"If you are no longer a child and affected by ADHD, one thing you will not be short of is advice! I WILL BE THE BEST ME I CAN BE is different because it is written from the author's personal experience. In this second edition he has added a section recounting some events of his life as a student, a doctor and a paediatrician - first to demonstrate that the condition is no excuse for not doing your best to attain your goals and second to help you to better understand the guidelines for using and overcoming ADHD given in Part Two. Part One will prime your mind for the successful use of Part Two - and is also an absorbing and fascinating account of a life lived successfully and against the odds."

This book is intended to encourage the Unbeliever to become a Believer and for the Believer to become a Disciple. It describes the reality of God, Heaven and Salvation and a Personal Testimony by the author is included at the end. It is a must read for everyone who are serious to discover the truth

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.