John Mannering (aka ‘The Baron’), retired jewel thief and shop owner in London’s Mayfair, sets off to find a missing girl and subsequently becomes involved in a convoluted plot involving blackmail, theft and murder. There is also danger lurking for Mannering as he nears what he assumes to be the finish, but is it?

Rita Mae Brown collaborates with feline co-author Sneaky Pie Brown in a mystery starring Mary Minor “Harry” Haristeen, the curious cat detectives Mrs. Murphy and Pewter, and Tee Tucker, the valiant crime-solving corgi. Halloween arrives early this year to rural central Virginia, when a twisted killer will stop at nothing to protect a multimillion-dollar scheme. THE LITTER OF THE LAW Autumn has descended and crops are being harvested all over Crozet, Virginia, ideal conditions for a scenic drive for Harry and husband Fair. Bucolic views are all well and good, but Harry’s nose for trouble leads her straight to a cornfield’s macabre scarecrow—an all too real murder victim that frightens all but the noisy crows. This accountant’s gruesome death is only the first of many disturbing events in this normally pastoral corner of the world. While Harry tends her beloved grapes and sunflowers, a killer edges closer—as does Harry’s protective menagerie of animals. Halloween’s approach brings with it bona fide terror and a beloved local tradition that threatens to become fatal. Rooting out the guilty in the treacherous center of a lucrative conspiracy requires Harry’s farmer’s wisdom—along with the quick wits and extraordinary senses of Sneaky Pie, Pewter, and Tucker. A vicious murderer may know the lay of the land far better than Harry does, but that’s about to change. It’s up to her vigilant four-footed companions to make sure that the unearthing of this plot is not Harry’s last act. Praise for The Litter of the Law and the Mrs. Murphy mysteries “As feline collaborators go, you couldn’t ask for better than Sneaky Pie Brown.”—The New York Times Book Review “Enchanting . . . Brown demonstrates once again why she’s the queen of the talking animal cozy subgenre.”—Publishers Weekly “As usual, the smart animals provide clues without getting in the way of the human interactions and plot. This is a strong addition to the popular series.”—Booklist

DigiCat Publishing presents to you this special edition of "The Intimate Letters of Hester Piozzi and Penelope Pennington, 1788-1821" by Hester Lynch Piozzi, Penelope Pennington. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Scholars and readers who are interested in eighteenth-century British literature are surely familiar with Hester Lynch Thrale Piozzi in the light she came to be known in her lifetime and after: first, as the “formidable hostess” of Streatham House, South London, and then as an outcast from respectable eighteenth-century society after she had married the Italian piano teacher of her daughter. As a writer, her importance has long been that of a footnote to Samuel Johnson and as a consequence, she has been part of the official British literary canon only as a character. This volume introduces Hester Lynch Thrale Piozzi as a whole, trying to link her fascinating and subversive biography to her development as a writer, emphasizing the innovative issues of her works, her style and her social and personal beliefs. Piozzi’s biography is an interesting example of the dynamic scene of the late eighteenth century, where she was both conservative and subversive: she was an eccentric, and although her decision to marry the Italian singer and composer Gabriele Piozzi disgraced her, it was through this act of subversion that Hester Thrale Piozzi could finally make her own entrance into the world as a public writer. Once she had transgressed the social codes of so-called “feminine” behaviour, she was also ready to move into the public sphere, publish her works and make money out of them, pioneering several traditional literary genres through her passionate search for professional independence in the literary canon of the eighteenth century.