Published in 1832, Illustrations of Political Economy established Harriet Martineau as both a successful and controversial author and a pioneer of nineteenth-century "social problem" writing. This widely read series of didactic stories popularized political economy, making it accessible to audiences by vividly dramatizing issues such as overpopulation and labour strikes. Illustrations of Political Economy marks a pivotal moment in which literature and politics came together, laying the foundation for the realism and social commentary of later Victorian novels. This Broadview edition contains a critical introduction and a rich selection of historical documents, including contemporary reviews of Illustrations and writings on population growth, factory conditions, and working-class life.

"Political economy is defined in this volume as collective state or corporate support for art and architecture in the public sphere intended to be accessible to the widest possible public, raising questions about the relationship of the state to cultural production and consumption. This collection of essays explores the political economy of art from the perspective of the artist or from analysis of art's production and consumption, emphasizing the art side of the relationship between art and state. This volume explores art as public good, a central issue in political economy. Essays examine specific cultural spaces as points of struggle between economic and cultural processes. Essays focus on three areas of conflict: theories of political economy put into practices of state cultural production, sculptural and architectural monuments commissioned by state and corporate entities, and conflicts and critiques of state investments in culture by artists and the public."--amazon.com edit. desc.

Reproduction of the original: Four Introductory Lectures on Political Economy by Nassau W. Senior