Jesus commissioned the disciples...do all that Jesus had commanded them, which included healing the sick, cleansing the lepers, [and] raising the dead...A true disciple should be doing the practical radically And The supernatural naturally. Whether you are a pastor, are involved with a church family, or simply a twenty-first-century believer in Western culture, you have been affected—if not infected—by the present church culture. In this fresh, dynamic book, A. T. Hargrave exposes the impotence of the Western church and, by revelation of the Word of God, raises the hope and necessary truths for change. I See Dead Churches is not meant as a strike against Christ's church but as an insightful and inspired call for her reformation and regeneration. May the realities of the Holy Spirit And The power of the kingdom of God fill you as you read. 'God's heart, found clearly in these writings, gives insight into the kingdom's operations, church life that expresses His body and God's will being done as it is in heaven. These insights will relate To The beginner on the journey or the most mature person. Both beginners and those already equipped will be challenged.' Jim Hylton

Autopsy means to "look for yourself within" or "to see with your own eyes." We will open the spiritual body with the scalpel of God's two-edged sword, the Word of God. As we begin the autopsy of the dead church we immediately find that DNA evidence links every person in the church with an infamous and ancient crime scene--the Garden of Eden. As we continue the autopsy of this dead church we find the fingerprints of a noted murderer and thief all over the body. Like all of us, Satan has certain traits that identify his prints. The dead church has had major brain damage. In some cases there is an enchanting or forceful preacher that has performed a spiritual lobotomy hindering any deep or independent biblical thinking of the people of the church.

Well before “the twist” had become M. Night Shyamalan’s cinematic calling card and spoiler alerts were de rigueur for online movie reviews, there was The Sixth Sense. Written and directed by Shyamalan, who had been working on the script since he was 25, the 1999 film was a landmark in on-screen storytelling and the evolution of the horror and supernatural thriller genres. With a cast that included Bruce Willis, Mischa Barton, Toni Collette, Donnie Wahlberg, and Haley Joel Osment, it earned six Oscar nominations and made Shyamalan a household name overnight, launching a career that would include such movies as Signs, Unbreakable, The Visit, Split, and Old. In I See Dead People, entertainment journalist Mackenzie Nichols weaves together interviews with Shyamalan, the movie’s stars, crew members, and others into an oral history of how this iconic movie was made. Nichols gives a collective account of the unusual filming process—principal photography took place in the soon-to-be-demolished Philadelphia Convention Center, in which cast and crew experienced inexplicable paranormal phenomena—traces the movie’s surprising success and lasting influence, and even speaks with professional mediums about how it shaped public perception of the paranormal. The result is a fascinating, kaleidoscopic, and at times spooky portrait of how one film unexpectedly changed the course of modern moviemaking.

In the past several decades, the issues of women’s ordination and of homosexuality have unleashed intense debates on the nature and mission of the Church, authority and the future of the Anglican Communion. Amid such momentous debates, theological voices of women in the Anglican Communion have not been clearly heard, until now. This book invites the reader to reconsider the theological basis of the Church and its call to mission in the 21st century, paying special attention to the colonial legacy of the Anglican Church and the shift of Christian demographics to the Global South. In addition to essays by the volume editors, this 12-essay collection includes contributions by Jane Shaw, Ellen Wondra and Beverley Haddad, among others.

An initial introduction to the study of Christian theology is both exciting and invigorating for students of its discipline. One can become enameled in the classic perspectives of theology without any consideration of a possible alternative. Defining Salvation in the Context of Black Theology is an exit from the classic conviction that trumpets the doctrine of soteriology attributing its substance to the posture of eternity while ignoring the importance of salvation in the existential. Careful not to reject the question of eternal life, but examining the nuances of the term salvation empowers this work to present the like manner essential that having salvation is just as much about now than it is in the here after.