This enticing collection of contemporary fiction is a celebration of our ubuntu: the invisible ties that bind us all together. From ancient forest guardians to modern cultural warriors, from grappling with age-old traditions to championing hair identity, these evocative stories explore the duality of Kenyan life and how to find a way between two cultures, both of which are yours. Chemutai Glasheen' s unforgettable characters are drawn from her early life in Africa with all its richness, diversity and complexity.

The Jamun Tree and other stories on the environment provides an insider's viewfrom the villages, of work related to natural resource management. It describes the process by which farmers were motivated and involved to regard the work to be done as their own. It is a narration of the personal experience of people in those village areas where the author worked.Starting the endeavour with just 95 farmers on a mere 18 hectares land, the programme has benefitted over 10,000 farmers by reclaiming over 4,600 hectares in just two years. Till date, with the intervention of the World Bank, a total of 6.25 lakh hectares has been reclaimed and the work is still on. The action taken found an echo with local people as it followed the need of the hour, right there in the field, with innovative techniques and new ideas.

C Survey Ritual Analysis 2008 and Mungiki Survey Analysis 2011 -- Notes -- Bibliography -- Index

Just down the highway from Connecticut’s Gold Coast is the state’s rusty underbelly, the wretched, used-up sort of place where you might find Xhenet Aliu’s Domesticated Wild Things: the reluctant mothers, delinquent dads, and not-quite-feral children, yet dreamers all. These are the children of immigrants who found boarded-up brass mills instead of the gilded streets of America; they’re the teenaged girls raised in the fluorescent glow of Greek diners, the middle-aged men with pump trucks and teratomas. These are people who have fled, or who should have. And if they are indeed familiar, it is because Aliu writes what is real, whether we ourselves, her readers, have seen it up close or not. And her stories make sense in a way that matters. A young mother buys into a real-estate investment seminar offered on an infomercial, only to be put back into her place by a bully in foreclosure. A closeted wrestler befriends a latchkey seven-year-old neighbor who harbors secrets of her own. A YMCA counselor tries to reclaim shoes stolen by a troubled young camper. What they share is a biting humor, an eye for the absurd, and fumbling attempts at human connection, all rendered irresistible—and as moving as they are amusing—by a writer whose work is at once edgy and endearing and prize winning for reasons any reader can appreciate.

The Old Child & Other Stories introduces in English one of Germany’s most original and brilliant young authors, Jenny Erpenbeck. Written in spare, highly concentrated language, "a sustained feat of verbal economy" (Die Zeit), the one novella and four stories in The Old Child go beyond the limits of the expected, the real. Dark, serious, often mystical, these marvelous fictions about women’s lives provide glimpses into the minds of outcasts and eccentrics, at the same time bearing out Dostoevsky’s comment that hope can be found so long as a man can see even a tiny view of the sky.

Junkman and Other Stories brings into razorsharp focus life lived on the edge. The stories are filled with sex and death, love and hate, the desperate dreams and transparent hopes of lowlifes, riffraff and rogues.

“Magical, witty and stunning, João Melo’s stories bring to mind the work of Borges and Ishiguro and some ineffable otherness that is his alone. Discovering his work could be the highlight of a literary career”. Elizabeth McKenzie Catamaran Literary Reader and Chicago Quarterly Review’s editor “Melo’s stories make the banal and everyday dramas of the folk of Luanda extraordinary, and the extraordinary occurrences mundane. Suffused with irony and wit, the messages of these stories contain serious, sometimes tragic underlying truths with which we can all identify. What the Brazilian Machado de Assis did for Rio de Janeiro in the late nineteenth century, João Melo does for his native Luanda in the early twenty-first”. David Brookshaw Emeritus Professor in Luso-Brazilian Studies University of Bristol “Western readers who still assume that African societies haven’t reached modernity would be advised to follow Angolan writer João Melo as he forges his distinctive African postmodernism. These droll, cosmopolitan, self-aware stories, whose narrators are never innocent of the ills of the society they inhabit, shuffle local and universal cultural references in the certain confidence that they are interchangeable”. Stephen Henighan University of Guelph, Ontario Author of The World of After João Melo, born in 1955 in Luanda, Angola, is an author, journalist, and communication consultant. He is a founder of the Angolan Writers Association, and of the Angolan Academy of Literature and Social Sciences. He was professor, advertiser, member of the parliament (1992-2017) and minister (2017-2019). Currently, he lives exclusively from writing, and splits his time between Luanda, Lisbon and Washington, D.C. His works include poetry, novels, articles and essays and have been published in Angola, Portugal, Brazil, Italy, Cuba, Spain and US. A number of his writings had also been translated into French, German, Arabic, and Chinese. Some of his stories and poems translated into English appeared in Words Without Borders, Catamaran Literary Reader, Chicago Quarterly Review, Ellery Queen Mystery Magazine, Olongo Africa, The Shallows Tales Review, Lolwe, A Gathering Together, Iskanchi, Gávea-Brown and Brittle Paper. He was awarded the 2009 Angola Arts and Culture National Prize in literature category.

Distinctively and splendidly adventurous, romantic, historical, and funny, ranging from the harrowing slum of Katakoumbay to the comforts of the developed world, this collection of stories investigates the complexities of human relationships. The language is contemporary and often unrelenting. The book is a timely exposé on the joys and disillusionment of post-independence Africa and the Caribbean. A Suitcase Full of Dried Fish and other stories is written from the viewpoint of characters replete with emotion and stinging dialogue. We read about the secrets of online dating; the trial of a migrant; a polygamous household; a rebel leader; an air steward; a teacher-pupil relationship; the fears of sickness; and a glimpse of the afterlife.

...the most important thing I know about Terry Grimwood - the thing I want everyone else to be aware of - is that he writes one hell of a tale of dark fiction. Gary McMahon, author of the British Fantasy Award nominated novella Rough Cut. Come on, take my hand, don't be frightened, along the way we'll descend deep into the earth, visit worlds where breathing is banned. We'll find out what really happened when the fat lady sang, the Liberator set us free, Cathy's husband came back and why Nathan's hands are as red as blood. We'll revisit Snow White and discover the real and terrible meaning of beauty. Then meet the awful friends of Mike Santini, a young woman who hates the light and is as pale as death and, of course, the Exaggerated Man himself...Terry Grimwood interweaves wry social commentary with lively narrative. Darja Malcom in Strange Horizons Cover illustration and design by Ben Baldwin http: //www.benbaldwin.co.u