and covers all the 5 elements that a Purana was meant to have: Sarga (Creation), Prati Sarga (Creation merging back into the Paramatma), Vamsas (Generations of Rishis and Devas), Manvantaras (Narrations of great kings including those of Surya Vamsa and Chandra Vamsa). Brahma Purana proposes Bhagwan Vishnu as the Ultimate Parabrahma It contains about 246 5 chapters and has a supplemental text known as Gautami Mahatmya that describes the glory of the river Godavari in detail. The glory of Purushottama Kshetra (Puri Jagannath temple) is explained in detail. 11 chapters are dedicated to Yoga (as in meditation; not physical exercises). Structure of Brahma Purana * Chapters 1: 4: General lineage of Devas * Chapters 5: 7 Solar dynasty / Surya Vamsha * Chapters 6: 15: Lunar dynasty / Chandra Vamsha * Chapters 16: 22: Geography, Solar system, Syamantaka Mani (Gem) * Chapters 23: 31: Gloark of Konaditya (Konark) and the Surya Deva including 108 names of Surya * Chapters 32: 38: Parvati's tapas. Marriage of Parvati & Siva, Daksha Yagnya * Chapters 39: 44: Glory of several holy sites including Ekamra, Utkala, Avanti * Chapters 45: 54: History of Markandeya and his vision of the Pralaya (The Great Flood) * Chapters 55: 102: Sri Krishna Avatara * Chapters 103: 126: Description of Hells, Punya, Papa, Sraddha Rituals, Dharma and Virtue * Chapters: 127: 138: Samkhya, Yoga (as in meditation; not physical exercises) and the dialogue between Vasishta & Janaka This book contains chapters 1: 138 and excludes Gautami Mahatmya (which is published as a second part)

A sustained argument for Tibetan independence, this volume also serves as an introduction to many aspects of Tibetan culture, society, and especially religion with a compendium of biographies of the most significant religious and political figures.

Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.

This critical study of the group of remarkably talented poets who flourished in Spain between the First World War and the Spanish Civil War includes copious quotations accompanied by English prose translations. Mr Morris treats his poets as a group, showing how they shared certain themes and attitudes. He begins with a general study of the generation as a whole and then examines the use of tradition; the zest and levity of the Jazz Age; the exaltation of life as a shared attitude; then its converse; the escape from life; and finally the expression in complex imagery of personal tensions and disturbances. These are often 'difficult' poets, but become less so when they are sympathetically examined in this way and in relation to earlier literary traditions. Mr Morris enables the reader to take bearings and establish relationships which are enhanced by reproductions of photographs of the poets.