Examines the fierce controversy over the legacy of Ibn 'Arabi, the great Islamic mystic.

The book is an examination of the apocryphal text known as Book Seven of the Mathnawī, attributed to Rūmī, which has never before been studied. Why was this text was added to Rūmī’s Mathnawī? What were its implications in the Mevlevī centers in 17th-century Ottoman society or in Persian speaking societies in India and Iran? The author has located and analyzed different manuscript versions of the text, discusses possible authors and motives behind its composition: Was Book Seven added on the Indian subcontinent or in the Ottoman Empire? One important aspect of the text being interpreted as Book Seven was a great anxiety over whether Rūmī's Mathnawī had been incomplete, an assumption made by Rūmī's own son Sulṭān Valad as well as by Sufis in India and the Ottoman lands. In addition to a literary examination of Book Seven of Rūmī’s Mathnawī, the study also sheds light on religio-political conflicts between various social groups in Ottoman society in which this text played a major role. By examining İsmāʿīl Anqaravī’s (d.1631) introduction on his commentary, which presents a detailed account of his debate with Mevlevī and Khalvetī Sufis and shaykhs, I argue that Anqaravī claimed authority as the ultimate commentator and Mathnawī-reciter among the Mevlevī Sufis, a claim that was bolstered by his closeness to Sultan Murad IV (d. 1049/1640).

The present volume contributes to research on historic Arabic texts from late medieval Egypt and Syria. Departing from dominant understandings of these texts through the prisms of authenticity and “literarization,” it engages with questions of textual constructedness and authorial agency. It consists of 13 contributions by a new generation of scholars in three parts. Each part represents a different aspect of their new readings of particular texts. Part one looks at concrete instances of textual interdependencies, part two at the creativity of authorial agencies, and part three at the relationship between texts and social practice. New Readings thus participates in the revaluation of late medieval Arabic historiography as a critical field of inquiry. Contributors: Rasmus Bech Olsen, Víctor de Castro León, Mohammad Gharaibeh, Kenneth A. Goudie, Christian Mauder, Evan Metzger, Zacharie Mochtari de Pierrepont, Clément Onimus, Tarek Sabraa, Iria Santás de Arcos, Gowaart Van Den Bossche, Koby Yosef.

This book is a valuable contribution to the study of messianism and millenarianism in the history of Muslim Spain and pre-Modern Morocco presented in a broader framework of research on Muslim eschatological beliefs and Islamic ideas on legitimate power.

'Abd al-Ghani al-Nabulusi (1641 to1731) was the most outstanding scholarly Sufi of Ottoman Syria. He was regarded as the leading religious poet of his time and as an excellent commentator of classical Sufi texts. At the popular level, he has been read as an interpreter of symbolic dreams. Moreover, he played a crucial role in the transmission of the teachings of the Naqshabandiyya in the Ottoman Empire, and he contributed to the eighteenth-century Sufi revival via his disciples. This pioneering book analyzes important aspects of al-Nabulusi's work and places him in the historical context.

This book investigates the intellectual currents among Ottoman and North African scholars of the early modern period.

This project presents the hermeneutical approaches to the Qurʾān of the most prominent Qurʾānic scholars in Islamic intellectual history. Not only scholars who wrote commentaries on the Qurʾān in the narrow sense of the word (tafāsīr) are to be presented, but also those who dealt hermeneutically with the Qurʾān in various ways. The Handbook of Qurʾānic Hermeneutics is the first book that discusses all the hermeneutical fields of the Qurʾān. It will be published in seven volumes.

A highly influential Sudanese reformist thinker, Mahmud Muhammad Taha is regarded as a product of a dual legacy rooted in mystical Islam on the one hand and in the tradition of modernity on the other. Publicly executed in 1985 folowing his conviction of apostasy, Taha offered distinctly original interpretations of the Qur’an and a radical theory of Islamic prayer. In Quest for Divinity, Mohamed Mahmoud presents an in-depth and balanced treatment of Taha’s controversial yet significant thought. The author’s ability to provide access to relevant literature in both Arabic and English offers readers a rare view of the considerable nuance in Taha’s thought. With rich detail Mahmoud explores Taha’s theories of human freedom and his social message, referred to as "the second message of Islam" with its emphasis on political, economic, and social equality. Taha’s embrace of modernity is further assessed relative to his position on science, law, and art-areas that have always attracted Muslim modernists. Quest for Divinity will attract attention to Taha’s compelling but little-known intellectual contribution as a seminal modern reformer of Islam. Such recognition is long overdue and will enrich the current debates on Islam and modernity.

Widely used for centuries in Sufi circles, the prayer known as "The Most Elevated Cycle" (al-Dawr al-a'la) or "The Prayer of Protection" (Hizb al-wiqaya), written by the great Sufi master Muhyiddin Ibn ‘Arabi, has never before been available in English. This book provides a lucid English translation and an edited Arabic text of this beautiful and powerful prayer. It includes a transliteration for those unable to read Arabic, who wish to recite the prayer in the original language. Showing the importance of Ibn ‘Arabi's devotional teaching, the book explores the prayer's contemporary life, properties and historical transmission. It gives full details of generations of well-known scholars and Sufi masters who have transmitted the prayer, providing an intimate and fascinating insight into Islamic history.

Muhyī l-Dīn Ibn `Arabī (1165-1240) was a hugely influential figure in the development of Sufism, yet although interest in his work continues to grow, his poetry has received very little attention. This book is the first full-length monograph devoted to his Dīwān (collected poems). It begins by attempting to define Ibn `Arabī's poetic style and his understanding of poetics, which is closely intertwined with his metaphysics: the rhythms of poetry echo those of creation, and meaning combines with form just as the spirit descends on matter. Drawing on a pre-Islamic theme, he insists that his poetry was revealed to him word for word by a spirit. At the same time, however, his attitude to the function of poetry and its relation to scripture is closer to mainstream medieval Islamic, Jewish and Christian theology than has usually been thought. Denis E. McAuley focuses on close readings of books in unusual verse forms, including poetic responses to chapters of the Qur'an; imitations of earlier poets; poems that use only one rhyme word; and a cycle of poems modelled on the letters of the alphabet. In so doing, he makes frequent comparisons with other Islamic and European poets from the sixth century to the dawn of the twentieth, many of them virtually unstudied. Ibn `Arabī emerges as a highly original poet whose work casts a fresh light on the period and on classical Arabic literature as a whole.