Power is conventionally regarded as being held by social institutions. We are taught to believe that it is these social structures that determine the environment and circumstances of individual lives. In I Am Dynamite, the anthropologist Nigel Rappaport argues for a different view. Focusing on the lives and works of the writer and Auschwitz survivor Primo Levi, refugee and engineer Ben Glaser, Israeli ceramicist and immigrant Rachel Siblerstein, artist Stanley Spencer, and philosopher Friedrich Nietzsche, he shows how we can have the capacity and inclination to formulate 'life projects'. It is in the pursuit of these life projects, that is, making our life our work, that we can avoid the structures of ideology and institution.

The Times Biography of the Year Winner of the Hawthornden Prize 2019 Shortlisted for the HWA Non-Fiction Prize 2019 Longlisted for the Rathbones Folio Prize 2019 Longlisted for the Cundhill History Prize 2019 Friedrich Nietzsche's work blasted the foundation of western thinking. The death of God, the Übermensch, and the slave morality permeate our culture, high and low, and yet he is one of history's most misunderstood philosophers. Nietzsche himself thought that all philosophy was autobiographical and in this myth-shattering book, Sue Prideaux brings readers into the world of a brilliant, eccentric and deeply troubled man, illuminating the events and people that shaped his life and work. From his placid, devoutly Christian upbringing, overshadowed by the mysterious death of his father, through his lonely philosophising on high mountains, to the horror and pathos of his final descent into madness, Prideaux explores Nietzsche's intellectual, emotional and spiritual life with insight and sensitivity. The book is studded with unforgettable portraits of the people who were most important to him, including Richard and Cosima Wagner, Lou Salomé - the femme fatale who broke his heart - and his rabidly nationalist and anti-Semitic sister Elizabeth, who betrayed him by manipulating his texts and putting them to infinite misuse at the hands of the Nazis. Today, Nietzsche's ideas continue to be adopted by both the left and the right. I Am Dynamite! is the essential biography for anyone seeking to understand the philosopher who foresaw - and sought solutions to - our own troubled times.

'As the primary liberatory project, anarchism - the project which aims at the abolition of all forms of power, control, and coercion - remains entitled to appropriate the work of one of the greatest iconoclasts of all time. And although Nietzsche was rather harsh on his anarchist contemporaries - or more precisely on a type of contemporary anarchist - he nevertheless in some respects shared with them a vision of total transformation. The notion of a transvaluation of all values clearly remains not merely compatible with, but an integral component of the anarchist project, and the idea of philosophy with a hammer underlies the anarchist commitment to radical social transformation.'- John Moore, in "Attentat Art"This collection of essays is intended to examine various dimensions of the interactions between anarchism and Nietzsche. The aim of this volume is twofold: first, to provide instances of the historical appropriation of Nietzsche by anarchists, and second, to provide instances of appropriations and readings of Nietzsche by contemporary anarchist thinkers and commentators.The volume is thus divided into two sections, the historical and the contemporary, or in other words the periods of modernity and postmodernity. The historical section comprises four essays which consider historical appropriations of Nietzsche from a variety of ideological perspectives from the early twentieth century. Daniel Colson provides an overview of Nietzsche and the libertarian tradition and focusses on the appropriation of Nietzsche by French anarcho-syndicalists. Leigh Starcross reconstructs the ideas of Emma Goldman on Nietzsche and thus investigates an important intersection between anarchism, individualism and feminism. Allan Antliff considers the synthesis between anarchism, Eastern traditions and Nietzschean thought effected by Ananda Coomaraswamy, providing an important post-colonialist perspective to the topic. Finally, the modernity section includes the neglected but historically significant 1902 essay by the British anarchist Guy Aldred who provides an early and brief but very sophisticated anarchist reading of Nietzsche. The book's second section explores the relevance of Nietzsche to contemporary anarchism. At the core of this section are five essays-by Andrew Koch, Franco Riccio, Salvo Vaccaro, Saul Newman and Max Cafard-which from different perspectives deal with post-structuralist and post-modern readings of Nietzsche, and consider their appropriateness or otherwise for anarchists. These specific engagements with contemporary interpretations of Nietzsche are complemented by two essays focusing on specific aspects of Nietzsche's work from anarchist perspectives: John Moore provides an anarchist, post-situationist interpretation of Nietzsche's aesthetics, and Peter Lamborn Wilson considers the Islamic dimensions of Nietzsche's philosophy.

God is the greatest dictator, if you accept the fiction that he created the world and also created mankind. If God is a reality, then man is a slave, a puppet. All the strings are in his hands, even your life. Then there is no question of any enlightenment. Then there is no question of there being any Gautam the Buddha, because there is no freedom at all. He pulls the strings, you dance; he pulls the strings, you cry; he pulls the strings, you start murders, suicide, war. You are just a puppet and he is the puppeteer.

Nietzsche's critique of the modern subject is often presented as a radical break with modern philosophy and associated with the so-called ‘death of the subject’ in 20th century philosophy. But Nietzsche claimed to be a ‘psychologist’ who was trying to open up the path for ‘new versions and sophistications of the soul hypothesis.’ Although there is no doubt that Nietzsche gave expression to a fundamental crisis of the modern conception of subjectivity (both from a theoretical and from a practical-existential perspective), it is open to debate whether he wanted to abandon the very idea of subjectivity or only to pose the problem of subjectivity in new terms. The volume includes 26 articles by top Nietzsche scholars. The chapters in Part I, “Tradition and Context”, deal with the relationship between Nietzsche's views on subjectivity and modern philosophy, as well as with the late 19th century context in which his thought emerged; Part II, “The Crisis of the Subject”, examines the impact of Nietzsche's critique of the subject on 20th century philosophy, from Freud to Heidegger to Dennett, but also in such authors as Deleuze, Foucault, Derrida, or Luhmann; Part III, “Current Debates - From Embodiment and Consciousness to Agency”, shows that the way in which Nietzsche engaged with such themes as the self, agency, consciousness, embodiment and self-knowledge makes his thought highly relevant for philosophy today, especially for philosophy of mind and ethics.

The moving, gripping, and tell–all autobiography of Traci Elizabeth Lords, a former child porn queen, electronica maven, and cult movie and TV star. At 14, Nora Kuzma ran away from home and ended up on the dirty streets of Hollywood. She fell in with a fast crowd, and her dreams of modelling soon landed her a spectacular centrefold in Penthouse Magazine, where at 15 she became internationally known as TRACI LORDS. From there she appeared in numerous adult films and magazines, denying her past and battling a deep addiction to cocaine and men. Three years later she got out. This is her memoir–a tale of loss, redemption, and ultimate survival as Traci Elizabeth Lords takes you into her secretive past, faces her demons, and shares her extraordinary journey of personal growth.